Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Darrow felt his way into the dark room. “You awake?”

“Yes.”

He flipped on the red-shaded lamp. “I was hoping you were here.” He sat on the bed. “I drove straight in from Bien Hoa, screw the curfew.”

In his arms, she let herself be still a minute, feel protected for the barest fraction of time. He smelled of sweat, dirt, and the fecund reek from being in the field. It repulsed and made her hold him tighter. His body strong, but he was no different from Samuels, the vulnerability of flesh.

“Your wife’s in town. At your hotel room.”

He let go of her. “Not now.”

“Wasn’t my choice.”

“How do you know?”

“As in, have I seen her? No.”

Darrow pulled off his glasses and rubbed the bridge of his nose. “She threatened something about coming.”

Helen moved away and pulled the sheet up around herself. “You didn’t mention me… no.” He had let it come to this, having her here. Helen’s feelings were suddenly clear. “I had my own little religious experience out there this last time. Maybe you didn’t tell her about us for a reason. I need something of my own. Not you. It never was. You and I were just a diversion.”

“Where’s this coming from?” He was angry at how quickly she was willing to throw them away.

“That’s rich-you’re being jealous.”

Darrow stood and shoved a chair hard across the room. It made a heavy thud as it fell on its side. “A war is on, you notice? What the fuck do my marriage and your hurt feelings mean?”

“ ‘The cool thing for us, baby, is that when this war’s done, there’s always another one. The war doesn’t ever have to end for us.’ What would you do without the war as an excuse?”

“Ask me to leave her.”

“Very romantic, but impractical.”

Darrow kicked the door, and it bounced back into the wall. She flinched. The knob left a fist-size indentation in the wallpaper. “I’m ending this marriage now, regardless of if you’re here when I get back.” Her back was to him, and he stood in the door frame, catching his breath. “Be here when I get back.”

A military jeep roared past Darrow in the street. Three ARVN soldiers sat in the front, two squeezed in the passenger seat. They had just finished a good dinner, with ample quantities of beer, and insisted on driving him to his hotel so that less liberal-minded soldiers didn’t hassle him for being out past curfew. Apparent that if he didn’t oblige, they, in fact, would be the ones to hassle him. He got in and offered cigarettes all around. Satisfied, the soldiers forgot about him and gossiped among themselves. Darrow sat back in silence and smoked.

Helen was right, of course. He didn’t reveal himself, or rather the limited facts of biography never seemed important, always giving an arbitrary, confining version of the truth. He smiled in the darkness, realizing this was a liar’s rationale. His wife’s father owned the major newspaper that he had first worked for; he knew that fact led to surmises about his integrity. What it meant in reality was that he worked much harder to prove himself, that he had doggedly achieved on his own merits despite that.

But the withholding had started even earlier. He had never even told his wife about his name change. At the time, he had felt it gave him a foolish and vaguely embarrassing vanity, an adolescent stunt. Now too much time had passed for the truth; they had been married six years, even though he hadn’t spent more than a few weeks at a time with either her or the boy.

No, not telling his wife had involved something deeper that he wanted to hide. She fell in love with Sam Darrow, the famous war photographer, but he was still the insecure young man determined to create this mythic persona. When he told her the first time that he was leaving for the Middle East, she sobbed. Wanted him to move to features, take pictures of politicians and movie stars. Not understanding that the creation now demanded its due, demanded to be played out.

He sat her down on the chintz-covered sofa in the living room. The marriage a terrible mistake, he offered an immediate divorce-an annulment for her sake. But she insisted on waiting till after the baby. Which was the way she announced her pregnancy to him. Much to his father-in-law’s displeasure, he jumped when the offer to work for Life came, no longer beholden to the paper. He had been gone since; if it made her happy to stay married, he had seen no reason to inflict more suffering on the girl than he already had.

As the jeep swung through the empty streets, the night air blew cool and damp; he was still grimy from patrol but in no hurry to reach his destination. No other place he’d rather be than Saigon, no other life he would choose.

He hardly knew the woman waiting in the hotel room for him. He supposed she was a nice, loving girl and that her marriage to him had been a terrible disappointment. He blamed himself for weakness. There was another reason for his marriage that he hadn’t admitted to Helen, which had to do with his fear of not coming back; a kind of insurance policy at the time to leave someone behind, waiting for him. But this woman’s love had not weighted him down to either safety or caution.

The jeep stopped in front of the hotel, and Darrow climbed out. He tossed the rest of the pack of cigarettes to the driver and received a happy nod as the jeep sped away.

He felt a hazy discomfort, as slight as a sore muscle, afraid that changing the status quo, no matter how unsatisfactory, would jinx his luck. Helen’s love was difficult, took away his lightness, his fearlessness.

Sunlight, broken up and scattering itself as the leaves of the flamboyant tree moved in the wind outside the window. Helen hadn’t slept, reconciling herself to the future of things, and now at late morning, she still lay in bed, heavy, half awake.

She heard the key in the door, and then Darrow stood in the bedroom. Studying his face under half-closed eyes, she imagined she had summoned him with her dreams. The thought surprised her that she would never love anyone as much. His expression defiant as he pulled the wedding band off his finger and threw it across the floor. They both heard the hollow roll of it as it circled down into silence.

TWELVE. A Map of the Earth

Months passed. Robert’s assignment was up; he was being promoted and sent to Los Angeles as bureau chief. When he invited Helen for a last lunch, they sat at the patio tables of the Cercle Sportif as shy as young lovers with unfinished business. Helen pretended to sun herself, tilting her face and closing her eyes. Although she always enjoyed his company, she wanted to know nothing about his relationship with Annick, which had been going on for the last few months. Annick had indicated that the relationship was less than satisfactory. Out at the pool, the daughters of wealthy South Vietnamese families sunned in French bikinis and ordered drinks from waiters who had been there since the colonial era.

Robert’s white shirt and khaki pants were freshly pressed, his face shaven and smooth. And yet there were circles under his eyes and a cowlick that wouldn’t settle over his forehead. Something vaguely dissipated about him, as if the tropics had finally had their way. He had aged a decade in the year and a half Helen had known him.

“If ever there was a revolution,” Robert said, “it should start here, don’t you think? Hopefully that waiter over there is a VC operative, a nephew of Uncle Ho.”

“How can you leave all this?” She was teasing but also curious. Reporters were beginning to consider Vietnam a must-have on their résumés.

“I’ve had more than enough of this place. Two years is a lifetime in Saigon.” He looked at her and smirked. “When’re you taking off?”

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