Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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That night, as she prepared to take a shower, she noticed the ends of her hair were stiff. When she brought the tips to her nose, they smelled singed. After staying under the shower so long the water ran cold, she came out of the bathroom in her underwear and bra, hair dripping, and sat on the bedspread beside Darrow. He was stretched out, eyes closed.

“You’re dripping on the bedspread,” he said.

“I don’t care.”

He opened his eyes. “Let’s see Lan tomorrow.”

Helen bent her head down. How could she admit what she felt all afternoon coming home? Still as clear as after they lifted off from that beach-the photograph wasn’t enough. Helped no one. Soldiers still died, civilians suffered, nothing alleviated in the smallest amount by the fact that a shutter had opened and shut, that light had struck grains on emulsion, that patterns of light and dark would preserve their misery. No defense at all against the evil that had been perpetrated. Out on the beach that day, it had all been failure. Even the best picture would be forgotten, the page flipped.

“I can’t do this anymore,” Helen whispered, apologizing to the pillow, unable to meet his eyes.

Darrow covered her body with his. “That’s the first thing that goes. Belief. You’re better off without it.”

***

Hard facts were difficult to come by-twisted and manipulated by each mouth they passed through according to need or whim. Buried deep in newspapers or government reports, perceived facts had no effect on truth. Rumor, though, caught fire, flew as fast as the events themselves. Lived on in the minds of the listeners, haunting them.

They had been back in Saigon only hours when the first stories about Molina’s company began to circulate.

The official version was that a female VC climbed out of a tunnel and opened fire with an AK-47 on the soldiers, although no weapon or bullets were found, although after the initial attack, not a single American soldier was killed or even wounded by bullets.

Another version was that a village woman who had witnessed her husband gunned down on the beach below pulled out an old French-made hand revolver. Was it to kill herself or to kill the Americans? The soldiers panicked, opened fire, killing all the fleeing women and children. Later, said revolver was examined and found to be rusted out and empty of bullets.

Another, darker story was that Molina cracked, frustrated by the casualties and the defiance of the women, and ordered the soldiers to fire on them. The next day, on patrol, Molina walked point and stepped on a Claymore, killed, neatly ending any interrogation.

Whatever the truth, Tanner made the front page of a dozen newspapers documenting it. His pictures backed up military claims that VC and VC sympathizers had been gunned down in battle. Darrow threw the paper across the room.

“You couldn’t have stopped it,” Helen said.

“It doesn’t matter. I should have… been doing my job, not-”

“Babysitting me?”

“I was distracted. I can’t afford to be.”

The battles dragged on. Tay Ninh turned into Bong Son, which turned into An Thi.

At night, Darrow edged closer to Helen in the dark of the bedroom, the wind through the leaves of the flamboyant lulling like the sound of the ocean.

“What do you say, Helen, we delay leaving till next month. Get up to the DMZ one more time. I’ve heard things are going on in Qui Nhon and in the A Shau.”

Nothing.

“California will still be there a few months from now, huh? We’ll go with a few more covers under our belt.”

Later, Helen often thought about why she remained silent. Their love a riddle she couldn’t explain, only that Darrow coming of his own volition was the only way. Otherwise, she would be forcing him; unbearable, especially when it was obvious to everyone that she had lost the stomach for the work while he was so clearly born to it.

So he pretended he would leave, and she pretended that she believed him, and each knew the other was telling an untruth.

Days passed, each a lure that Darrow went out and followed; Helen again took the human-interest assignments she had previously scorned. The radius of her pursuits circling tighter and tighter, with the apartment in Cholon eventually the only place she was absolutely at ease.

Robert threw his “Light at the End of My Tunnel” party at the broken-down Hotel Royale. The restaurant and bar were colonial-period shabby, in keeping with the party’s theme. Robert walked through the palm-lined lobby in the white wool uniform and pith helmet of a French military commander. People overflowed the lobby, standing on the steps and out on the sidewalk, sipping champagne while a band played fox-trots and tangos in the overhead ballroom. A street boy, small and fast, reached his hand up like a periscope over the platters, stuffing his mouth with what ever he grabbed before it could be taken away. A crippled war veteran leaned against the building, his left leg missing, and sipped at a glass of champagne someone had handed him.

In the cab going over, Darrow hummed show tunes. Helen had borrowed a long, cream-colored gown with a large black silk rose pinned at the chest. “Nice,” he said, uninterested. He had reluctantly put a suit on, and he sat in the backseat of the small car, knees to his chest, looking crushed and miserable.

They walked up the steps to where Robert stood in the doorway. “The luckiest man in Vietnam,” Robert shouted and raised his glass. “Beware, I might try to steal her away to night.”

Darrow smiled a strained, polite smile. “Do it while I get drinks,” he said, and made a quick escape into the crowd.

“As cheerful as always,” Robert said.

“He’s tired.”

More and more people arrived, cars jamming traffic for a block all around.

“How many people did you invite?”

“Oh, five hundred, give or take. Everyone I’ve ever met in this country. But I don’t recognize half the faces here, so I think it’s taken on a life of its own. Appropriate for a war with a life of its own.”

Annick had been right-she had underestimated him. “You’re leaving in style.”

“Leave with me.”

Helen smiled and looked down. For a moment she thought he mocked her, but he understood how shabby her situation was. Besides, there was no sport in it, like shooting fish in a barrel. “Is Annick here?”

“With her new beau. She’s not one to hold a grudge, especially at the mention of a party.”

“No, she isn’t. That’s part of her loveliness.”

“Such a pretty dress and such a sad face.” Robert drew himself up and put his hand across his chest. “Marry me.”

“You’re drunk.”

“That’s right. That’s the way men like me screw up the courage to ask for what they want. After the fact, when it’s too late.”

“It is too late, isn’t it?” She bit her lip. “You’d fall down dead if I accepted.”

Robert burst out laughing and drank down his glass. “Of course I would. That’s what’s so delicious about you. You think like a man. No, I need a sweet, marrying type who loves me and stays out of war zones.”

“That’s not me,” Helen said, smiling, stung by his words. “What’re you going to do with all of that peace?”

Robert shook his head. “I’m more in love the more you pull away.”

Darrow walked between them, balancing three full champagne glasses. “Who’s pulling away?”

“I am, if I’m lucky. All I care about is my departure time,” Robert said. He winked at her and poked his finger at Darrow’s chest. “You know what they say-‘Old reporters don’t fade away, they transfer to lesser bureaus.’ ”

“Don’t give me that. Los Angeles is a kick up.”

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