Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Smoked if they catch us,” Tanner agreed. “Hand over that bottle and let’s celebrate.”

“They have to catch us first, Helen baby,” Matt said.

After spending the night out, and another day of bruising roads, they reached the Mekong River. Tanner argued with and then bribed the ferryman to carry them across. The man, named Chan, had small, pig eyes, and one cheek puffed up nearly double from an infected tooth. He kept stirring at a pot of something green over a burner, spooning a paste into a dirty poultice he held against his ear. His left hand was missing three fingers, severed below the knuckle. After Matt asked to look at his cheek, he turned away quickly. “Abscessed.”

Finally, Chan agreed to take them across for an exorbitant amount, ten times the usual, and insisted the station wagon be camouflaged under palm fronds. While Tanner and Matt covered the car, Helen walked down to the water to wet her handkerchief. A pink, checkered shirt floated in the water, and as she got closer she saw it covered a swollen torso, the fabric pulled tight, splitting the seams. Another body in black swayed at the bank, face-down, long hair twisting in the reeds.

During the crossing, the water lay still like liquid metal, the ferry suspended on its surface, unmoving. Helen stared down in the water, her image as sharp as in a mirror.

The ferryman sat at the very-most edge of the boat, poultice pressed tight against his face, and glared at them. Matt and Tanner smoked a joint. “To protect our cover.” Helen slipped the Buddha on her tongue, growing used to the iron taste till the bitterness comforted her.

“I don’t trust him,” Helen said.

Matt shrugged and stared at Chan, his dour, squatting image reflected in the blue sunglasses. “What’d you want to do? Kill him?”

“He’s going to report us,” she said.

“Too bad. We’ll be across the border in a day. But I’ll kill him if you want.”

She felt light-headed, as if there were too little oxygen in the air.

Once they got off the ferry, Tanner paid Chan again as much for a tip if he would forget their meeting. The ferryman eagerly accepted and smiled for the first time, breathing in their faces, his breath like sulfur, but his eyes remained hateful. He delayed pulling the rope gate away for the car to pass. His pidgin English suddenly improved. “Khmers bad. Americans rich, the goodest.”

“So how do we get to the Thai border? With no running into Khmer? We take-” Matt pulled out a Baggie of marijuana to show him. “No problemo?”

Chan talked and gestured as Matt wrote down his directions. Tanner again pulled out a thick stack of money and peeled off more bills for him. Chan pointed to the car and Helen, and then motioned taking a picture.

Matt nodded sagely and motioned to Helen. “Girlfriend. Wants to take pictures of Phnom Penh and Angkor Wat.” Matt grimaced and took him aside. “How far to Angkor? Otherwise no-” He made an obscene poking gesture with his hands, and the ferryman laughed. He gave another set of equally convoluted directions, taking Matt’s pen and drawing part of a picture on the paper. Tanner peeled off more bills and handed them to him.

“You go Phnom Penh. Much goodest.”

“No dangerous?” Tanner said.

“Much goodest.” The man insisted. He slapped Tanner’s stomach. “Womans.”

At last he moved to take down the rope barrier, and the three men pulled over the ramp to drive the station wagon off. “You go Phnom Penh?” he insisted like a worried mother hen.

“Yes, Phnom Penh.”

Matt wagged his head lazily and waved as they drove off. He lifted both hands off the wheel and again made the poking gesture so Chan laughed.

“Definitely avoid Phompers,” Matt said.

“So we go up and over the long way?” Tanner asked.

“Chan expects us to do that.”

“No, Chan expects us to double-cross him. Take the shorter route under.”

“So we triple-cross him and do what we said.”

They set off in high spirits, convinced they had thoroughly confused the ferryman, but the trip became a horrendous series of wrong turns and dead ends. “The little bastard lied to us,” Tanner said, pounding on the steering wheel.

“I should have offed him,” Matt said. At dusk they stopped because of the danger of being spotted by their headlights. Not wanting to be taken by surprise, they hid the car in the trees and slept in a ditch.

Helen settled down into a pile of leaves. “Listen,” she whispered.

“What?” Matt asked.

“No sound. Nothing. No birds even, or insects.”

“You’re the lady in love with silence.”

No one spoke for a few moments.

“Bizarre,” Tanner said. “Tomorrow at lunch we’ll be in the best hotel in Bangkok, popping a bottle of champagne.”

Helen stared up at the sky, but even in the pitch black of the country, not a single star appeared. A blanket of lead; even the heavens had been extinguished. “I’m ready to go home,” she said.

“What took you so long?” Matt asked.

She shrugged to the darkness. “I got lost.”

Helen closed her eyes. She thought of the rolls of film in the car, the images cradled in emulsion, areas of darkness and light like the beginnings of the universe. She herself full of latent images taken over the years, and yet what she had seen would stay inside her, hidden. Linh had covered her eyes during the mission out of Dak To, because he understood that for them the eye was the most important thing. We close our eyes to spare ourselves or those we love. To see demanded responsibility. To gain power over their enemies, armies blindfolded prisoners. In the fields, the Khmer Rouge had the people turn away so that the executioners would not see themselves in their victims’ eyes.

Tanner was probably right-the pictures were good and were taken at great risk, they had a shot at some of the prizes-and so she was catching up to Darrow. It was like chasing the tail of a comet. She had done her final job for the war and was proud of that. But even as she got closer, she understood his contempt had not been feigned, that by the time one earned such accolades, one had paid many times over what they were worth. And yet she was still there.

As she fell asleep, she wondered again where Linh was-still on a carrier or already on his way to California? She saw herself back in the embassy compound, smoke and burning paper swirling in the air. Then she was on the roof, tucking Linh into the cocoon of the helicopter, but this time she stayed on, felt the familiar weightlessness as they flew over the dark city and then over the darker water. She held Linh’s hand, free for the first time in so many years, maybe for the first time ever. Somewhere out in that darkness the future was rushing toward them. Had she tricked her fate?

She thought of her brother, not the imagined, damaged Michael of the war, but as he had been before, laughing and dancing around her. His hands up in a mock-boxing stance, his hair slicked back, white teeth shining. She had forgotten that he had a life before the war. In guilt and rivalry, she had given away the chance to have her own. But then Michael tossed his head like a horse throwing off the bit, refusing her memory of him.

Helen saw the young Cambodian girl she photographed in the mass grave earlier. Imagined tearing at the gossamer fabric of her shirt, brushing the long strands of hair like threads of silk, like the tendrils of morning glories in the spring, plunging into the hollow cave of ribs and the small dried grottoes of eyes. The dead entered the living, burrowed through the skin, floated through the blood, to come at last to rest in the heart. Stirring through the bits and pieces of the mystery of the young girl, Helen imbibed her, would leave trans-muted, brave and full of courage, knowing her fear and determined enough to ignore it, courageous enough at last to return home. Time to give up the war.

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