Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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She stood by the window drinking tea, looking at the overcast sky, roiling clouds in varying shades from light pewter to the muddy, brownish gray of scorched earth. The breeze had turned sharp, the smell of rain and thunder promising a strong monsoon shower. Saigon was loved precisely because it was so unlovable-its squalor, its biblical, Job-like misfortune, its imminent, hovering doom.

At the sound of a creaking bedspring, she turned and saw Linh awake.

“What are you thinking?” he said.

“Time to go to the airport. Our bags are here. Your papers are on top.”

“We agreed you would go to the docks, get shots of the boat evacuation. Then the airport.”

“Does one more shot matter?” She spoke so faintly he could hardly hear her.

“Either they all matter or none of them did.”

She nodded, unconvinced. “I have a bad feeling.”

“We have plenty of time.” He was reeling her back, gently, from wherever she had been.

Jittery, she moved over to the bed and unwrapped Linh’s dressings. Skin puffy and inflamed, hot to the touch. It puckered over the nurse’s crude stitches like yeasted dough. Helen bit down hard on her lip as she rewrapped him. A new hollowness around his eyes.

“Another shot of antibiotic even though it’s early,” she said. “I’ll be back by noon. Leave the radio on. Listen.”

Linh nodded but seemed distracted, and Helen feared he was getting worse. She helped him up to the bathroom and then back to bed. She would have to hire a cab or cyclo to move him. She placed a pot of tea and a cup in a chair next to the bed.

“I should skip Newport, and we’ll just get started.”

“Go,” Linh said. Then he began to sing: “ ‘I’m dreaming of a white Christmas…’ ”

She smiled, but her mind calculated potential problems each way. She assumed she could get out at any time but worried Linh was getting too weak. The trip would be hard on him until he reached a medical facility.

“Hurry,” he said. “Go have your final affair with Saigon. No regrets.”

She opened the refrigerator, the only one in the building, and filled the pockets of her smock with rolls of fresh film. At the door she pulled the neck strap of her camera over her head, then buttoned her smock.

She opened the door but stood, still undecided. “If I’m late, have Chuong help load everything on a cyclo and go ahead. I’ll meet you at the airport. Do you hear?”

He was silent, staring at the ceiling.

“Linh?”

“If you don’t return, I stay,” he said.

“Of course I’ll return.” The halfhearted ploy failed; he would not let her off so easily. “You just be ready.”

“You got it, Prom Queen.”

She pretended she had not heard him, banging the door shut and running down the splintering wood stairs that smelled of cedar and the sulfur of cooking fires. She was out into the street before she registered the continued absence of Chuong in the stairwell. That was what she had come to dread most, the continual disappearance of what she most relied on.

A cyclo stopped at a busy corner, and Helen jumped in before the driver could protest. After a wheedling argument, he grudgingly accepted three times the normal rate to go down to the Saigon River. People had decided to come out of hiding despite the twenty-four-hour curfew and the frequent pops of small-arms fire all around. A mile away from the port, the cyclo driver jumped off his seat and refused to go any farther. When Helen complained, he pointed a crooked finger to the solid wall of people. She got out, telling him she would pay double again his going fare if he waited an hour for her. Without a word, he calmly turned around and headed back downtown. Time more precious than money for once.

A rumor went through the crowd that two men had fallen into the water and had been crushed between evacuation boats. The fetid air smelled of unwashed bodies and fear. As Helen stood deciding whether to risk plunging into the crowd and getting caught out for hours, she spotted Matt Tanner behind a concrete barricade with another photographer. In the false camaraderie of shared danger, she was happy to see him. He waved her over.

“Madhouse, huh?” Tanner was tall and slope-shouldered, with a narrow, wolfish face, and when he laughed, which was seldom, he showed a forbidding mouthful of jagged teeth.

“This is new blood, Matt Clark. We’re the two Matts.”

“It doesn’t look good,” she said.

“Are you staying on, too?” the new Matt asked. He was young, with white-blond hair in a ponytail and wearing a black T-shirt with astrology signs all over it. She didn’t like the vultures dropping in now and made no effort to hide it.

“Heading out this afternoon.” Watching the crowd, Helen rubbed her hand along the rough concrete of the barricade, which was already crumbling. Cheap, South Vietnamese government-contract stuff that had been undercut for profit so much that it was already disintegrating back into sand from the constant humidity. For what USAID had paid for it, it should have been stainless steel. She looked down and saw a smear of red. The jagged edge had reopened the cut on her finger.

Tanner pulled out a handkerchief and wound it around her finger. “No need to shed blood. This isn’t even your country.”

“I forgot.”

“The airport’s worse than this. ARVN shooting at the crowd. Especially Vietnamese with tickets out. Hurt feelings and all, huh?”

“I hadn’t heard that.” A mistake to come. The embassy had told her it would be at least a week if not longer before the real squeeze began. Wishful thinking.

“If I wanted my ass out I’d head for the embassy, di di mau, quick quick. My guess is that it’s today, and they’re not announcing to avoid a panic. The hard pull is on.”

Helen shook her head. She disliked the way he looked at her, the smugness of his smile. The press corps knew all one another’s secrets, like an extended, dysfunctional family. Tanner used the long fingernail of his pinkie to scratch the inside of his ear.

“I meant to ring you up. Do you still have that Vietnamese working for you?”

“His name is Linh.”

“A couple of us are staying on for the changeover. Cocktails on the roof of the Caravelle to toast in the victors. Macho stuff. We need someone to translate.”

“He’s going out with me.” She looked Tanner in the eye, daring him.

He squinted back. “You two married?”

Everyone had suspicions but didn’t know. Helen shrugged.

“Then, honey, I’d get there yesterday fast.”

“Why are you staying?”

“Miss the biggest story in the world? You’re right. Crazy.” He looked out as the crowd swelled, then drew back. “To be frank, I’m thirty-five and haven’t won the Pulitzer yet. If I don’t come out of this place with it, it’ll be damn hard to win back in Des Moines. I’ll gamble being dead.”

Her desire was to stay, work her way down to the water as the bodies were fished out, record the faces desperate to leave, but she found Tanner’s reasoning so distasteful it made her decision clear. She bit the inside of her cheek as she put the lens cover on. The time she had banked on to get Linh to the airport was gone.

“Sorry you’re going to miss the party,” the new Matt said.

“Me, too.”

Tanner looked at her hard. “Take care of yourself. You know, you’ve paid your dues already, right?”

Helen made her way back toward downtown, fighting against the stream of evacuees. A rushing river of people, each intent on his or her private fate, blind to those around them. Even though Helen stood a full head taller than most of the Vietnamese, she had a hard time avoiding being pushed back toward the docks. Men and boys shoved with their arms and shoulders; a middle-aged woman knocked Helen hard in the shoulder with a cart loaded up with belongings. Did they really think they’d manage to escape with their lives, let alone with television sets and curio cabinets? But she understood the instinct-too hard to let go of what had been acquired with such difficulty.

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