Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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From a neighboring hill, Helen focused binoculars and saw the blackened smudge of the crash site, the surrounding vegetation burned to charcoal in the fire. “There it is,” she said, feeling foolish at the excitement in her voice.

Linh watched her, his eyelids half closed in the bright sun. Without a word, he followed one of the rangers down a steep ravine. He had been angry at her insistence to come, thinking there was no point in endangering herself.

Helen stayed in close to the man assigned as her escort, Sergeant James. He was a tall man with reddish hair and fair skin. Whenever they stopped for a break, he would take out a zinc stick and run it along his face and neck till his skin was white with the stuff. “I’ve burned and peeled so many times, I’m down to my last layer of skin.”

Absurd as it was, Helen rushed her steps, walked ahead of James and passed Linh in her frenzy, as if time were still a factor, could change anything that mattered.

The crash site lay near the top of the hill, a view of green mountains extending all the way to Laos and beyond. The afternoon light slanted through the sky, cast everything in shades of greenish gold. The scent of grass was blurred by charcoal. The wind came up, a faint rustling of leaves, a clicking of bamboolike chimes in a graveyard. The most sacred place she had ever been.

She remembered Darrow waking her at dawn, watching the sun pour slowly across the Cordillera. The mountains too far away to ever reach, but now, deep inside them, they still stretched out of her grasp, unknowable.

“Ever been here before?” she asked.

“Not likely. This is beaucoup dangerous bandit country. But recovery isn’t bad. Once they’re already dead, the enemy usually isn’t interested in scoop-up.”

Sergeant James joined the other soldiers surrounding the burned-out hull of the helicopter, already so weathered it looked as if it had been there decades. The men crouched over blackened mounds on the ground, unzipped a body bag, put on plastic gloves, and used spades.

Head pounding from a threatening migraine, Helen stood, her purpose gone. Of course, there was nothing there for her, but she had been unable to stay away. Her whole being unmoored, the excuse of going out was her only relief. A death to suffer through with no ceremony, no commemoration of who they had been to each other. A red drop fell on her shirt and then blood began to pour from her nose.

Linh was quickly at her side, pulling out a handkerchief, settling her in the shade of a tree.

“What happened?” she asked.

“Altitude. Heat.”

She sat with her head tilted back, the metal taste of blood stripping her throat raw. “Don’t be angry with me.”

Linh was cleaning a lens with cloth. “For nosebleed? We all miss him.”

“Then why the looks?”

“You have been here long enough but still you act like a child.” Linh remembered Darrow’s theatrics over Samang’s snakebite death in Angkor. Why couldn’t any of them accept fate? Why the long march out here? Of course, he must ask himself the same question. The answer that he feared for her and didn’t fear for himself. More and more he believed detachment the only answer to the constant onslaught of loss.

“Just be my friend.”

“I am always your friend.”

Later she walked back and forth along the outside of the site, searching debris scattered a good distance from the crash. Between tall swales of elephant grass, she found small fragments of 35mm film, the emulsion burned away so that it had a milky, blinded look. Linh recovered a piece of the embroidered neckband that Darrow used for his favorite Leica; it had been wedged under a stone. Although he would have liked to have kept it, he handed it to Helen, and she held it carefully between her fingers, as if it still burned.

Sergeant James came over to her and handed her his canteen. “Miss?”

“Sorry,” she mumbled. “Heat.”

“We need to be pushing off.”

Helen nodded. Her fingers still searched the charcoal ground for slips of film.

“Ready to leave.” He took back his canteen and screwed the cap back on. “Sorry for your loss. They died like heroes. Trying to rescue two of our own.”

“Khong biet.” I don’t know.

He crinkled his nose as if from a bad smell. “How’s that?”

“Too many heroes in my life. All gone.”

Her fingers were soot black as she pocketed three small pieces of film. When she wiped the sweat off her forehead, a black smudge trailed behind. The time of extravagant grief over; now she was dry-eyed and quiet. Something had changed, she feared, what ever connection she had felt for the land or the soldiers broken.

Linh came up to her and motioned to her forehead.

During those convalescent days he had nursed her in the Cholon apartment, Linh had decided the only tribute he could pay Darrow was to send Helen home safely. She agreed to go only once the body was recovered. When they got news of the crash, Gary insisted that Linh go with him to the apartment. As soon as Helen opened the door and looked into Linh’s face, she knew. The worst part how little a surprise it had been, how easy to accept. She pulled Linh inside and closed the door on Gary. But even the fatefulness of the death did nothing to diminish her grief. The sound of her crying tore open his own wounds. An agony to stay with her; an agony to leave.

During those long days, she had asked him about his life, and for the first time he revealed parts. She had earned this trust. He told how his father had been a nationalist, simply wanting in dependence for his country. When Ho embraced the early promise of Communism, he followed. Linh had joined the NVA, believing his father. Soon, they both realized it was a false promise. The family had been willing to lose all, escape. But they found the South, too, corrupted, filled with puppets for the foreigners.

***

Now Helen untied her bandanna and wetted it from his canteen, wiping the charcoal from her brow and then spreading the wet cloth open to cover her whole face. Under torture, men suffocated this way.

“It’s time to leave.” He plucked the cloth off her face.

Sergeant James stood at ease with the other soldiers, facing the ravine they had come up, feet spread, arms clasped behind his back like a sentinel. Two improbably small body bags lay at the soldiers’ feet.

Far away the hollow thrum of underground explosives could be heard like a heartbeat. Many hilltops over, delicate white puffs of smoke hung in the air.

The Montagnards were supposed to carry the remains out, but they did not show up. James said they were probably still blowing bunkers, so the soldiers decided to carry the bags themselves and not risk getting caught out overnight.

In single file the soldiers walked step by step down the dirt path, the ground loose and red under their boots, each of them shouldering the end of a splintery wood pole, and the unevenness of their strides and the small slips in the crumbling soil caused the bags to sway and squeak. Linh and Helen followed-the ravine plunging, hairpin and overgrown-alternately blinded by the sunlight and then plunged into dark shade as they made their way back down the steep mountain.

Thorn bushes crowding the path snagged at Helen’s pants, and once, as she gazed out over the valley, a large thorn dug a long scratch along her arm. Beadlike drops of blood formed along the wound, but she was oblivious to it until Linh came up next to her and rubbed it roughly with a piece of cloth, his eyes glittering.

“You must watch where you’re going. Be more careful.”

When they made it back to the LZ it was sunset, and a helicopter was on its way to drop supplies and take them out. Helen ached to go back to the city, to the crooked apartment she had not moved out of, boxes half packed. She waited with her back to the two bags lying by the side of the clearing.

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