Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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They had driven to the outskirts of the city to photograph what President Thieu was officially denying: that three million people had taken to the roads, refugees flooding into Saigon, that the South Vietnamese army was blocking entrance, trying to quarantine the city like a ship at sea. Thieu was blaming everyone else for his decision to abandon the Highlands. The mob scenes up the coast in Danang-airports overrun, people hanging on to the outsides of planes, weighing them down so they could not take off, women and children trampled-made everyone paranoid about the same disaster happening in Saigon.

From Martin down to her own contact at the embassy, the Americans were dazed by their impending loss and again forgot the Vietnamese. Negotiation was still considered an option, although the North Vietnamese made it clear they weren’t interested. Helen had been trying to sell pictures about the plight of the demoralized SVA, but Gary had told her bluntly that after’73, when the American soldiers pulled out, Asian against Asian didn’t make the front page. The world was bored by the long, brutal, stupid war. Until a few months ago, there had been only a skeleton press in the whole country, but now reporters flooded in, waiting for the handover so they could write up the finale and fly back out.

Linh had been angry the last few months, angry at the government’s ineptitude, and, Helen suspected, angry at America ’s coming betrayal. A fait accompli that the North had won, the least the government should do was facilitate a peaceful handover, avoid a panic where more of the population would be hurt. The government paid lip service to preserving peace and order even as the authorities scrambled like rats to abandon the city. Linh’s usual gentle temper gone, he insisted on proving Thieu’s lies. “Turning soldiers’ guns against their own people.”

The cab had dropped Linh and Helen blocks from the barricades, and they slowly walked through the alleys to come up behind the SVA soldiers, the last vestiges of the government’s power, armed and facing a sea of refugees. Men, women, and children dying from lack of food and water, and many, having nothing to lose, tried to break through the blockades of concertina wire and bullets.

They had been warned that no one could help them if they got in trouble. Linh flaunted the danger, and Helen got caught up in his anger as well. She was taking pictures of the crowd when there was a surge of people to the left of them. A young soldier who looked no older than fifteen panicked and unloaded a clip from his automatic rifle into the crowd. The recoil shook him like a giant shaking him by the shoulders, and he turned sideways in his effort to hold on to the gun. A bullet ricocheted off the wall of a building.

Linh kept walking, stumbled, walked on. This is the way one survived. The mind shuts down. He kept walking, swatting at the smudge of blood that was growing on his shirt, walking on as if he would die walking.

“Linh!” Helen cried. She saw the blood and pulled him down on the sidewalk, lifted his shirt. The wound was at the side of his abdomen. She pressed her finger against the hole and could feel metal as he grimaced. Relief that it hadn’t gone in deep. Helen used his shirt to bandage it. She rubbed her bloodied hand against her pants. Ironic, given all the times they had gone on far more dangerous runs, but Helen, now as superstitious as the Vietnamese, knew there was only a certain quantity of luck in each person’s life, and they had remained past theirs.

***

Now Helen woke up on the apartment floor, her hand rubbing against her leg, shaken by yet another nightmare. She got to her feet, stiff, and walked to the map hanging on the wall. After all this time the idea of Vietnam was still as distant now as it had been to her as a young girl when her father studied maps of French Indochina. She barely recalled his face, confused if her memories were her own or pictures of him, but she did remember him letting her trace the outlines of countries with her fingertip, and from that gesture, she had felt the conqueror’s feeling of possession. Now she had spent ten years in a country, South Vietnam, that had not existed on his maps, yet none of it was hers. Within a very short time-days, weeks, months?-it would disappear once more.

She had not imagined herself outliving this war. The country deep inside her idea of who she was; she would tear out a part of herself in leaving it. Darrow had seen to that. He said she would never survive the way she had been, and she changed, gladly. The girl she had been lost in the Annamese Cordillera, the untamed mountains that rose up behind the Central Highlands and folded themselves all the way back into Laos.

They had been out photographing a Special Forces reconnaissance mission when he woke her before dawn. The patrol was still out, and they watched the sun rise up out of the east and color the western mountains from a dull blackish purple to green. So many shades of green, Darrow said, that Vietnamese legend told that every shade of green in the world originated in this mountain range. The emerald backbone of the dragon from which the people of Vietnam sprang. Until then she had been blind, but when she saw those mountains, she slipped beneath the surface of the war and found the country.

Linh sighed in his sleep, and Helen laid a hand on the thin, strong muscle of his arm, willing away bad dreams. The way his dark eyes followed her the last few days made her nervous. As if he suspected her heart. Long ago she had become more ambitious than feeling. She had fallen in love with images instead of living things. Except for Linh.

He moaned, and her nails cut red half-moons in her palm.

Her brother’s death brought her to the war, but why had she stayed? Wanting an experience that wasn’t supposed to be hers? Join a fraternity that her father and brother firmly shut her out of? What did all the pictures in the intervening years mean? The only thing in her power now was to save Linh. It angered her, his refusal to leave without her. An emotional blackmail. But she supposed that finally the last picture would get taken, even if it wasn’t by her.

She picked up the camera and saw her face in the dusty lens, her features convexed. Was she to be trusted? She would kill for him, but would she also stay alive for him? An hour before dawn, her equipment clean and ready to go, her insides buzzed, a cocktail of lack of sleep and nerves. She fell asleep on the floor beside the bed.

They woke to the crumping sound of mortars on the edge of the city. She rose and was in motion, a prickling of adrenaline that she recognized when an operation was about to take place. Heating water for tea, swallowing a handful of amphetamines, she sponged herself off and packed a small carrying bag. Next to the door, she set down two battered black cases filled with film she had taken over the last week.

The last three years no one was much interested in pictures of a destroyed Vietnam. So Linh and she did humanitarian aid stories and began covering the ensuing crisis in Cambodia for extra money. Now Cambodia was off the list with the Khmer Rouge takeover. But when the actual fall of South Vietnam came, a photo essay recording the event would be very much in demand.

She had photographed the stacks of blackened corpses in Xuan Loc, had gone all over the city getting shots of the major players in the Saigon government, Thieu and returned Vice President Ky, who swore to stay and fight this time, while at their personal residences movers stacked valuable antiques-blue-and-white porcelain vases, peaceful gilded Buddhas, translucent coral and green jade statues carved into the shapes of fish and turtles-in the yard for shipment out of the country. And, of course, she had roll upon roll of the doomed people who had no special privilege, no ticket out. Looking at those faces, she felt a premonition like a dull toothache. Maybe inside these two cases she had finally pinned it down. Maybe these two cases would redeem her part in the war.

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