Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"I taught you to dance," I hinted.

"Then I'll show you how we do it," she agreed. "But you mustn't put it in. You must promise me that. Now stand back a minute and let me twist myself a little. That's better. See? Oh, that's a very nice one you have, isn't it? And all ready to go like the best little boy, ain't he?"

"I was circumcised by a sculptor."

"Now, not so fast, Sammy honey. And not so quick. Not there, baby, not there. That's almost my belly button. You've got to learn to give me a chance to put my thing up there where you can get at it. That's why we call it putting out, honey, see? Now, I'm not going to do that for you tonight. Understood? Come back a little closer. That's more like it, right? But you mustn't put it in! Don't put it in! You're putting it in!"

This last was a cry that could have shaken the neighborhood. She bounced about under me wildly for about fifteen seconds or so, trying frantically to wriggle free, and all I was trying to do was raise my weight to help, and then the next thing I knew I was up and watching myself shoot in midair across the hood of the car. The stuff spurted a mile. Shoot is just the right word for a boy of nineteen or twenty. When a man is past sixty-eight, he comes. When he can. If he wants to.

I never thought I'd be this old, wake with stiff joints, and have nothing really to occupy myself with most days but my volunteer fund-raising work for cancer relief. I read late at night, as the poet said, and many mornings too, and go south in the winter with a lady friend with a house in Naples, Florida, to be near the ocean, and sometimes to a daughter who lives in Atlanta and sometimes to Houston, Texas, to visit my other daughter, who lives there with her husband. I play bridge and meet people that way. I have a small summer house in East Hampton, near the ocean, with one guest room with a private bathroom. Each time Lew goes back into treatment, I travel to see him at least once a week by bus from the bus terminal. It takes all day. I never thought I'd live longer than he would, and maybe I won't, because in the long remissions he's enjoyed in the more than twenty years I've known about his Hodgkin's disease, he is hardier than I am and does much more. This time, though, he seems thinner longer, downhearted, fatalistic, but Claire, who talks to Teemer, is more concerned about his mental attitude than his illness.

"I'm sick of feeling nauseous," he told me last time, when we were talking alone, as though getting ready to give up, and I could not tell if he was intending a joke.

So I tried one of my own. "The word is nauseated."

"What?"

"The correct word is nauseated, Lew. Not nauseous."

"Sammy, don't be a prick again. Not now."

He made me feel foolish.

It's not in the cards for me to live with my children when old. so I've put money away for my nursing home. I am waiting for my prostate cancer. I might marry again soon if my well-off widowed lady friend ever overcomes her pecuniary mistrusts and tells me we ought to. But for how long? Seven more years? I do miss family life.

Glenda decided the one outside the dance hall didn't count "Cheese!" she said with a laugh, shaking her head in disbelief whenever we recalled that experience. "You didn't know anything, did you?"

"No, I didn't."

"And don't try that come-help-me act now."

It was not always solely an act. Just about all the women I've ever been with seemed always to have had more experience than I did. There are two kinds of men, I think, and I belong to the second kind.

She herself had done it: first in college her first time away from home, with the man she married soon after graduation, who came down with cancer before she did, with his melanoma, and then married two more times, and even fathered another child. I didnw get my chance to go to college until after the war, and by then it was hardly much trouble getting a girl to go to bed, because I was less inexperienced, and most girls were doing it too.

Appleby made it to Ascension Island from Natal in Brazil navigating all the way by radio compass, with an auxiliary fue tank installed in the bomb bay for the extended journey. He had no, faith left in Yossarian's compass directions. Yossarian had none either and was offended only slightly. Appleby was the one with the growing grudge. The gamble in relying only on the radio compass, I found out from Yossarian, who'd learned at least that much, was that we approached the island eight hours away on a circular path instead of straight on and consumed more gasoline.

I learned more about war and capitalism and Western society in Marrakech in Morocco when I saw affluent Frenchmen drinking aperitifs on the terraces of luxurious hotels with their children and well-turned-out wives while they bided their time complacently until others invaded at Normandy and later in southern France to recapture their country and enable them to return and regain their estates. At the immense American replacement center in Constantine in Algeria, where we waited two weeks for our final assignment to a bomber group, I first learned a little bit specific about Sigmund Freud. There, I shared a tent with a medical assistant, older than I, also waiting assignment, who also wished to write short stories like William Saroyan and was also positive he could. Neither of us understood that there was no need for more than one Saroyan. Today we might conclude from the insignificance of Saroyan that there had not been great need for even one. We exchanged books we had finished.

"Do you ever have dreams your teeth are falling out?" he inquired of me slyly one day apropos of nothing else we were discussing. We had nothing to do while we sat around waiting. We could play softball or volleyball if we chose. We'd been cautioned against going into Constantine to roam about carelessly for whiskey or women, cautioned by the tale of a murdered GI who'd been found castrated, with his scrotum sewn into his mouth, which we thought probably apocryphal. We ate from mess kits.

His question hit home. I reacted with a start, as though discovering myself with some magical mind reader. "Yeah, I do dream that!" I admitted gullibly. "I had one last night."

He nodded smugly. "You jerked off yesterday," he alleged, with no hesitation.

"You're full of shit!" I answered right back heatedly, and wondered guiltily how he had found out.

"It's no crime," he defended himself reassuringly. "It isn't even a sin. Women do it too."

I put no trust in that last part then. I would be surprised, he guaranteed.

After landing at Pianosa we looked around with enchantment at the mountains and woods so near to the sea as we waited for the vehicles that would drive us with our bags to the orderly room of our squadron to report with our orders and receive our tent assignments. It was May and sunny, and in all ways beautiful. Not much was stirring. We were relieved to find ourselves safely there.

"Good job, Appleby." Yossarian commended him humbly speaking for all of us. "We would never have made it if you'd had to rely on me."

"I don't much care about that part," Appleby told him unforgivingly, in his moderate Texas accent. "You broke regulations and I said I would report you."

In the orderly room, where we were welcomed by the obliging first sergeant, Sergeant Towser, Appleby could hardly restrain himself until the formalities were completed. Then, through tightened lips in a face just about quivering with insulted fury, he asked, demanded, to see the squadron commander about the daily insubordination of a crew member who'd refused to take his Atabrine tablets and had disobeyed direct orders to do so. Towser repressed his surprise.

"Is he in?"

"Yes, sir. But you will have to wait a bit."

"And I would like to speak with him while all of us are still here together, so the others can bear witness."

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