Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"No. I'm not going to Chicago."

"I believe you will be, Mr. Yossarian. You could make reservations now."

"What will I be doing in Chicago?"

"Changing planes."

"For where?"

"To come back, Mr. Yossarian. From Kenosha, Wisconsin, after your visit to Mrs. Tappman. Probably, you will want to continue to Washington directly for your meetings with Mr. Minderbinder and Mr. Wintergreen, and perhaps Noodles Cook too."

Yossarian sighed. "You know all that about me now?"

"I hear things in my work, Mr. Yossarian."

"Who else do you work for when you hear things about me?"

"For whoever will pay me, Mr. Yossarian. I don't discriminate. We have laws now against discrimination. And I don't play favorites. I'm always objective and don't make distinctions. Distinctions are odious. And invidious too."

"Mr. Gaffney, I haven't paid you yet. You haven't sent me a bill or discussed the fees."

"Your credit is good, Mr. Yossarian, if the credit rating companies can be believed, and you can get that mortgage anytime you want. There are excellent lakefront properties available now in New York, Connecticut, and New Jersey, and good seashore values too in Santa Barbara, San Diego, and Long Island. I can help you with the mortgage forms, if you like, as well as with your DNA. This is a good time for a mortgage and a very good time to buy."

"I don't want a mortgage and I don't want to buy. And who was that friend you mentioned before?"

"Of your nurse?"

"'I have no nurse, damn it. I'm in excellent health, if you're still keeping track, and by now she's a friend. Melissa."

"Nurse MacIntosh," Mr. Gaffney disagreed formally. "I am reading from the records, Mr. Yossarian, and the records never lie. They may be mistaken or out-of-date, but they never lie. They are inanimate, Mr. Y."

"Don't dare call me that!"

"They are not able to lie, and they are always official and authoritative, even when they are in error and contradict each other. Her friend is the nurse in the postoperative surgical recovery room you expressed a desire to meet. Her given name is Wilma but people are prone to call her angel, or honey, particularly patients as they emerge from anesthesia after surgery, and two or three physicians there, who now and then entertain ambitions of, as they put it, not I, getting into her pants. That may be a medical term. You may be joined by Miss Moore."

"Miss Moore?" Yossarian, with senses awhirl, was finding (t still harder to keep up. "Who the hell is Miss Moore?"

"You call her Moorecock," reminded Gaffney, in a dropped tone of admonition. "Forgive me for inquiring, Mr. Yossarian. But our listeners have not picked up sounds of sexual activity in your apartment in some time. Are you all right?"

"I've been doing it on the floor, Mr. Gaffney," answered Yossarian steadily, "below the air conditioner, as you advised me to, and in the bathtub with the water running."

"I'm relieved. I was concerned. And you really should call Miss MacIntosh now. Her telephone is free at this moment. She has troubling news about the Belgian's blood chemistry, but she seems eager to see you. I would predict that despite the differences in your respective ages-"

"Mr. Gaffney?"

"Forgive me. And Michael is just about finishing up and making ready to return, and you might forget."

"You see that too?"

"I see things too, Mr. Yossarian. That's also essential to my work. He's putting on his jacket and will soon be back with his first sketches of this new Milo Minderbinder wing. You'll permit Señor Gaffney that little wisecrack? I thought you might find it funnier than my first one."

"I'm grateful, Jerry," said Yossarian, with no doubt left that he was finding Mr. Gaffney a jumbo pain in the ass. He kept to himself his temper of hostile sarcasm.

"Thank you amp; John. I'm pleased we are friends now. You'll phone Nurse MacIntosh?"

"No fancy lingerie yet?" Melissa taunted when he did. "No Paris, or Florence?"

"Use your own for tonight," Yossarian bantered back. "We ought to keep seeing how we get along before we take off on a trip. And bring your roommate, if she wants to come."

"You can call her Angela," Melissa told him tartly. "I know what you did with her. She told me all about you."

"That's too bad, I think," Yossarian said, taken somewhat aback. With these two, he saw, he must keep on his mettle. "For that matter," he charged, "she told me all about you. It must be a nightmare. You could enter a convent. Your antiseptic terrors are almost unbelievable."

"I don't care," Melissa said with a hint of fanatical resolution. "I work in a hospital and I see sick people. I'm not going to take chances anymore with herpes or AIDS or even chlamydia, or vaginitis or strep throat or any of those other things you men like to pass around. I know about diseases."

"Do what you want. But bring that other friend of yours. The one that works in the surgical recovery room. I might as well start getting friendly with her now."

"Wilma?"

"They call her angel, don't they, and honey?"

"Only when they're recovering."

"Then I will too. I want to look ahead."

BOOK SIX

17 Sammy

Knee-action wheels.

I doubt I know more than a dozen people from the old days who might remember those automobile ads with the knee-action wheels, because I don't think there's more than a dozen of us left I could find. None live in Coney Island now, or even in Brooklyn. All that is gone, closed, except for the boardwalk and the beach and the ocean. We live in high-rise apartment houses like the one I'm in now, or in suburbs in traveling distance of Manhattan, like Lew and Claire, or in retirement villages in condominiums in West Palm Beach, Florida, like my brother and sister, or, if they have more money, in Boca Raton or Scottsdale, Arizona. Most of us have done much better than we ever thought we would or our parents dreamed we could.

Lifebuoy soap. Halitosis.

Fleischmann's Yeast, for acne. Ipana toothpaste for the smile of beauty, and Sal Hepatica for the smile of health.

When nature forgets, remember Ex-Lax.

Pepsi-Cola hits the spot

(When I drink it, how I fot).

Twice as much for a nickel too.

Pepsi-Cola is the drink for you.

None of us wise guys in Coney Island then believed this new drink Pepsi-Cola, notwithstanding the "Twelve full ounces, that's a lot" in the original ditty of that musical radio commercial, stood a chance in competition against the Coca-Cola drink we knew and loved, in the icy, smaller, sweating, somewhat greenish glass bottle with the willowy ripples on the surface that fit like balm into hands of every size and was by far the prevailing favorite. Today they taste to me identically the same. Both companies have grown mightier than any business enterprise ever ought to be allowed to do, and the six-ounce bottle is just about another extinct delight of the past. Nobody wants to sell a popular soft drink of just six ounces for only a nickel today, and nobody but me, perhaps, wants to buy one.

There was a two-cent "deposit" charged on every small soda bottle, a nickel on sodas of larger size that sold for ten cents, and none of the members in all of the families on that West Thirty-first Street block in Coney Island were inattentive to the value of those empty soda bottles. You could buy things of value for two pennies then. Sometimes as kids we'd go treasure hunting for deposit bottles in likely places on the beach. We would turn them in for cash at the Steinberg candy store right on my street at the corner of Surf Avenue and use the coins to play poker or twenty-one for pennies once we knew how, or spend them at once on things to eat. For two cents you could buy a nice-sized block of Nestle's or Hershey's chocolate, a couple of pretzels or frozen twists, or, in the fall, a good piece of the halvah we all went crazy about for a while. For a nickel you could get a Milky Way or Coca-Cola, a Melorol or Eskimo Pie, a hot dog in Rosenberg 's delicatessen store on Mermaid Avenue or at Nathan's about a mile down in the amusement area, or a ride on the carousel. For two cents you could buy a newspaper. When Robby Kleinline's father worked at Tilyou's Steeplechase we got free passes and with a few cents could usually win a coconut at the penny pitch game there. We learned how. Prices were lower then and so was income. Girls skipped rope and played jacks and potsy. We played punch-ball, stoopball, stickball, and harmonicas and kazoos. In the early evening after dinner-we called it supper-we might play blind-man's bluff on the sidewalk with our parents looking on, and all of us knew, and the parents saw, that we not-so-blind boys were using the game mainly as a chance to fumble with the titties of the girls for a few seconds every time we caught one and felt around pretending we were not yet set to identify her. That was before we boys began to masturbate and before they began to menstruate.

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