Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Soon…” Her hand fluttered toward the pool, the city beyond, before running out of force and dropping back in her lap. Darrow had delayed their departure three times, and the fourth date of departure was still up in the air. “If things would settle down… it’s been one crisis after another.”

He felt bad for needling her, so clear to him the one-sidedness of the thing with Darrow. “You’re both coming to my going-away party?”

“Do we ever miss a party?” The truth was if Darrow wasn’t on assignment, then he was buried in a crowd of people, either at other people’s houses or at impromptu get-togethers at the Cholon apartment. They were never alone anymore; no doubt he intended the buffer to keep him safe from her nagging.

“Annick and I didn’t work out. It’s easier this way. Hope that doesn’t change your mind about coming.” Robert stood up. “I’d better get back to the grindstone.”

Helen pushed back her chair to get up. “What happened?”

“She’s a crazy one. Another war casualty. But it’s ungentlemanly to kiss and tell… Stay and enjoy your coffee.”

She sat back and shaded her eyes to look up at him. “That’s too bad, but I’ve missed you. You haven’t had any time for me. I’m almost a lady of leisure now. Feature work. I’ve been sticking close in.”

He wondered if part of his attraction to her simply had to do with being rejected, but now that the possibility was long past, he thought himself probably lucky. “I worry about you. I’ve kept my mouth shut because it’ll sound like sour grapes,” Robert said. “With Darrow, the war’s different. I’ve seen it in other guys. He can’t let it go. He’s searching for more than a picture when he goes out, do you understand?”

Helen picked up her coffee cup and held it in mid air, then set it back down without taking a sip. “What are you saying?”

“He’s taking risks he doesn’t have to take anymore to get a cover,” Robert said.

“You’re wrong. He wanted to leave for Angkor awhile ago.”

“For your sake, I hope I am.”

“Anyway, we’re leaving here right after you. He’s got a replacement coming.”

“But do you think he’ll stay away? A man like him living in a house with a wife and a dog, taking the garbage out Monday nights?”

Helen shook her head. “There are other things to do. Stories that don’t involve war, like the Angkor piece.”

“His choice?”

“Our choice. We both want this.”

Robert sighed. “So why have you stopped going out?”

Helen shrugged. Since Samuels, she had not ventured into the field, making excuses to Gary, which he all too readily accepted. Samuels’s picture had gotten a lot of play and had been copied for numerous articles. Each plane of new soldiers coming off the planes at Tan Son Nhut a weight on her. “I’m taking a break. You know-do no harm.”

“Just don’t let him take you down with him.” He bent to kiss her cheek, but she turned her face and kissed him on the mouth.

“Don’t worry about me,” she whispered. “I’ll save both of us.”

But days passed each other in a succession of delays and excuses, fights and lies. As if Robert’s words, spoken aloud, had taken on a truth of their own. Darrow bewitched, enchanted, and nothing Helen could do.

As one of their last assignments, Gary had arranged for them to cover a Red Cross center for children. Darrow went there for a week while Helen made arrangements for their trip back to the States. The day he finally took her, she noticed a strange excitement in him.

The courtyard, a converted villa, was filled with the “healthy” ones, children merely missing limbs but who could still sit or crawl or hobble about. They threaded their way around children sitting in the fine white dust of the yard; Helen watched as a small boy picked up a fallen red bougainvillea flower and popped it in his mouth.

Inside, the unlucky were hidden away-the ones paralyzed by mortar fragments or burned from napalm or white phosphorous, flesh and muscle melted away.

“I was walking through the wards when I caught sight of Lan. You’ll know when you meet her. What I’m thinking is narrow the focus to one child and stay with her through the entire rehab so that people get caught up in her story.”

Darrow walked quickly, pulling Helen along by the arm. They entered a long, low-ceilinged room that was hot, like the dark insides of an oven, crowded with beds, two children in each one, sardine-style, head to feet. The sheets smelled of sweat and urine. One harried nurse, a Scotswoman with a sunken face and wide, maternal hips, was in charge of thirty children. The more fortunate ones had family who brought food and cleaned them; the others languished in institutional neglect. Lan was a single-leg amputee flown in from a free-fire zone west of Danang.

Darrow led Helen to a small cot by the shuttered window. He crouched down and spoke softly. “How’s my sweetheart?”

A small mound stirred under a grayed cotton sheet and a delicate face peered out. The girl had enormous eyes and perfect almond skin, hair pulled back by a white lace headband, and thin gold hoops that accented her petal-like ears.

“Won’t donations pour in for this face?” He smiled like a proud father.

Helen tried to see the girl in front of her, but no matter how lovely she was, Darrow saw something more than the child in front of him.

“I’m thinking we stay until enough donations are collected so she can make the trip to America with us. Document the prosthetics, rehab, the whole thing.”

Helen sat down on the dirty floor between the filled cots and pulled out a bag of candy. “That could take at least another month or two. Or more.”

“But this can make a difference.”

“So why don’t we pay for her plane ticket?”

Darrow shook his head. “No, no. Don’t you see? We’ll collect enough to send dozens of kids.”

“So you’re going to make her your poster child? Delay her rehabilitation?”

“What’s another month? I want to accomplish something tangible, and here’s my chance.”

The girl rocked herself over to lean against Darrow’s chest, her wiry, twiglike arms supporting all her weight. When she saw the bag of candy, she lunged across his knees and snatched it, scratching Helen’s hand.

“Hey!”

Darrow laughed as Lan tore the cellophane and greedily unwrapped the candies, stuffing them in her mouth. The boy sharing her cot whimpered, holding out an unsteady arm.

“She’s wild as a stray,” Darrow said. He unwrapped a caramel and handed it to the boy.

“Do you think it’s wise… singling out one child?” Helen asked.

He grimaced. “I know the power of pictures.” Darrow held Lan’s chin. “Some Iowa mother is going to fall in love with that face while she’s feeding her family eggs and toast for breakfast. She’s going to send ten, twenty dollars.”

Helen got to her feet. “Let’s take some pictures.”

After several hours, they had finished for the day and packed up. A Vietnamese woman approached with a bamboo basket of food and spoke to Lan. She looked Helen over carefully.

“Is that her mother?” Helen asked.

“No. Linh’s sister-in-law, Thao. I paid for her to care for Lan.”

The words flew out of her mouth before she could think. “Don’t you think you’re getting a little too involved?”

Darrow stiffened. “This is one of the perks of the job. Being in a position to act.”

“So why don’t we all go to the States now?”

She had become like all the others, like his wife. He had worried when she went out alone on missions, but having her underfoot was worse, and now the jealousy. “We need to draw it out a bit for publicity. Then we’ll have a story to work on in California. Maybe we’ll end up helping a lot more kids. You can’t be against that?”

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