Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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Removing from her dark hair hot rollers of fair blue that closely matched the color of her eyes and applying lipstick and other cosmetics as though for an evening out-she had reason to wish to look her best-nurse Melissa MacIntosh made up her mind again to try to make up her own mind at lunch with John Yossarian in the disagreement over whether to keep her appointment with the obstetrician to preserve her pregnancy or the one with her gynecologist to take steps to terminate it. She had no clue of anything dire happening elsewhere.

She understood his unwillingness to marry again so soon. She helped herself to another chocolate from the one-pound box so close at hand. The candy had come as a gift from the Belgian patient and his wife the day he left the hospital, alive, after nearly two years. She was relieved the Belgians were flying back to Europe, for she had a propensity for empathetic attachments and wanted her mind free to cope with this predicament of her own.

Yossarian could give very sound reasons against fatherhood again for him now.

They made no impression. He was better and quicker in argument, and therefore, to her mind, trickier. She could admit to herself, and to her apartment mate, Angela, that she did not always think things through clearly and was not unfailingly much good at looking ahead.

However, she would not see that as a weakness.

She had something Yossarian did not: confidence, a belief that everything must turn out all right in the end for people like herself, who were good. Even Angela now, since Peter's stroke, wearying of pornography and work, putting on fat and concerned about AIDS, was talking with longing of returning to Australia, where she still had friends and family, and a favorite aunt in a nursing home, whom she hoped to start visiting. If Angela had to start thinking about condoms now, she would just as soon give up sex and get married.

Yossarian made much of that matter of years and had almost neatly tricked her again-she congratulated herself on having thwarted him-just two evenings before.

"I'm just not afraid of anything like that," she let him know defiantly, with her backbone stiffened. "We would get along without you, if we had to."

"No, no," he corrected, almost maliciously. "Suppose you are the one who dies soon!"

She refused to consider talking further about that. That picture of her infant daughter with only a father past seventy was too complex a tangle for her to seek to unravel.

She knew she was right.

She had no doubt Yossarian would be adequate with financial help, even if she persisted despite him and they no longer continued as a couple. She knew in her gut she could trust him for that much. It was true he was less frequently fervidly amorous with her than he had been in the earliest stages. He no longer teased about shopping together for lingerie, and he had not yet taken her to Paris or Florence or Munich to buy any. He sent roses now only on birthdays. But she was less amorous too, she reflected now with some contrite misgivings, and occasionally had to remind herself, cerebrally, to strive more lasciviously to achieve the feats of gratifying sensuality that had sprung more normally between them in the beginning. She acknowledged, when Angela asked, that he never seemed jealous anymore and no longer showed interest in her sexual past. He rarely even wanted to take her to the movies. He had already mentioned with no anger and small discontent that, even into the present, he had never found himself with a woman who over a continuous liaison desired to make love as often as he did. She searched back to discern if this had been true with other men who had been her friends. For that matter, he was not working as hard as before to please her either and was not much concerned when he saw he'd failed to.

She did not feel any of that mattered.

Melissa MacIntosh knew she was right and could not see that there was anything wrong in what she wanted. She was a woman who spoke of "gut feelings," as she chose to describe her dogmatic intuitions, and her gut feeling now was that if she was patient, if she simply stuck to her guns and remained tolerantly inflexible, he would, as usual, ultimately consent to whatever she wanted. On this matter of her child, he had powerful arguments. She had one weak one, and that was enough: She wanted the baby.

The thought that he might not even appear at the restaurant to argue further did not cross her mind until she was checking the small flat before leaving. She shook it right off in an impulse of terror rather than even begin to contemplate what that defection might signify.

She'd put on high heels to look all the better and walked out rapidly with footsteps clicking seductively.

Outside the apartment, near the corner toward which she proceeded for a taxicab, she saw, as expected, maintenance trucks from the Consolidated Edison Company, with men tearing downward through the asphalt making improvements or repairs. They were always there, these men from the lighting company, almost since the beginning of time, it seemed to her, as she hurried past with her high heels clicking. She was engrossed in the specifics of the looming confrontation, and she scarcely noticed that the heavens were darker than natural for that time of day.

Out of the hospital finally after so long a time, the Belgian patient was flying back to Brussels and his executive position with the European Economic Community. He talked of himself humorously as "the sick man of Europe." He was in decent health, ebullient in nature but lesser in weight, and very much a weaker man, minus one vocal cord, a lung, and one kidney. Advised to give up spirits, he had been limiting his drinking to wine and beer during the two weeks of outpatient care since his discharge.

Through the dotlike circular opening in his neck, left permanent by a plastic implant for suctioning or intubation, and through which, when he wished to clown, he was able to speak, he inhaled cigarette smoke and wheezed contentedly. He was forbidden to smoke, but concluded that way didn't count. His playful, frolicsome wife, joyous to have him back alive, smoked for him also. With practiced skill and puckered mouth, she would inhale from a cigarette of her own and, kittenish, feed, in slim direct jets, cigarette smoke into him accurately through the surgical aperture with its plastic cylinder and removable cap. Then, if at home, they would cuddle, kiss, tickle, and try to make love. To their delight and their amazement, they succeeded more regularly than either of them would have thought likely not long before. He now was normally concealing the prosthetic fixture from outsiders with a high shirt collar and large knot in his necktie or with an ascot, scarf, or colorful neckerchief. He discovered in himself a weakness for polka dots. With his wife only, this sick man of Europe shared an additional secret, his absolute belief that nothing he, his colleagues, or any organization of experts could do would have any enduring corrective effect on the economic destiny of his continent or the Western world. Humans had little command over human events. History would follow its autonomous course independent of the people who made it.

On his leaving the hospital, the two had hosted a small celebration in his room and given to each of the nurses and other staff members a bottle of champagne, a one-pound box of Fanny Farmer chocolates, and a carton of cigarettes. They would have given cash too, a one-hundred-dollar bill to each, but the hospital frowned on gifts of money.

In planes, the Belgian patient and his wife ordinarily booked first class but enjoyed spending part of the time each trip in coach seats for the closer proximity of their persons and the intimacy that permitted them to press their thighs and arms against each other with risque naughtiness while they smoked and, beneath the cover of blankets, to fondle and masturbate to climax each other's genitals.

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