Joseph Heller - Closing Time

Down the block toward Sixth Avenue, their job interviews for executive positions over, the line of well-dressed beggars in three-piece business suits had already taken up station, some soliciting alms with outstretched paper drinking cups from McDonald's, others looking almost too insensible to beg, their staring faces sunk to the neck into their bodies below. Across the street was the skating rink, reflecting the brilliant space of its own presence with a marvelous clarity. The rising, boxed structures of the office buildings around it climbed in slabs of windowed stone like flat, dull monoliths carved by a single mason. One pausing to listen could easily distinguish the resonance of trains traveling beneath the ground and feel the vibrations issued by their frictions. On street level, in letters cut in stone or in mosaics on small round escutcheons of gold and blue, appeared the epigraph of the principal corporate tenant in each of the buildings. Soon, when the existing lease was renegotiated, the old Time-Life headquarters would be renamed as the new M amp; M Building.

On the loftiest construction of all in that complex architectural exploit, at number 30 Rockefeller Center, a transformation of notable significance had already taken place. The institutional name of the original corporate tenant, the Radio Corporation of America, a famed organization pioneering in radio and television broadcasting and the production of popular, vulgar entertainments for grateful international multitudes, had been expunged without trace and replaced by the epigraph of the grander business entity that had bought it, the General Electric Company, a leading producer of military wares, locomotives, jet airplane engines, river pollutants, and electric toasters, blankets, and lightbulbs suitable for home use.

The synthetic gold used in the lettering of the newer name was of a longer-lasting glisten than real gold and, though poorer, of better value. Overlooking the skating rink was an airy metal sculpture of a male figure in polished lemon-yellow gilt, alleged to be a representation of the mythical Prometheus, an incongruous choice overlooking ice for the demigod who had brought fire to man.

"Come cross," said Yossarian prudently, to get out of the way of youths in sneakers and high spirits bearing down toward them fearlessly through black and white pedestrians hastily clearing an opening.

At the rink itself, on the oval of ice below street level, a cleansing intermission between sessions was in progress, performed by grinning Japanese attendants on ice skates with red jackets and green jockey caps and conspicuous button badges on lapels, with a cartoon drawing of a grinning pink face with too many teeth on a glossy white background. Moisture sparkled in drops like frozen tears atop the prominent cheekbones of the Asiatic workers in red and green. In gentle coordination these uniformed attendants of subservient mien now sporting the Tilyou Steeplechase insignia on snow-white buttons glided their machines smoothly over the blade-scarred surface of the ice, applying a fresh coat of water for a new frigid glaze for the next bunch of newcomers. The earliest among them were already on line; almost all were eating something, raw fish and rice, salt-covered bagels, or a southern pork barbecue sandwich, with nothing more to do until the hour struck.

Recalling Dante, Yossarian was unable to name what lay beneath that lake of ice in hell, if not the domain of shaggy, hideous Satan himself. He knew what underlay the skating rink and the buildings around it: refrigeration tubes for the ice, water mains, electric cables, telephone lines, pipes of steam to bring heat in winter to the offices. And also below street level were the pedestrian passageways fanning out on different courses with shops that were no longer smart, and at least one subway line from another borough with transfer points to other lines in other directions. It took ages, perhaps, but a rider with time could make connections to just about anywhere he had to go.

"Cross back," said Yossarian again, rather than brush by the middle-class mendicants, whose stupefied faces always discombobulated him. He had not thought American free-market capitalism had undone so many of its disciples.

A chorus of chittering laughter behind him caused him to look back toward one of the liver-spotted marble planters on the observation level. He saw a redheaded man with a walking stick and a loose green rucksack obligingly taking snapshots of a merry pack of subdued, dark-haired, Oriental tourists. Yossarian had the idea he had seen him before. The man had thin lips, orange lashes, a straight, sharp nose, and his face was of the fragile, milk-white complexion not uncommon among people with hair that color. As he gave back the camera, he turned Yossarian's way with an arrogant air that implied he knew perfectly well precisely the person he was going to find. Their eyes locked, and all at once Yossarian thought he had met him before, at the North Cemetery in Munich at the entrance to the mortuary chapel at the start of the famous Mann novella, the mysterious red-haired man whose presence and swift disappearance had been unsettling to Gustav Aschenbach- one glimpse and he was out of sight, gone from the story. This man flaunted a fuming cigarette recklessly, as though equally contemptuous of him and cancer. And while Yossarian stared back at him in defiant and indignant scrutiny, the man grinned brazenly, and Yossarian suffered an inner shudder just as a long, pearl-white limousine with smoked windows eased to a stop between them, although there were no cars in front. The car was longer than a hearse, with a swarthy driver. When the limousine drove forward again, he saw wide streaks of red on the ground disfigured by tire treads, like blood dripping from the wheels, and the man with red hair and green rucksack was gone. The Asians remained with faces turned upward, as though straining to read some inscrutable message in the blank walls and vitreous mirrors of the windows.

Walking westward to Eighth Avenue, he knew, would bring them to the sex parlors and cramped adult theaters on the asphalt boulevard linking the PABT building on the left to his high-rise luxury apartment building to the right, which was already in bankruptcy but functioning no less well than before.

The days were growing shorter again, and he did not want Michael to know that he would be dating Melissa MacIntosh a third time and taking her to dinner and another movie, where he would tease with his fingertips her neck and ear again, which had caused her to stiffen and smile grimly to herself the first time, blushing up to her eyes, which were small and blue, and fondle her knees, which she'd kept pressed together all through the film and in the taxi to her apartment, where, she had already made clear, she did not want him to enter that night, and where he did not truly want to go, and had not, even by indirection, asked to be admitted. She liked movies more than he did. Two of the men following him did not seem to like movies at all but had followed him in anyway, and a woman in a red Toyota went distraught finding a parking space in which to wait and was getting fat from bags of candies and pastries she ate from gluttonously. His second time with Melissa, she had relaxed her knees as though accustomed to his touch and sat: enjoying the film thoroughly, but with her back straight and her hands clasped firmly across her lower thighs, the forearms determined. He prized the resistance. He'd learned enough from her now, and even more from Angela, to know that Melissa, when younger, thinner, lighter, swifter, and more nimble, had found sex bawdy fun in dexterous ways.

"I had to tell her how," laughed Angela. "Most men are stupid and don't know anything. Do you?"

"I get complaints," he answered.

"You're tricky." Angela eyed him doubtfully. "Ain't you?" she added with a smirk.