Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Of course not.” He had pitted her against an orphaned child. How could she not look bad in the comparison? But if they were staying till every last orphan was tidied away, well…

When Darrow lifted his bags to leave, Lan let out a howl. He sat back down, and she clung to his chest. They rocked together while he hummed a song. But as soon as he tried to move away, she whimpered.

“I come back tomorrow, okay?” Darrow said. Slowly, the girl strained up and gave him a small kiss on the cheek.

Helen bent down to hug the girl, smelling the stale sweat and sour milk. Small sores from the dirt and heat had erupted on her face and neck. The girl looked deep into Helen’s eyes, took a breath, and wailed, bringing the slow-moving nurse over.

“She’s a temperamental one, that girl,” the nurse said.

“She’ll get used to the idea we’re coming back. Let’s go.”

Helen was relieved to be back out in the courtyard, breathing fresh air. The afternoon sun flooded the yard with cleansing light. The smell of grilled meat over the brazier of a street vendor on the sidewalk outside made her light-headed with hunger.

“Let’s eat.”

Over a cold beer and grilled pork, Helen couldn’t help probing the new situation like a toothache. “She’s an orphan?”

Darrow took another bite, then wiped his mouth. “In effect. The family’s too poor to come this far. As far as they’re concerned, she’s just a girl.”

“You’ve probably got plenty of footage already. We could finish in California.”

Darrow turned and signaled for another dish. “I want to show her full… progress. We’ll do other assignments in the meantime.”

“I thought…”

He stopped and looked at her. He understood the fear, and he also understood, as she didn’t, that she would get over it. He reached across the table and took her hand as the Vietnamese at the nearby tables tittered. “Hey, time is on our side now.”

Helen looked across the street to the center’s walls, blinding, its aspect dull and impassive and unyielding.

Thao went home that night tired of the brattish girl she tended, filled with the certainty that the American woman was the reason she could not get Linh’s affections. His duty was to marry her. It was not an unusual thing during the war for such unions of convenience. Linh appeared lost to her, and she could be a good wife, saving his money, caring for him, while he watched over her and her children.

That night, she invited him over for dinner. With the money she earned for Lan, she had bought a new smock and pants, new pillows for the apartment. She had never known such luxury. Thao and Mai had come from simple peasant stock; strong, healthy girls, Mai the beauty, Thao the brains.

She arranged for a neighbor to take the girl for the evening. The baby slept. She wouldn’t wait Linh out any longer, what ever visions he had for himself. He was a man, after all, and she knew how to deal with a man.

When Linh arrived, the apartment was filled with smells of food cooking. It was uncharacteristically quiet.

“Where are the children?” His main reason for visiting was the joy he got playing with them.

“With neighbors. The baby sleeps.”

Linh sat down. When Thao came out, his throat caught at the transformation: her hair oiled, face powdered, a pale pink smock of silk.

“You look beautiful,” he said. What he meant was that she looked like Mai. She smiled and poured him a rice brandy she had bought for the occasion.

“What is all this?”

“Nothing. A thanks for all you have done for us.”

The evening proceeded, Thao a perfect hostess, plying him with alcohol, serving his favorite crab and asparagus soup, heaping his plate with food, asking intelligent and flattering questions about his work. When the dinner was finished, she had him sit on the new cushions she had bought for the Western-style sofa that came with the apartment.

“I’m tired. Drunk,” he said.

“Let me massage your neck,” she said, and turned him away from her, lowered the lights, and began kneading into the muscles of his neck. “Lots of tension.”

Afterward, they sat side by side and sipped tea. In the dimness, Linh looked over, and his heart skipped at the image of Mai. Although he knew better, he couldn’t hold out against Thao, all these months of her seduction. He stroked her arm. But later, when she was naked and lying spread out on the bedding, when he felt his hardness begin, it felt like a desecration of Mai’s memory. What type of a weak man was he? He pulled away from her, head hidden in hands in confusion and disgust. Thao got up, slammed a cup in the sink, went to check on the baby.

Weeks passed, and the agreed-upon time to leave drew further and further away as they approached it. Darrow, swept into the pull of the war, gave terse answers when Helen questioned him.

In desperation she accepted an assignment to go with him and Linh into the field. Four other reporters were joining them to Quang Ngai province. Darrow almost always chose to work alone, hated the “junkets,” but he accepted this situation. To Helen, it proved Robert right in guessing Darrow’s desire to cover anything, indiscriminately.

It wasn’t until they had already boarded the cargo plane for the first leg up to Danang that they realized one of the four was Tanner. As soon as he noticed Darrow, he came over, cracking a tight smile over his small, yellowish teeth. He held out his large hand. “Let’s forget that other day.”

Darrow paused, then clasped the man’s hand. “What other day?”

Tanner nodded his long, narrow head. “That’s it, man. The war’s bad enough, we don’t need to fight each other.”

The journalists divided up between two companies. Helen was irritated to see that Tanner had joined theirs; his presence would only grate at Darrow. Bad luck. The companies had orders to sweep three hamlets and meet back at base camp if they didn’t encounter resistance.

When they met the commanding officer, Captain Molina, a slight, dark-complexioned, humorless man, he told them his company had been ambushed the day before, although it had sustained no casualties. The coolness of his report belied the tension visible in the troops. Helen saw spooked faces; the eyes of the soldiers hard and distrustful. Jumpy. Hot and without sleep, walking around with fingers tight on the triggers of their weapons. Linh’s presence created a stirring, soldiers growling low to each other, casting long, stony looks. Molina went to talk with his NCO and returned.

“He can’t come along,” he said, pointing his thumb at Linh.

Darrow stretched his arms overhead, then bent to retie his bootlaces. “Do you have any moleskin you can spare? I think I’ve got the beginning of a blister.”

Molina took off his helmet and wiped his face. “Sure.”

Darrow untied the laces and began to pull off the boot. “He’s accredited, and he’s been my assistant for the last four years. I can’t do my job without him.”

Molina moved closer. “The men are a little wired after yesterday. Thing is, I can’t guarantee his safety.”

“Can I quote you? Their commanding officer?” Darrow pulled off his boot and his sock. “Besides, who speaks enough Vietnamese to question these villagers?”

Tanner had come up and stood listening. “Listen, Molina, these guys are okay,” he said. “They’ll make your little company look like heroes.” The captain went back to talk with his men.

They waited in the shade of a large granite boulder, drinking warm sodas someone had scrounged up. Darrow nodded at Tanner. Linh stood to the side. “Too much, huh?” Darrow said, rolling his eyes. “Too much. What kind of captain admits he can’t control his men?” Fifteen minutes later, Molina came back saying they reluctantly agreed.

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