Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Is that you?” Linh called.

She heard both the petulance in his voice and his effort to conceal it. “I’m coming.” Tying the sash of her kimono, she went to a cabinet for a spoon and picked up the bowl of soup.

In the bedroom doorway, she stood with a grinning smile that felt false. Lying in bed, staring out the window, he did not turn his head. The soft purple dusk blurred the outline of the flamboyant tree that had just come into bloom. Impossible to capture on film the moment of dusk, the effect of shadow on shadow, the small moment before pure darkness came.

“I brought soup, but Grandmother said she already fed you.”

“I worried.”

She could tell despite his hidden face that his words were true, but what she didn’t know was that since he had become house bound, he spent the hours while she was away imagining her whereabouts, visualizing dire scenarios. Each time he heard her walk through the door, he said a quick prayer of gratitude, as if torturing himself in this way saved her. Too close to the end to take such risks, and yet he was helpless to stop her.

“I was trying to get home, but things kept catching my attention.”

She came forward in the dim room and sat on the edge of the bed to eat. She bent over him and kissed him gently on the lips. No matter that they had been together years, always a feeling of formality when they first saw each other again, even if the separation had been only hours. It had something to do with the attention Linh paid to her, the fact that he never took anyone’s return for granted. The feeling disappeared with his quick smile, the way he always reached out a hand to establish touch. He wore old pajama bottoms, stomach and chest swaddled in gauze that had a dull glow in the room.

He was unhappy, and she was the cause of his unhappiness, and yet she was perfectly willing to bull herself through the conversation as if the feelings underneath their words didn’t exist. Why did someone fall in love with you because you are one thing and then want you to be something else?

“I had many things to do today, my love.”

“The old crone read my fortune. Always the same-plenty of luck and a big family.” The remark made to sting.

When Linh turned to look at her, she noticed how sharp his cheekbones were, how his eyes were unfocused by pain. She caressed the half-moon scar on his cheek with her fingers. Whenever she asked how he got it, he changed the subject.

“You didn’t take your shots?” she said.

“Forgot.”

With his infection, unsafe even to be still in the country. When Linh reached out his hand, she saw a belt twisted around his wrist. “What happened?” She held his hand and unwound it, feeling the cold heaviness of the flesh underneath, the welts left behind. She rubbed briskly, willing the disappointment from her face.

“I was just bored, fooling around. Eat your soup.”

She looked at him. But this wasn’t the time to confront. Just shrug it off, move on. “I’ll change the dressings and give you a shot. Then I’ll front you a game of Oklahoma gin.” Linh was tall, slender, with the finely etched features of the warrior princes of Vietnamese legend, perfect until one’s eyes traveled to the scar that formed a half moon on his cheek and the ribboned skin on the wrist that he couldn’t leave alone, an ache. Both of them full of scars.

“Sit with me a minute. Tempting me with cards?” He fingered the sleeve of the kimono. “You couldn’t resist?” Equally appalled and in love with the fact that she could think of a kimono while their world was about to be lost.

She buried her face in his neck for a moment. Her only rest anymore when her eyes were closed, the images stopped. His skin felt hot and damp against her cheek. Fever. “Annick is gone.” They were both still for a moment. “A day, two at the most. Then I’ll achieve my goal-‘Last American Woman Reporter in Vietnam.’ ”

“We should leave now. While there is time.”

“Martin is still promising the city will never go,” she said. “There might be more time.” The American ambassador had lost a son in the war, and the end would force him, too, to face things he didn’t want to face. Better anything than that. “You distracted me,” Helen said, jumping up and going through the room to her film bag. She fumbled inside it and held up a thick envelope. “Guess what this is?”

“Then we’re ready. Let’s go now.”

Linh swung his legs to the floor and sat doubled over, hands gripping the bed frame.

“Yes. Your ‘Get Out of Vietnam Free’ card. Now you have two letters, Gary ’s and the embassy’s. Insurance. But I had to sit through a two-hour lunch listening to how the press are tools of Hanoi. No wonder we lost.” She stood at the side of the bed, bouncing up and down on the balls of her feet, shaking her arms, trying to release tension.

“And what did you reply?”

“That photographs can’t lie. I said, ‘Make sure Nguyen Pran Linh gets to America, and as a bonus, I’ll leave.’ The country is going to disappear, be hidden behind a wall, and then the real stuff will start. All they want to talk about is identity cards, jumbled paperwork. How they have five different names on file for you.”

“We need to leave now,” Linh repeated.

“Not a moment past ‘The temperature is 115 degrees and rising,’ and the playing of ‘White Christmas.’ ” This was the clumsy radio signal for the beginning of the evacuation. She ran her fingers over his forehead, trying to brush away furrows of fever.

Linh smiled. “Does it strike you as an obvious signal? I predict the whole of the NVA Army is bent over radios waiting for it. A great cheer will go up.”

“Soon.”

“If you want to stay, we’ll stay.” He touched her hand. “You’re shaking.”

“Tired.”

He understood that this was an untruth, that she was afraid and running, and if he made the wrong move he would lose her. “Lie down.”

“First things first.” She readied the needle, gave him the injection.

Reluctant, knowing she had hours of camera repair work, she stretched out against him, shivering despite the heat.

After Linh had fallen into a drugged sleep, she got up and counted the ampoules of antibiotic and morphine left. A day’s supply, bought at triple the normal going rate on the black market. But there was no more bargaining. By next week, there wouldn’t be a black market for medicine at any cost.

Two days ago at the French hospital, the doctors had cleaned out Linh’s wound while he sat on a rough wood bench in the hallway, the rooms all filled to capacity, no drugs available. The doctor told Helen she was on her own finding penicillin and gave her a list of what would work in a pinch. The bullet had gone in at an angle and torn tissue on its way. The doctor left the young nurse with a needle and told her to suture him up. She was inexperienced, and the stitches were wide and irregular.

“Take him home if you want him to recover. We have no medicine, no food. They are abandoning patients,” she whispered.

Helen nodded, hired a cyclo on the street while two orderlies dressed in rags helped Linh out the door and down the stairs. His arms were outstretched, one on the shoulder of each man at his side, cruciform.

On a regular schedule, Helen swabbed out Linh’s wound, relieved that it had finally stopped draining. The skin was swollen and red around the bullet entrance and exit wounds. It had taken her a full day of scouring the city to get untampered-with antibiotic in sealed bottles. From her days in the field, she had learned the signs that things were starting to go bad-the pallor of the skin, the sticking sweat that didn’t dry. Linh was okay so far, although the fever troubled her. It was her fault he was wounded in the first place.

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