• Пожаловаться

Joseph Heller: Closing Time

Здесь есть возможность читать онлайн «Joseph Heller: Closing Time» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. категория: Современная проза / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

Joseph Heller Closing Time

Closing Time: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Closing Time»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close. But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time. It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang. Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it. Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live." Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive. So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22. Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness. Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

Joseph Heller: другие книги автора


Кто написал Closing Time? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Closing Time — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Closing Time», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

He saw friends, read more, watched television news. He had New York. He went to plays and movies, occasionally to opera, used to always have engaging classical music on one of the FM radio stations, played bridge one or two evenings most weeks in neighborly communal groups of people largely like himself who weite mostly even-tempered and congenial. Each time he listened to Gustav Mahler's Fifth Symphony he was filled with awe and amazed. He had his volunteer work with the cancer relief agency. He had his few female friends. He drank no more than before. He learned quickly to eat by himself, carry-out dishes at home, lunches and dinners in neighborhood coffee shops and small restaurants, meals that were not feasts, reading too at a table alone, his book or magazine or his second newspaper of the day. Occasionally, he played pinochle with others left over from Coney Island. He still was not good. He went out evenings about as often as he wished to.

He was greatly pleased so far on his trip around the world, greatly surprised by his feeling of well-being and his large amounts of satisfaction. It was good again to be out of his apartment. In Atlanta and Houston with his daughters and their husbands and children he had at last reached a stage at which he found himself sated with their company before any of them showed signs of growing restless with his. He must be feeling his age, he offered in apology early each evening, before departing for the night. He insisted always on staying in nearby hotels. In Los Angeles he was still in lifelong harmony with Winkler and his wife. They all three tired in perfect coordination. He had a few good dates with his nephew and his family and was genuinely charmed by the precocious brightness and beauty of the children. But between himself and all the young adults with whom he found himself, he had to concede that more than a generation gap divided them.

Once outside New York, he was thankful he had taken his cassette player and tapes and some books of solid content that demanded studious involvement.

In Hawaii he sunned himself in daytime and finished rereading Middlemarch. Knowing better what to expect, he was able to appreciate it richly. In his two evenings there he had dinner with the former wife of his old friend and her present husband, and with the woman, now single, he'd worked with at Time magazine, with whom Glenda had been acquainted too. Had she invited him home to spend the night with her, he would have certainly consented. But she did not seem to know that. Lew or Yossarian would have managed it better.

He looked forward keenly to the two weeks in Australia with old good friends, also from his days back at Time. He had no hesitation about staying in their house in Sydney. He and Glenda had been there together one time before. The man walked with metal canes. A long time had passed since they'd last come to New York. In the narrow pool outdoors, on the harbor side of the house, he would swim thirty or sixty laps before breakfast-Sam was not sure he remembered which-and another thirty or sixty soon after, keeping his torso hefty enough to continue moving about on the canes and in the car with hand controls he'd been using since the illness that had rendered him paraplegic forty years back. From the hips up he probably would still have the brawny body of a weight lifter. They had five grown children. Sam was eager to see them again too. One was in agriculture in Tasmania, and they planned to fly there for two days. Another ranched, a third did work in genetics in a laboratory in the university in Canberra. All five were married. None had been divorced.

Sam left Hawaii on an Australian airliner in dead of night and was scheduled to arrive in Sydney after breakfast the next morning. He read, he drank, he ate, he slept and wakened. Daybreak came stealing in with a dingy dawn, and the sun seemed slow in rising. Clouds lay unbroken below. What light appeared remained sunken on a low horizon and continued dim. To one side of him the sky was navy blue, with a full yellow moon hanging low and distant like a hostile clock; on the other, the sky looked gray and black, almost the color of charcoal. High above, he saw snowy contrails cross the path of his own plane, in a ghostly formation traveling eastward at a speed more swift, and assumed they came from a military group on morning maneuvers. There was some consternation in the cabin crew when the radio system first went silent. But the other navigational systems remained operational, and there was no cause for alarm. Earlier there was a vague news report of an oil tanker colliding with a cargo ship somewhere below.

Sam Singer soon had going on his cassette player a tape of the Fifth Symphony of Gustav Mahler. Listening again, he discovered more new things he treasured. The remarkable symphony was infinite in its secrets and multiple satisfactions, ineffable in loveliness, sublime, and hauntingly mysterious in the secrets of its powers and genius to so touch the human soul. He could hardly wait for the closing notes of the finale to speed jubilantly to their triumphant end, in order to start right back at the beginning and revel again in all of the engrossing movements in which he was basking now. Although he knew it was coming and always prepared himself, he was expectantly bewitched each time by the mournful sweet melody filtering so gently into the foreboding horns opening the first movement, so sweetly mournful and Jewish. The small adagio movement later was as beautiful as beautiful melodic music ever could be. Mostly of late in music he preferred the melancholy to the heroic. His biggest fear now in the apartment in which he dwelt alone was a horror of decomposing there. The book he was holding in his lap when he settled back to read while listening was a paperback edition of eight stories by Thomas Mann. The yellow moon turned orange and soon was as red as a setting sun.

Acknowledgments

If I hadn't thought it better to present this novel without introductory statements, I would have dedicated it to Valerie, my wife, and again, as at first, to my daughter, Erica, and my son, Ted. I would have extended the dedication to Marvin and Evelyn Winkler, husband and wife, and to Marion Berkman and the memory of her husband, Lou-friends since childhood to whom I feel thankfu for more than their encouragement, assistance, and cooperation.

Michael Korda proved a formidable and perfect editor for me, responsive, critical, blunt, appreciative.

One chapter of this novel, by droll coincidence the one titled "Dante", was prepared and written while I was a resident guest at Lake Como, Italy, at the Bellagio Study and Conference Center ol the Rockefeller Foundation. The enjoyments and conveniences there were inimitable, and we, Valerie and I, remain grateful to all involved for the hospitality and work facilities and for the warm friendships we made with fellow residents that are still maintained.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Closing Time»

Представляем Вашему вниманию похожие книги на «Closing Time» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


libcat.ru: книга без обложки
libcat.ru: книга без обложки
Джозеф Хеллер
John Miller: Death Draws Five
Death Draws Five
John Miller
Alexandra Kleeman: Intimations: Stories
Intimations: Stories
Alexandra Kleeman
Joseph Heller: Catch-22
Catch-22
Joseph Heller
Отзывы о книге «Closing Time»

Обсуждение, отзывы о книге «Closing Time» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.