Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Tatjana Soli The Lotus Eaters 2010 For my mom who taught me about brave - фото 1

Tatjana Soli

The Lotus Eaters

© 2010

For my mom,

who taught me about

brave girls crossing oceans

For Gaylord,

with love and gratitude

we reached the country of the Lotuseaters a race that eat the flowery - фото 2
*

… we reached the country of the Lotus-eaters, a race that eat the flowery lotus fruit… Now these natives had no intention of killing my comrades; what they did was to give them some lotus to taste. Those who ate the honeyed fruit of the plant lost any wish to come back and bring us news. All they now wanted was to stay where they were with the Lotus-eaters, to browse on the lotus, and to forget all thoughts of return.

– HOMER, The Odyssey

ONE. The Fall

April 28, 1975

The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out. A long-handled barber’s razor, cradled in the nest of its strop, lay on the ground, the blade’s metal grabbing the sun. Unable to resist, she leaned down to pick it up, afraid someone would split his foot open running across it. A crashing noise down the street distracted her-dogs overturning garbage cans-and she snatched blindly at the razor. Drawing her hand back, she saw a bright pinprick of blood swelling on her finger. She cursed at her stupidity and kicked the razor, strop and all, to the side of the road and hurried on.

The unnatural silence allowed Helen to hear the wailing of the girl. The child’s howl was high and breathless, defiant, rising, alone and forlorn against the buildings, threading its way through the air, a long, plaintive note spreading its complaint. Helen crossed the alley and went around a corner to see a small child of three or four, hard to tell with the unrelenting malnourishment, standing against the padlocked doorway of a bar. Her face and hair were drenched with the effort of her crying. She wore a dirty yellow cotton shirt sizes too large, bottom bare, no shoes. Dirt circled between her toes.

The pitiful scene begged a photo. Helen hesitated, hoping an adult would come out of a doorway to rescue the child. She had only days or hours left in-country. Breathless, the girl staggered a few steps forward to the curb, eyes flooded in tears, when a man on a bicycle flew around the corner, pedaling at a furious speed, clipping the curb and almost running her down. Helen lurched forward without thinking, grabbed the girl’s arm and pulled her back, speaking quickly in fluent Vietnamese: “Little girl, where is Mama?”

The child hardly looked at her, the small body wracked with sobs. Helen’s throat constricted. A mistake, stopping. A pact made to herself that at this late date she wouldn’t get involved. The street rolled away in each direction, empty. No woman approached them.

Tired, Helen knelt down so she was at eye level to the child. In a headlong lunge, the girl wrapped both arms around Helen’s neck. Her cries quieted to soft cooing.

“What’s your name, honey?”

No answer.

“Should I take you home? Home? To Mama? Where do you live?”

Rested, the girl began to sob again with more energy, fresh tears.

No good deed goes unpunished. The camera bag pulled, heavy and bulky. As she held the girl, walking up and down the street to flag attention, it knocked against her hip. She slipped the shoulder strap off and set it down on the ground, all the while talking under her breath to herself: “What are you doing? What are you doing? What are you doing?” The child was surprisingly heavy, although Helen could feel ribs and the sharp, pinionlike bones of shoulder blades. The legs that wrapped viselike around Helen’s waist were sticky, a strong scent of urine filling her nostrils.

A stab of impatience. “I’ve got to go, sweetie. Where is Mama?”

She bounced the girl to quiet her and paced back and forth. Her mind wasn’t clear; why was she losing her precious hours, involving herself now, when she had passed hundreds of desperate children before? But she had heard this one’s cries so clearly. A sign? A sign she was losing it was more like it, Linh would say.

A young woman hurried across the intersection, glanced at Helen and the child, then looked away.

The orphanage was overflowing. Should she take the girl home with her? Once they abandoned this corner, she would be Helen’s responsibility. Could she take her out of the country with Linh? What had she been thinking to stop? Was it a trap? By whom? Was it a test? By what?

Helen stroked the girl’s hair, irritated. She had a heart-shaped face, ears like perfect small shells. A bath and a nice dress would make her quite lovely.

Ten, fifteen minutes passed. The idea of this being a sign seemed more stupid by the minute. Not a soul came, nothing except the tinny, popping sound of guns far away. Helen toyed with the idea of putting the girl back down. Surely the family was close by, was searching for her. No harm done in keeping the girl company for a few minutes. Not her responsibility, after all. When she began to kneel to deposit her back on the ground, the girl’s arms tightened to a choke hold around her neck, and Helen, resigned, strained back up. All wrong; a terrible mistake. A proof that she was failing. Linh would be worrying by now, might even try to go out to find her.

Helen bent and fished for the strap of her camera bag, putting it on the other shoulder to balance the weight. Maybe it was a sign. Insane, but what else could she do but take the child with her?

Halfway down the street, a woman’s voice yelled from behind them. Helen turned to see a plain, moonfaced woman with thin, cracked lips stride toward them.

“Are you her mother?” Helen asked, guilt welling up. “I wasn’t trying to take her-”

The woman yanked the girl out of Helen’s arms, eyes pinched hard. The girl whimpered as the mother swatted her on the leg and scolded her.

“She couldn’t tell me where she lived,” Helen said.

But the mother had already turned without another glance and stalked away. The girl looked over the mother’s shoulder, dark eyes expressionless. In a few more steps, they disappeared around the corner.

For the briefest moment Helen felt wronged, missed the weight on her hip and the sticky legs, but then the feeling was gone. How had the mother been so neglectful anyway? It rankled that she had not been thanked or even acknowledged for her effort. But with the shedding of that temporary burden, the old excitement buoyed up in her again. The possibility of the girl disappeared into the past. She’d better pull herself together. She picked up her bag, checked her watch, and ran.

On a normal day the activity in the streets so filled her eye that she hardly knew where to turn, torn whether to focus her camera on the intricate tableaus of open-air barbers on the sidewalk cutting their customers’ hair, or tea vendors sweating over their fires and flame-blackened pots, or ink-haired boys selling everything from noodles to live chickens to cigarettes, or old men with whisk beards as peaceful as Buddhas playing their endless games of co tuong. And, too, there was the endless flotsam and jetsam of the war: beggars and amputees thronging everyplace where foreigners were likely to drop money.

But today streets were vacant, the broken windows and smashed doors like gouged-out features of a face once familiar. The people gone, or rather hidden, the streets deformed by their absence.

Helen’s Saigon had always been about selling-chickens, information, or lovely young women, it didn’t matter. It had once been called the Pearl of the Orient, but by people who had not been there in a very long time. Saigon had never been Paris, but now it was a garrison town, unlovely, a stinking refugee shantyville filled with the angry, the betrayed, the dispossessed, but she had made it her home, and she couldn’t bear that soon she would have to leave.

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