Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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Where were you?

When you heard about Pearl Harbor. When the atom bomb went off. When Kennedy was killed.

I know where I was when the radio gunner Snowden was killed on the second mission to Avignon, and that meant more to me then than the Kennedy assassination did later, and still does. I was in the tail section of my B-25 medium bomber in a dead faint, after coming around from the crack on the head that knocked me out for a while when the copilot lost control of himself and put the plane into a sheer drop and then wailed on the intercom for everyone in the plane to help everyone else in the plane who wasn't answering him. Each time I came to and heard Snowden moaning and saw Yossarian doing something else in his vain struggle to help him, I fainted again.

Before that mission, I had crash-landed once with a pilot we all called Hungry Joe, who had loud nightmares when he was not on combat duty, and I had ditched once with a pilot named Orr, who they said later wound up safe in Sweden somehow; but I was not injured either time, and I still could not make myself believe it was not honestly only like the movies. But then I saw Snowden with his insides out, and after that saw a skinny man frolicking on a raft at the beach cut in half by a propeller, and I believe now that if I'd thought earlier that either one of those things could occur in my presence, I might not have been able to make myself want to go. My mother and father both knew that war was a more dreadful thing than any of us kids in the neighborhood could picture. They were appalled later when I told them I had been accepted for flying duty as an aerial gunner. Neither had ever been up in a plane. Nor had I, or anyone else I knew.

Both walked with me to the trolley stop on Railroad Avenue, near the second candy store we had on our street. From there I would ride to Stillwell Avenue and, with the three others, take the Sea Beach subway line into Manhattan to Pennsylvania Station to report for duty on my first day in. I learned years later that after my mother hugged me good-bye with a gentle smile and a straight face and I'd gone away on the trolley, she collapsed in tears right there and wept inconsolably, and it was nearly a half hour before my father and my sister could get her back down the street into our apartment.

The day I went into the army my standard of living practically doubled. I was making sixty dollars a month as a file clerk in the insurance company and had to pay my carfare and buy my lunches, or bring them. In the army I was paid seventy-five dollars a month as a buck private from day one, and food and clothes and rent and doctors and dentists were all free. And before I was out, as a sergeant with flight pay, overseas pay, and combat pay, I was making more a month than a government printer and was already closer as a young man to that hundred dollars a week than I'd believed I ever would be able to get.

Where did all that money come from?

As my mother might say, in Yiddish: On Monday one third of the nation was ill-housed, ill-clothed, and ill-fed. And on Thursday there were ten million people in the military making more than most had been able to earn before, and two million civilian employees, and tanks, airplanes, ships, aircraft carriers, and hundreds of thousands of jeeps and trucks and other vehicles pouring out of the factories almost too rapidly to count. Suddenly there was enough for everything. Does all the credit belong to Hitler? Capitalism, my father probably would answer with a smile of resignation, as though for this humane socialist all of the evils of inequality could be clarified in that sinful single word. "For war there is always enough. It's peace that's too expensive."

From that first train ride out from Pennsylvania Station to the reception center on Long Island, I experienced in the army a loss of personal importance and individual identity that I found, to my amazement, I welcomed. I was part of a directed herd, and I found myself relieved to have everything mapped out for me, to be told what to do, and to be doing the same things as the rest. I felt unburdened, more free than as a civilian. I had more free time too, a sense of greater liberty, once the orientation phases were over.

The four of us who'd enlisted together came back unharmed, although I had a pretty bad time of it on both missions to Avignon, and Lew was taken prisoner and kept in a prison camp in Germany for half a year before he was set free by the Russians. He knows what a long shot it was that he survived at all after Dresden was bombed while he was there. But Irving Kaiser, who had been our Toby Tenderfoot in the skit by Joey Heller and me, was blown apart in Italy by artillery fire and I never saw him again, and Sonny Ball was killed there too.

By the time of Vietnam I did know what war was like, and White House wickedness, and I swore to Glenda I would do everything conceivable, legal and illegal, to keep the boy Michael from going if he came even close to passing his physical and being called up. I had doubts that could happen. Even before he was old enough to be on drugs or medication he showed signs of behaving like someone who was. He was good at facts and figures but was lost with things like maps and floor plans. His memory for things statistical was phenomenal. But he was not much good at algebra or geometry, at anything abstract. I let Glenda continue to think he'd been affected that way by the divorce. I outlined heroic plans to move to Canada if the draft board called him. I would even go to Sweden with him if that looked safer. I gave her my word but did not have to keep it.

Lew wanted the paratroops or a tank with a cannon in front to roll over Germans who were persecuting Jews, but wound up in the infantry after training in the field artillery. Overseas, he made it to sergeant when his own sergeant was killed. Even earlier, in Holland, he had taken that position of command when his sergeant grew unsure of himself and began relying on Lew for orders to give. I wanted to be a fighter pilot and fly the P-38, because it looked so fast and flashy. But I had no depth perception, so I became an aerial gunner instead. I saw the posters stressing the need for gunners and volunteered. It was the most dangerous game of all, rumor had it, and it was going to be a cinch. And for me, as it turned out, it pretty much was.

I was small enough to be a ball-turret gunner on a Flying Fortress in England, but luckily nobody noticed, and I wound up as a tail gunner in the sunnier Mediterranean on the easier, safer B-25 instead.

In training, I always liked very much the feel of the grip on the.50 caliber machine gun. I liked being aloft and firing away with real live bullets at tow targets in the air and at stationary targets on the ground, walking the tracer bullets with their white streamers up to them from in front. I learned quickly about inertia and relative movement, that a bomb or bullet from a plane going three hundred miles an hour starts out moving in that same direction at that identical speed, and that gravity is at work from the first instant, and I was put to work at a blackboard occasionally by our first gunnery officer, helping some with difficulties try to understand. I learned electrifying things about Isaac Newton's laws of motion: if you were in motion or the target was, you would never hit it by aiming right at it. I have one that still surprises me: if a bullet is fired from a horizontal weapon at the same moment an identical bullet is dropped at the spot from the same height, they will strike the ground at the same time, even though the first one may land half a mile away. I liked the combat-simulation trainers less, because the guns were not real, although they were almost as diverting as the gun games in the boardwalk penny arcades. You sat in an enclosed contraption and fighter planes of different makes flew at you on a screen from different directions and heights for a fraction of a second, and it was realistically impossible to distinguish friend from foe that quickly and bring your sights to bear and depress the trigger. No one scored impressively on these; on the other hand, no one washed out. Two guys I knew of were reassigned because of fear. From these trainers I grew skeptical: if that was the way it was going to be, the only thing to do was to let go in a general direction as quickly as possible with as many rounds as you could in the few seconds you had. And that is the way it turned out to be, just about everywhere. The side that could bring the most firepower into play was the side that always won.

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