Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"Better put your bars back on, Lieutenant," I reminded Yossarian softly, panting, and added as I saw him feeling his face: "There's no blood. You'd better get away and put your bars back on, before somebody comes. We can pass up the meal."

From then on I was always on Yossarian's side in his frictions with Appleby, even at the time of what we both came to call the Splendid Atabrine Insurrection, although I would conscientiously take the antimalarial tablets as we flew through the equatorial climates when we traveled overseas, and he would not. The Atabrine would temper the effects of malaria, we'd been briefed before our first stop in Puerto Rico, while having no effect upon the disease itself. Regulations or not, Yossarian saw no sensible need for treating the symptoms before he suffered any. The disagreement between them crystallized into a controversy to save face. Kraft, the copilot, was as usual neutral. Kraft spoke little, smiled a lot, seemed unaware often of much that was going on. When he was killed in action over Ferrara not long afterward, I still thought of him as neutral.

"I'm the captain of this ship," Appleby made the mistake of telling Yossarian in front of us in Puerto Rico, our first stop after jumping off from Florida for the fourteen-day flight overseas. "And you'll have to follow my orders."

"Shit," said Yossarian. "It's a plane, Appleby, not a boat." They were of equal height and equal rank, second lieutenant then. "And we're on the ground, not at sea."

"I'm still the captain." Appleby spoke slowly. "As soon as we start flying again, I'm going to order you to take them."

"And I'm going to refuse."

"Then I'm going to report you," said Appleby. "I won't like doing it, but I'm going to report you to our commanding officer, as soon as we have one."

"Go ahead," Yossarian resisted stubbornly. "It's my body and my health, and I can do what I want with it."

"Not according to regulations."

"They're unconstitutional."

We were introduced to the aerosol bomb, the first time I saw one, now the spray can, and instructed to use it in the interior of the plane as soon as we climbed in, as a defense against mosquitoes and the diseases they might transmit as we headed down through the Caribbean into South America. On each leg of the trip to Natal in Brazil, we were asked to keep our eyes peeled for signs of the wreckage of a plane or two that had disappeared from the skies into the seas or jungle a day or so before. This should have been more sobering than it was. The same was true on the eight-hour nights over ocean from Brazil to Ascension Island in a plane designed to go no more than four, and from there, two days later, into Liberia in Africa and then up to Dakar in Senegal. All through these boring long flights over water we kept our eyes peeled for debris and yellow rafts, when we remembered to. In Florida we had time and evenings free, and there were dance floors there in saloons and cafes.

I wanted to start getting laid. Older guys from Coney Island like Chicky Ehrenman and Mel Mandlebaum, who had gone into the army sooner, would come back on leave from far-off places like Kansas and Alabama with similar reports of women who were all too willing to lie down for our brave boys in the service, and now that I was a boy in the service, I wanted to get laid too.

But I still didn't know how. I was shy. I could make jokes, but I was bashful. I was too easily entranced by some quality in a face or figure I found pretty. I was too quickly aroused, and inhibited by the concern it might show. I could be premature, I knew, but that was better than nothing for most of us then. When I danced close with a girl, just about any girl, I always grew an erection almost immediately and, with great embarrassment, would back myself away. Now I know I should have pressed it in against them harder to leave no doubt it was there and begin making suggestive jokes about what I wanted and was going to get, and I would have made out better. When I moved into the back room with a girl to begin muzzling her or joined them in some apartment when they were baby-sitting, I usually got what I wanted quickly enough and felt pretty good about myself until I was forced to remember there was a lot more. I was short, I knew, and always thought I had a little cock and that most of the others had pretty big ones, until one summer day in the locker room of the Steeplechase swimming pool, I looked in the mirror intrepidly while standing alongside Lew as we were washing up and saw that mine was just as good.

But he was using his. And I was always coming too quickly, or not at all. The first time that Lew and his other friend Leo Weiner set me up with a girl they'd found who had come to the Island for the summer to work in a soda fountain and was not unwilling to put out for anyone who asked her to-they were both very good at talking that way to girls-I came in the rubber before I even got in. The first time I fixed myself up, with a girl in the clubroom who'd let me know while I was still using my hand that she wanted to go all the way, I lost my erection as soon as we bared ourselves, although I'd certainly been hard enough and ready before we both took down our pants. Glenda loved those stories.

I can't be positive, but I don't think I finally did get laid until I was already overseas. There, it was effortless, as one in a body of guys all doing the same things with youthful self-assurance and a general taste for rowdy good times, near bunches of local girls in the main city of Bastia close by who did not speak our language and then especially in Rome, where the women we met on the streets smiled to let us know what they were doing there and expected us to approach with solicitations and cash and cigarettes and chocolate bars and with careless gaiety and our flies already half open. We could not think of them as prostitutes or whores, only as streetwalkers. I can't be positive I'd not really done it before because of that incident with a sweet southern girl in the dance hall in West Palm Beach, Florida, where we'd been flown to check out the plane given us for the flight overseas and to calibrate the various instruments for faults and deviations.

I still don't know if that one counted or not. She was perky as could be, with very black hair and eyes almost lavender, an inch shorter than I, with dimples too, and very much dazzled by my sharp New York lindy hop routines, which she had never beheld and wanted to learn. Schroeder had not seen them either, or Lieutenant Kraft, who had requisitioned from the motor pool the jeep in which we had gone there. After a while we went outside for some air. I walked with my arm still around her waist and we drifted without talking about it to one of the darker areas of the parking lot. We passed couples embracing in different sheltered places. I gave her a helping hand up to a seat on the fender of a low sports car.

"Oh, no, Sammy honey, we are not going to do that thing tonight, not here, not now," she let me know very strictly, holding me off with her hands on my chest, and placed a quick friendly kiss on my nose.

I had eased myself in between her legs, close enough to keep kissing, and I had just slid my hands up under her dress along her thighs to the elastic band of her panties, with my thumbs rubbing on the insides. Until she spoke, that was almost as far as I hoped to get in that parking lot.

Staring into her eyes, I confessed with a smile, "I wouldn't even know how, I think. I've never done it before." We were leaving the following day for the hop to Puerto Rico, and I could risk being truthful.

She laughed at that one as though I were still making wisecracks. She could hardly believe that a sharpie like me was still a virgin.

"Oh, you poor boy," she commiserated with me mellifluously. "You've been greatly deprived, haven't you?"

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