Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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People don't want to know that the ancient battle of Thermopylae and the heroic Spartan stand to the last man there was not a Greek triumph but a crushing defeat. All that valor was wasted. It's the kind of fact I like to throw out at people to shake them up a little and get them going.

I had faith in my machine gun, but it never crossed my mind that I would always be firing away at someone who would be flying in to fire at me.

I liked the horsing around and I found myself friendly with more people I enjoyed than I'd had even in Coney Island. In the army I had personality advantages. I had read more and knew more. I found it practical to let people learn right off that I indeed was as Jewish as they might have guessed, and I would find some way of working that in and adding as well that I was from Coney Island in Brooklyn, New York. I had uncomplicated and close relationships with people with names like Bruce Suggs from High Point, North Carolina, and Hall A. Moody from Mississippi, with Jay Matthews and Bruce J. Palmer from different places in Georgia, who did not exactly like each other, with Art Schroeder, and with Tom Sloane from Philadelphia. In a barracks at Lowry Field, Colorado, where I was shipped for power-turret training, I saw hostility and threat from Bob Bowers, who also was from Brooklyn, from a rougher neighborhood of Norwegians and Irishmen that was known to us for its anti-Semites, and John Rupini, from somewhere upstate, and we were notably careful to keep out of each other's way. I knew how they felt and they knew that I knew, and they were almost equally unfriendly with just about everyone else. Lew would have had it out with them right off the bat, I suppose. In a poker game the second or third day on the troop train carrying me from Arizona to Colorado, I thought I heard one of the other players say something about a Jew, but wasn't sure. Then the one opposite me, who had already said he was from a small place down south, smirked and remarked, "We've got some too, that own a clothing store. You ought to see how they look." Now I was sure and knew I had to speak up.

"Just one moment, please, if you don't mind," I told him abruptly and somewhat pompously. Inwardly, I was rattled. It was not my voice. "But I happen to be Jewish and don't like to hear you talking that way. I'll leave the game right now if you want me to. But if you want me to keep playing, you have to stop saying things that hurt my feelings and make me feel bad. I don't know why you want to do that to me anyway."

The game had come to a stop, and we swayed and listened to the sound of the train. If I left the game, Lesko would leave with me, and if it came near anything violent, they knew that Lesko would be on my side. But the one I'd spoken to, Cooper, was stricken with guilt and mumbled his apology. "I'm sorry, Singer. I didn't know you were."

Lew would have broken his back, I guess, and gone to jail. I had made a temporary friend of someone who always wanted to atone. Lew is Lew, and I am not.

My name is Samuel Singer, no middle initial-Sammy NMI Singer-and I was born short and grew up smaller than most and physically unimpressive. Not like another good neighborhood friend, Ike Solomon, who was no taller but had burly biceps and a deeper chest and could lift weights and enjoy himself on a chinning bar. All my life I've been wary of fistfights, so I've done what I could not to get into any. I could be witty and sympathetic, and I have always managed to make friends. I've always been good at getting things going with needling questions and keeping a conversation lively with the clever revelations of iconoclasm.

"Do you think the country would have been better off if we'd lost the Revolutionary War against the British?" I would inquire searchingly, as though really mystified, and was ready with critical questions for whatever answer came.

"If Lincoln was so smart, why didn't he let the South secede? How would it hurt as much as the war did?"

"Is the Constitution constitutional?"

"Can democracy ever be created democratically?"

"Wasn't the Virgin Mary Jewish?"

I knew things other people didn't. I knew that if we walked into a floor of any barracks with no fewer than forty people, there would almost always be two with the same birthday, and half the time another two who shared a different birthday. I could make bets even with people from Nevada and California that Reno, Nevada, was farther west than Los Angeles, and almost make bets with them a second time after we'd looked it up, so determined were they to cling to an old concept. I've got one ready for the cardinal should I ever find myself sitting next to him and feel like fooling around.

"Whose genes did Jesus have?" And with a look of innocence I would remind, when given whatever response the poor figure could find, that he was born as a baby and grew to a man, and was circumcised on the eighth day.

In class in gunnery school I did come close to trouble with the decorated warrant officer instructing us when he remarked that the average life of an aerial gunner in combat was three minutes and later invited questions. He had completed his tour of duty in a B-17 with the battered Eighth Air Force in England, and I wasn't baiting him-I was curious.

"How could they tell, sir?" I asked, and I've never trusted surveys and estimates since.

"What do you mean?"

"How could they measure something like that? Sir, you must have been in combat for at least an hour."

"Much more than one hour."

"Then for every hour you lasted, nineteen others had to die in even less than the first second to average out to three minutes. And why is it more dangerous for gunners than for pilots and bombardiers? Sir, they're shooting at the whole plane, aren't they?"

"Singer, you're a wiseass, aren't you? You hang on a bit when the others go."

He let me know that I must never contradict him in the classroom again and introduced me to what I later came, with Yossarian, to call the Korn Laws, after Lieutenant Colonel Korn in Pianosa: under Korn's laws, the only ones ever permitted to question ainything were those who never did. But he put me to work tutoring others with simple examples from algebra and geometry in the reasons one must always shoot well ahead of a target moving in relation to you-and in order to shoot ahead of a plane you had to shoot behind. If a plane is so many yards away and a cartridge travels at so many yards a second, how many seconds will it take for your cartridge to reach it? If the plane is traveling at so many feet per second, how many feet will it travel by the time the bullet reaches it? They saw it in practice in the hours we spent skeet shooting and firing on the gunnery range from a moving truck. But though I taught it and knew it, even I had trouble with the principle that you fired ahead of a plane coming in on attack by always aiming behind it, between the target and your tail, because of the forward airspeed of the bullets from your own plane land the swerving path that plane would have to follow to fire in front of you.

The friends I've made have always been of a generous nature. And somehow or other, a bigger, tougher guy was always around as a buddy in case things went wrong, like Lew Rabinowitz and Sonny Bartolini, one of the bolder Italians in a family in Coney Island. And Lesko, the young coal miner from Pennsylvania, whom I'd met in gunnery school. And Yossarian in operational training in Carolina and later in Pianosa in combat, after the five of us, Yossarian, Appleby, Kraft, Schroeder, and I, had flown overseas as a crew.

The fear of being beaten up had always been with me, looming larger in my meditations than the fear of being shot down. In South Carolina one night, it began to come to pass. This was after another training flight into darkness in which Yossarian could not find his way around to places like Athens, Georgia, and Raleigh, North Carolina, and Appleby from Texas again had to bring us back with his radio compass. We had gone to our enlisted men's mess hall for a midnight meal, Schroeder and I and Yossarian. The officers' club was closed. Yossarian was always hungry. He had taken off his insignia to pose as an enlisted man, with a right to be there. People were always milling around outside at night. As we moved through them, I was jostled suddenly by a big, drunken lout, a private, bumped so hard as to leave no doubt the act had been deliberate. I whirled around with instinctive surprise. Before I could speak, he was at me, he shoved me furiously backward into a group of soldiers who had already turned to watch. It was happening almost too fast to understand. While I was still dumbfounded, staggering, he came charging after me with his arms raised and a fist cocked back to punch. He was taller than I and broad and heavier too, and there was no way I could fend him off. It was like that time I had tried to teach Lew how to box. I could not even run. I don't know why he picked me out and can only guess. But then, before he could strike, Yossarian was there between us to break it up, with his arms extended and his palms open, urging him to hold it, attempting to cajole him into calming down. And before he could even complete his first sentence, the man let go and hit him squarely on the side of the head and then hit him hard again with a punch from his other fist, and Yossarian went falling back in a helpless daze as the man followed up, hitting him about the head with both hands while Yossarian reeled with each blow, and before I knew what I was doing, I had flung myself forward to grab one of the man's thick arms and hang on. When that didn't work, I slid down to grasp him about the waist and dug my feet into the ground to strain with all my might to shove him off balance if I could. By that time Schroeder had also pounced on him, from the other side, and I heard Schroeder talking away. "You dumb fuck, he's an officer, you dumb fuck!" I could hear him rasping into the man's ear. "He's an officer!" Then Yossarian, who was pretty strong himself, was at him from in front and managed to tie up both his arms and propel him backward until he lost his footing and had to hold on. I felt all the fight go out of him as Schroeder's words sank in. He looked sick by the time we turned him loose.

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