R. Hernández - An Innocent Fashion

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An Innocent Fashion: краткое содержание, описание и аннотация

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“Writing in a fervently literary style that flirts openly with the traditions of Salinger, Plath, and Fitzgerald, Hernández is a diamond-sharp satirist and a bracingly fresh chronicler of the heartbreak of trying to grow up. Honest and absurd, funny and tragic, wild and lovely, this novel describes modern coming-of-age with poetic precision.”
—  The literary love-child of
and
, this singular debut novel is the story of Ethan, a wide-eyed new Ivy League grad, who discovers that his dream of “making it” at leading New York City fashion magazine Régine may well be his undoing. When Ethan St. James graduates from Yale, he can’t wait to realize his dream of becoming a fashion editor at Régine. Born Elián San Jamar, he knew from childhood that he was destined for a “more beautiful” life than the one his working-class parents share in Texas — a life inspired by Régine’s pages. A full ride to the Ivy League provided the awakening he yearned for, but reality hits hard when he arrives at Régine and is relegated to the lowest rung of the ladder.
Mordantly funny and emotionally ruthless, An Innocent Fashion is about a quintessential millennial — naïve, idealistic, struggling with his identity and sexuality — trying to survive in an industry, and a city, notorious for attracting new graduates only to chew them up and spit them out. Oscillating between melodrama and whip-smart sarcasm, pretentiousness and heartbreaking vulnerability, increasingly disillusioned with Régine and his two best friends from Yale, both scions of WASP privilege, Ethan begins to unravel.
As the narratives of his conflicted childhood, cloistered collegiate experience, and existential crisis braid together, this deeply moving coming-of-age novel for the 21st century spirals towards a devastating truth: You can follow your dreams, but sometimes dreams are just not enough.

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“This morning, we’ll get in the rest of the deliveries. Then this afternoon we’ll pack the clothes into trunks. And then tonight we’ll ship it all out,” he finished. “The delivery people will be here to pick up at nine o’clock.”

“Nine tonight?” On first thought, it seemed rather late for an unpaid intern.

“No, of course not, silly,” he said in a saccharine tone, which served as answer enough. “We never stay late. We just leave a few million dollars’ worth of luxury merchandise unattended in the lobby downstairs so that we can have a nice dinner and get a good night’s sleep and be all smiles and polka dots the next morning, like you!”

Five feet away, Sabrina’s voice escalated. “I don’t see what’s so difficult about this request,” she enunciated tersely. “Can’t you just track it right now? Isn’t there a GPS or something?”

“No, ma’am,” a calm voice responded over the speaker, “I’m sorry, I wish we could do more, but—”

“Yes,” Sabrina cut in sharply, “I wish you could too,” and hung up with a crack of plastic. “ Boys! Are you finished with the trunks? I just got an e-mail — our September It Girl has crashed her car on methamphetamines,” she said. “The new It Girl is only available to shoot this week, so in addition to styling the white shoot, Edmund will be styling this second story too.” She stepped out from behind her desk. “Edmund’s It Girl story will be an off-white theme. That means the first story is white —this other one is off-white . They are completely different, so if you mix them up. ” With a special glance in my direction, she left, presumably to discuss an important matter with the fashion editors.

George and I erected a new garment rack for Edmund’s off-white story. Because putting the rack anywhere else would have made it impossible to walk through the closet, we had to place it directly behind our desk so that, as the day went on, the clothes multiplying behind us gave the unsettling impression that a crowd was gathering over our shoulders.

As a proudly visual person, I didn’t disparage the distinction between white and off-white, but I did wonder why Edmund couldn’t think of a theme that was less similar to the one he was already styling for the same issue. The only justification I had for it was that he was a genius, and I just didn’t understand his methods yet.

During the first hour of check-ins, George accidentally hung a faintly cream Dolce & Gabbana slip dress onto the white rack. I said, “Oh, that’s not white, it’s off-white”—not to make him feel bad, but you know, just so he’d be aware — and re-hung it on the correct rack.

From then on he refused to say a word to me, and after photographing the incoming clothes began to leave them in a beigeish heap for me to pick through as his retort. This went on until around two, when Sabrina’s desk phone began to ring nonstop. Usually she picked up on the first ring, or sooner, but she had gone downstairs to pay a deliveryman for her lunch and couldn’t know that, twelve stories above, an incessant trilling demanded her attention. George had bumbled to the kitchenette to make a coffee, and a conservative guess deemed me unauthorized to answer on Sabrina’s behalf, so I let it ring on and on, until suddenly it stopped, and a voice rung out from the other side of the closet wall.

Sa-briiiinnnaaaaaaa, Sa-briiiiinnnnaaaaaaaa !” The sound resembled a fire alarm, which made me wonder — if a fire broke out at Régine , would it be my job to save the clothes?

The closet door burst open, and Clara moaned, “ Sabrina , I have been calling and calling you.”

I started to explain that Sabrina was downstairs, but Clara continued in a wounded tone, “Now look at me — I’ve had to get up.”

The closet now contained so many racks — white and off-white garments lined every available space — that the only part of Clara I could actually see was her high heels, barely visible beneath a wall of hanging fur coats. A flailing hand, followed by a faltering ankle and a progressive ripple through the curtain of fur, suggested her ultimately unsuccessful passage.

“Somebody.?” she called, with a hint of despair.

I managed to announce myself and she exclaimed, “Ethan!” sounding much relieved. “Thank goodness! Please, can you bring us the trunk of off-white gladiator sandals? It’s urgent !”

I was seized with panic. This would be my first time in Clara’s cubicle.

CLARA, WHO WAS THE SENIOR FASHION EDITOR, SHARED A large U-shaped cubicle with Will and Christine, the associate fashion editors. As senior fashion editor, she was the highest-ranking among them and directly below Jane, which meant she oversaw Will and Christine, who oversaw Sabrina, who oversaw George, all of whom oversaw me. Due to this hierarchy, intimate relations between their rank and my own should have been impossible — yet an oversight of office design ultimately made it possible for me to know them extremely well. That is, the wall between my desk and their cubicle outside was so thin, I could hear every last word they said. In a matter of weeks, I would become well-acquainted with them and their daily rundown, which went like this:

Clara and the fashion editors would always take their seats at around 9:45 a.m. There was the booting of computers and the muffled rolling about of office chairs — then one of them always began with, “ Good mooorrrrning , darlings, how was your evening? ” They all spoke like they were in a beauty pageant, with much-extended vowels through strained smiles you could almost hear cracking. The initial response was, “ Lovely, how was yooouuurs? ” followed by abridged retellings of their respective evenings prior, always spent unglamorously at a “ little party with nice people ”; enjoying “ a bit of Riesling in bed with the boyfriend ”; or otherwise engaged in some dull goings-on, which was their sad obligation to reveal to the others.

These unexceptional accounts might have constituted normal office talk were it not for the glaring fact that it was their job to be the most glamorous people in the world. Consequently, they all knew the truth about each other’s boring lives: The “little party” had led to a toast with Marc Jacobs (Clara), and the “Riesling in bed” to sex with a Fortune 500 fiancé (Christine).

To my innocent eye it appeared that the fashion editors were as humble as they were endowed with social grace, at least until my second week, when Clara described an extravagant dinner with Calvin Klein as “simple and charming.” From this gross understatement (images from the supremely un-simple event were posted on every major fashion news site), I finally guessed the reason for their tight-lipped reluctance to divulge: They simply couldn’t trust each other. A position in the palace at Régine could be taken away by a decree as imperious as the one that had given it to them. Just one slipup — a tip-off revealed to the wrong ears, or a secret to the wrong eyes — or a single move that suggested they didn’t meet the standard of gilded perfection that was required, and any one of them could be exiled. Privy more than any outsider to each other’s lives, nobody posed as great a threat to them as one another. Furthermore, they all knew that, as far as their careers were concerned, there was nowhere else they could go. They would always be welcomed with grand fanfare at another proverbial court, yet no other was as fantastic and powerful as Régine —they could hardly do better than their current positions at the top of the masthead. To ascend at all would mean promotion to Edmund’s or Jane’s or even Ava’s role: Each event was inevitable, but how long would it take? And out of the three of them, which one would be chosen? The editors were trapped in the sphere of one another’s ambition — confined in a cubicle every day with their own worst enemies.

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