Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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The guide that Linh had paid never came.

At dawn, Linh waited with a small group of foreign press. The table of people from the previous day, including the Frenchman, arrived, and he nodded glumly at Linh. A funereal quiet in the group, readying itself for the bad news they expected.

Just as the first rays of sun lit the distant treetops, a dusty pickup could be seen in the far distance, a plume of dust ranging far behind it, marking its progress. It stopped a couple of hundred yards away from the border, whose stone-faced guards, as ferocious as those carved figures on the temples, faced the small, motley crowd of Westerners. They held their weapons at the ready, and Linh smiled at the ridiculousness of their guarding a country no one in their right mind wanted to enter. Soldiers jumped out of the truck and rolled a body out that hit the ground heavily; a collective groan went up in the crowd. The Frenchman rushed to the makeshift gate, but the guards stepped forward in warning. Another person came from the back of the truck, standing up, swaying. Wearing a light blue T-shirt he didn’t recognize. Linh’s breath caught as he recognized Helen.

“That’s her,” he said.

“But there’s only two,” the Frenchman said.

Slowly, Helen bent down and pulled at the prone form. After interminable minutes, the man stood, and supported by her, he began to move with her toward the gate. A cheer started in the small group, but their progress was so slow that the cheer grew ragged and stopped off before they could reach the border. Another bit of cruelty to make them struggle the last few steps to freedom when help was so near. As they got closer, Linh could see the white-blond hair of the man, his face sunburned and bruised, one eye closed, his arm in a makeshift sling. At last, when they were close enough, a guard kicked open the small rickety bamboo gate, and the two stumbled through.

Linh touched the purpled bruises of her cheeks, the swelling of her eye. This body that had come to stand for everything that had been lost. Hard to trust that after so much had been taken, so much could still be received. But she was there, alive, his truth. Helen come back from the dead.

Author’s Notes

This is a work of imagination, inspired by real people and events, but I’ve given myself the fiction writer’s prerogative of blending and mixing, outright distorting and making up. I have been an eager reader of every book and movie on Vietnam I’ve come across since I can remember, so influences are many and impossible to pinpoint. I first became aware of female journalists and photographers in Vietnam when I read about Dickey Chapelle in Horst Faas and Tim Page’s Requiem. In the course of my research, I found a few others who spent significant time there, among them Katherine Leroy, Kate Webb, and one photographer I only came across in preparation for publication, Barbara Gluck.

In the strange way of fiction, I had been writing the novel for several years, having one of the characters developing into a spy, before I read about the true case of Pham Xuan An, a North Vietnamese intelligence agent who also was working undercover as a journalist for Time magazine. That much information was validation, the rest imagination.

When this particular story began to come together, the following is a list of works I read and consulted, instrumental not only for facts but for immersion in the atmosphere of that time and place. It also might make a good reading list for those unfamiliar with the history of the country or the war. If I have forgotten or left off anything, I apologize, and any omission will be added in the future if pointed out.

Specifically for the Fall of Saigon, I’m indebted to:

Butler, David. The Fall of Saigon. New York: Simon & Schuster, 1985.

Dawson, Alan. 55 Days: The Fall of South Vietnam. Englewood Cliffs, N.J.: Prentice Hall, 1977.

General Bibliography

Bourke, Joanna. An Intimate History of Killing. New York: Perseus Books, 1999.

Browne, Malcolm W. Muddy Boots and Red Socks: A Reporter’s Life. New York: Random House, 1993.

Chapelle, Dickey. What’s a Woman Doing Here? New York: William Morrow, 1962.

Duiker, William J. Ho Chi Minh. New York: Hyperion, 2000.

Emerson, Gloria. Winners and Losers. New York: Random House, 1972.

Faas, Horst, and Tim Page, eds. Requiem. Introduction by David Halberstam. New York: Random House, 1997.

Fall, Bernard B. Street Without Joy. Introduction by George C. Herring. Mechanicsburg, Penn.: Stackpole Books, 1961.

Fitzgerald, Frances. Fire in the Lake. New York: Vintage, 1972.

Halberstam, David. The Making of a Quagmire. Introduction by Daniel J. Singal. New York: McGraw-Hill, 1964.

Hofmann, Bettina. Ahead of Survival: American Women Writers Narrate the Vietnam War. Berlin: Peter Lang, 1996.

Huu, Ngoc. Sketches for a Portrait of Vietnamese Culture. Hanoi: The Gioi Publishers, 1997.

Huynh, Sanh Thong, ed. and trans. An Anthology of Vietnamese Poems. New Haven, Conn.: Yale University Press, 1996.

Jamieson, Neil L. Understanding Vietnam. Berkeley: University of California Press, 1993.

Karnow, Stanley. Vietnam: A History. New York: Penguin Books, 1983.

Keegan, John. The Book of War. New York: Penguin Books, 1999.

Kulka, Richard A. et al. Trauma and the Vietnamese Generation. Foreword by Alan Cranston. New York: Brunner/Mazel, 1990.

Laurence, John. The Cat from Hue. New York: Perseus Books, 1992.

McAlister, Jr., John T. and Paul Mus. The Vietnamese and Their Revolution. New York: Harper & Row, 1970.

Melson, Charles D. The War That Would Not End. Central Point, Ore.: Hell-gate Press, 1998.

Moeller, Susan D. Shooting War: Photography and the American Experience of Combat. New York: Basic Books, 1989.

Mouhot, Henri. Travels in Siam, Cambodia, Laos, and Annam. Bangkok: White Lotus Ltd., 2000.

Nguyen, Du. Kieu. Translated by Michael Counsell. Hanoi: The Gioi Publishers, 1994.

O’Nan, Stewart. The Vietnam Reader. New York: Anchor Books, 1998.

Plasters, John L. SOG: A Photo History of the Secret Wars. Boulder, Col.: Paladin Press, 2000.

Reporting Vietnam. Part 1: American Journalism, 1959-1969. New York: Library of America, 1998.

Reporting Vietnam. Part 2: American Journalism, 1969-1975. New York: Library of America, 1998.

Salisbury, Harrison E., ed. Vietnam Reconsidered. New York: Harper & Row, 1984.

Shay, Jonathan. Achilles in Vietnam: Combat Trauma and the Undoing of Character. New York: Simon & Schuster, 1994.

Sheehan, Neil. A Bright Shining Lie: John Paul Vann and America in Vietnam. New York: Vintage, 1988.

Taylor, Keith Weller. The Birth of Vietnam. Berkeley: University of California Press, 1983.

The Traditional Village in Vietnam. Hanoi: The Gioi Publishers, 1993.

Thompson, Virginia. French Indo-China. New York: Macmillan Co., 1942.

Walker, Keith. A Piece of My Heart. Novato: Presidio Press, 1985.

Webb, Kate. On the Other Side: 23 Days with the Viet Cong. New York: Quadrangle Books, 1972.

Young, Perry Deane. Two of the Missing. New York: Coward, McCann & Geolhegan, 1975.

Acknowledgments

I would like to thank Nat Sobel, a true gentleman in publishing, who still believes in fighting the good fight for a book. My gratitude also to my brilliant young editor, Hilary Rubin Teeman, who poured her passion and intelligence into the project. For assistance on parts of the manuscript in its earlier incarnations, I’d like to thank Adria Bernardi, Robert Cohen, and Megan Staffel.

Tatjana Soli

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