Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"Her lawyer says he's not."

"Lawyers, Mr. Yossarian, have been known to lie. Of the eight people following you, Yo-Yo-"

"My name is Yossarian, Mr. Gaffney. Mr. Yossarian."

"I expect that will change, sir," said Gaffney, with no decrease in friendliness, "once we have met and become fast friends. In the meanwhile, Mr. Yossarian"-there was no insinuating emphasis -"I have good news for you, very good news, from both the credit checking services. You have been coming through splendidly, apart from one late alimony check to your first wife and an occasional late separate maintenance check to your second wife, but there is an overdue bill for eighty-seven dollars and sixty-nine cents from a defunct retail establishment formerly known as The Tailored Woman that is, or has been, in Chapter 11."

"I owe eighty-seven dollars to a store called The Tailored Woman?"

"And sixty-nine cents," said Mr. Gaffney, with his flair for the exact. "You might be held responsible for that charge by your wife Marian when the dispute is finally adjudicated."

"My wife wasn't Marian," Yossarian advised him, after cogitating several moments to make sure. "I had no wife named Marian. Neither of them."

Mr. Gaffney replied in a coddling tone. "I'm afraid you're mistaken, Mr. Yossarian. People frequently grow befuddled in matrimonial recollections."

"I am not befuddled, Mr. Gaffney," Yossarian retorted, with his hackles up. "There has been no wife of mine named Marian Yossarian. You can look that one up if you don't believe me. I'm in Who's Who."

"I find the Freedom of Information Act consistently a much better source, and I certainly will look it up, if only to clear the air between us. But in the meanwhile amp;" There was a pause. "May I call you John yet?"

"No, Mr. Gaffney."

"All the other reports are in mint condition, and you can obtain the mortgage anytime you want it."

"What mortgage? Mr. Gaffney, I intend no disrespect when I tell you categorically I have no idea what the fuck you are talking about when you mention a mortgage!"

"We live in encumbering times, Mr. Yossarian, and sometimes things befall us too rapidly."

"You are talking like a mortician."

"The real estate mortgage, of course. For a house in the country or at the seashore, or perhaps for a much better apartment right here in the city."

"I'm not buying a house, Mr. Gaffney," replied Yossarian. "And I'm not thinking of an apartment."

"Then perhaps you should begin thinking about it, Mr. Yossarian. Sometimes Señor Gaffney knows best. Real estate values can only go up. There is only so much land on the planet, my father used to say, and he did well in the long run. All we'll need with your application is a specimen of your DNA."

"My DNA?" Yossarian repeated, with a brain bewildered. "I confess I'm baffled."

"That's your deoxyribonucleic acid, Mr. Yossarian, and contains your entire genetic coding."

"I know it's my deoxyribonucleic acid, God damn it! And I know what it does."

"No one else can fake it. It will prove you are you."

"Who the hell else could I be?"

"Lending institutions are careful now."

"Mr. Gaffney, where will I get that sample of my DNA to submit with my mortgage application for a house I don't know about that I will never want to buy?"

"Not even in East Hampton?" tempted Gaffney.

"Not even East Hampton."

"There are excellent values there now. I can handle the DNA for you."

"How will you get it?"

"Under the Freedom of Information Act. It's on file in your sperm with your Social Security number. I can get a certified photocopy-"

"Of my sperm?"

"Of your deoxyribonucleic acid. The sperm cell is just a medium of transportation. It's the genes that count. I can get the photocopy of your DNA when you're ready with your application. Leave the driving to me. And indeed, I have more good news. One of the gentlemen who is following you isn't."

"I will resist the wisecrack."

"I don't see the wisecrack."

"Do you mean that he isn't a gentleman or that he isn't following me?"

"I still don't see it. Isn't following you. He is following one or more of the others who are following vou."

"Why?"

"We will have to guess. That was blacked out on the Freedom of Information report. Perhaps to protect you from abduction, torture, or murder, or maybe merely to find out about you what the others find out. There are a thousand reasons. And the Orthodox Jew-excuse me, are you Jewish, Mr. Yossarian?"

"I am Assyrian, Mr. Gaffney."

"Yes. And the Orthodox Jewish gentleman parading in front of your building really is an Orthodox Jewish gentleman and does live in your neighborhood. But he is also an FBI man and he is sharp as a tack. So be discreet."

"What does he want from me?"

"Ask him if you wish. Maybe he's just walking, if he's not ther on assignment. You know how those people are. It may not be yQu. You have a CIA front in your building masquerading as a CIA front and a Social Security Administration office there too, not to mention all those sex parlors, prostitutes, and other business establishments. Try to hold on to your Social Security number. It always pays to be discreet. Discretion is the better part of valor, Señor Gaffney tells his friends. Have no fear. He will keep you posted. Service is his middle name."

Yossarian felt the need to take a stand. "Mr. Gaffney," he said "how soon can I see you? I'm afraid I insist."

There was a moment of chortling, a systematic bubbling suffused with overtones of self-satisfaction. "You already have seen me, Mr. Yossarian, and you didn't notice, did you?"

"Where?"

"At the bus terminal, when you went below with Mr. McBride. You looked right at me. I was wearing a fawn-colored single-breasted herringbone woolen jacket with a thin purple cross-pat tern, brown trousers, a light-blue Swiss chambray shirt of finest Egyptian cotton, and a complementing tie of solid rust, with matching socks. I have a smooth tan complexion and am bald on top, with black hair trimmed very close at the sides and very dark brows and eyes. I have noble temples and fine cheekbones. You didn't recognize me, did you?"

"How could I, Mr. Gaffney? I'd never seen you before."

The quiet laughter returned. "Yes, you did, Mr. Yossarian, more than once. Outside the hotel restaurant after you stopped in there that day with Mr. and Mrs. Beach following the ACA-CAMMA meeting at the Metropolitan Museum of Art. In front of the Frank Campbell Funeral Home across the street. Do you remember the red-haired man with a walking stick and green rucksack on his back who was with the uniformed guard at the entrance?"

"You were the redheaded man with the rucksack?"

"I was the uniformed guard."

"You were in disguise?"

"I'm in disguise now."

"I'm not sure I get that one, Mr. Gaffney."

"Perhaps it's a joke, Mr. Yossarian. It's told very widely in my profession. Maybe my next sally will be better. And I really believe you ought to call your nurse. She's back on the day shift and free for dinner tonight. She can bring that friend."

"Her roommate?"

"No, not Miss Moorecock."

"Her name is Miss Moore." Yossarian reproved him coldly.

"You call her Miss Moorecock."

"You will call her Miss Moore, if you wish to keep working for me. Mr. Gaffney, keep out of my private life."

"No life is private anymore, I'm sad to say."

"Mr. Gaffney, when do we meet?" Yossarian demanded. "I want to look you in the eye and see who the hell I'm dealing with. I'm not easy with you, Mr. Gaffney."

"I'm sure that will change."

"I'm not sure it will. I don't think I like you."

"That will change also, after we talk in Chicago."

" Chicago?"

"When we meet in the airport and you see that I'm trustworthy, loyal, helpful, courteous, and kind. Better?"

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