Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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When she returned to Samuels, she concentrated on his tanned arms, still perfect, the dragon tattoo still wrapped around the muscled left forearm. She took his hand and held it to her.

When they placed him in the helicopter, Helen got on also. “I don’t want him to be alone.”

The corpsman squeezed her shoulder. “He’s not going to make it, okay? Nothing you can do either way to change that.”

At the field hospital, stretcher bearers ran Samuels into the tent. An hour passed. The noise of the planes and jeeps, the rushing of the medical staff, unreal after the silence of the forest.

Finally a nurse came out to have a cigarette and offered one to her. “Honey, you need to clean up.”

Helen wiped her hands against her pants and felt the dry crustiness of them.

“Over there,” the nurse said. “The supply building. Hot water and soap, a cot to lie down in. You need it.”

“Samuels?” Helen said, barely able to mumble the words, her mouth dry, tongue thick.

“Oh, sorry, honey. Didn’t make it to the operating table. Somebody should have told you.”

Helen nodded her head. Before, there had been this small, shiny thing inside her that kept her immune from what was happening, and now she knew it had only been her ignorance, and she felt herself falling into a deep, dark place.

“Come on,” the woman said. “Let’s get you cleaned up and fed.”

After the nurse went back on duty, Helen returned to the supply building. Inside, it was hot, close, and dim, the only light from a row of exposed lightbulbs at the front of the building and the cracks of light through the rough, uneven seams of the metal walls. Racks of metal shelving stood eight feet tall, piled with supplies as tight as the stacks in a library. The air smelled of cardboard and plastic. As promised, a small cot was made up in one of the rows.

Helen put her equipment underneath the cot, then stretched out. She rolled onto her side, dragging her muddy boots across the blanket, too tired to take them off. Her arms and legs and chest trembled so that she had to clench her teeth as if against cold, and yet her skin was bathed in sweat. Beyond tears. She longed for something, anything, even physical pain, to provide a diversion.

“ Adams.”

She did not know how much time had passed, but she woke to the sound of a helicopter coming in. The flights had been constant, the radioed battle that Horner’s unit was joining, the wounded piling in. She prayed that Horner had delayed the unit but knew he wouldn’t. Just as he wouldn’t take blame for breaking Samuels. Although now he would die in shame, Samuels had simply chosen the method of his suicide. Horner’s way would have earned him a metal for bravery. It sickened her. She heard a soldier calling her name again. This was her ride to rejoin the company.

She rolled off the cot and crawled on her hands and knees farther into the rows till she reached the farthest, darkest corner. She sat on the floor balled up, with her back against a box, her knees drawn into her chest, her forehead resting on them.

“ Adams! Where the hell is she?”

The door opened, and her name echoed against the thin metallic walls. Helen breathed in, held her breath until she could feel her pulse throbbing. The door slammed shut.

“Where did the girl photographer go?”

Helen rolled down on her side, the ground cool and smelling of moisture like a damp basement. She tucked her fist under her chin. When she closed her eyes, she saw Samuels as he had been next to her under the plastic partition, and then she fell asleep.

Hours later, she left the supply building and searched out the air controller.

“We couldn’t find you for the supply run.”

“I’ve got enough film, and I need to send it out. When’s the next flight to Danang?” She held her breath, the lie so obvious.

He looked at his clipboard, bored. “Cargo flight at sunset.”

“I’ll be in the mess tent.”

She sat on a bench and stared at the table. She stood at the LZ half an hour before the plane was ready to take off. She had already boarded when a soldier ran up with her camera bags that she had left behind, forgotten, in the supply building.

When Helen returned to Saigon, she was relieved to find Darrow and Linh on an assignment in Cam Ranh Bay. In the apartment, she continued her hiding, camped under the mint green bedspread, trying to forget what had happened, including her own humiliating part in it. A pain throbbed behind her eyes-she could not put Samuels out of her mind, his death like a disease inside her. The more she thought about it, the less she understood what had happened or whom to blame.

The film in the bags was an accusation; if she could not figure out Samuels’s intention, she couldn’t in good conscience broadcast the photos, so instead of mourning the loss of her friend, she had to act as judge on his actions. Obviously Horner had been in the wrong, had demoralized his men, but Samuels was a veteran of two tours. He should have been able to deal with Horner easily. Had he just been showing off, a terrible, stupid accident? Or had Samuels snapped? Had the waste and stupidity up to that moment finally done him in?

There were worse alternatives to consider. Had the lines begun to blur so much that Samuels simply didn’t care whether there was a bullet in the chamber or not?

In exasperation, Gary came to pick up the film himself, and she reluctantly let it go because to make an issue of it would be to convict Samuels. An assistant would develop the rolls. Gary took one look at Helen and called a doctor. He promised to return after the film was processed.

When the doctor examined her, he shook his head. “Exhaustion. Post-stress.”

“You’re my doctor, right? Call it vitamin deficiency.”

The sheets were dirty; she hadn’t changed them in weeks, too busy for normal life. Gingerly Gary sat on the edge of the bed. “What happened, honey bunny?” He didn’t want to be responsible for his star girl photographer going down and that becoming the story.

Helen shook her head. How could she not betray Samuels and still let the photos go out? “I don’t think the film’s any good.”

“They’re great shots. You just need to rest, okay?”

She leaned over, her eyes slipping away from him. “I don’t know what happened. Out there.” She knew what had happened inside, Samuels’s frustration. But hadn’t he really meant it as a dare, a bit of drama, a boyish prank?

The room was hot, and Gary ’s forehead beaded with sweat. “Why do you stay here? I pay you a lot better than living here.”

“It’s the real Vietnam.”

“Who the hell cares? Didn’t you notice? The real ’ Nam is a shit hole.” Gary kicked at a pillow on the floor. Bad enough to witness all the military casualties, but now his reporters were falling apart. Every day he lived with the guilt, sending them out, knowing the dangers, the scars it would leave either way. Pretending, pretending, his cowboy talk that none of it was so bad, that they’d be okay if they took precautions. And here was his girl getting all messed up.

“Why’s the place good enough to die for, then?”

“That’s real philosophical and deep and all, but I got my own problems. Look, sweetie, I don’t know when’s a good time to tell you, so here it is. The new assistant was rushed and used too much heat drying the negatives. The emulsion melted.”

The shock that the whole thing had been destroyed stunned her. “All of them?” Despite her doubt about releasing them, now the news knocked the wind out of her. It was clear now that she would never have sat on the photos. Samuels betrayed again, now by being forgotten.

“Of course not. About half. But listen, the ones left were good enough for another cover. And your fee doubled, too, so not so bad, huh?”

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