Tatjana Soli - The Lotus Eaters

Здесь есть возможность читать онлайн «Tatjana Soli - The Lotus Eaters» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Lotus Eaters: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Lotus Eaters»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

The Lotus Eaters — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Lotus Eaters», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

As they waited, four LRRPs, called Lurps, walked in from the bush. They high-fived the platoon digging in for the night, nodded thoughtfully to the bags at the edge of the clearing, then squatted under a tree and began to boil rice and dried meat. These types, MacCrae’s kind of guys, worked in deep cover, adapting to native ways and language.

Linh went over and joined them. Exhausted, Helen sat on a box of rations. She was surprised when one of the men held out a plastic cup to Linh, and more surprised when he accepted, squatting down to drink with them. By the jerk of Linh’s head and the guttural laughter of the soldiers, she guessed it was the local hill tribe moonshine, a fermented alcohol made of rice, lethal stuff.

The helicopter came in, and everyone turned away to shield their faces. The whole camp pitched in to unload supplies. Two of the Lurps jumped up, jubilant and drunk, and each took one end of the first body bag and swung it up on the floor of the helicopter, where it landed with a hard thud.

“Careful!” Helen yelled.

The two men stared at her with blank expressions. “They won’t feel a thing anymore, dolly,” one of them said to the howling laughter of his companions.

Helen stared at them and at Linh sitting there, a part of them. “I’ll remember that when I carry your bag.”

The soldier made a motion with his hand as if he had touched something hot. “Sssssss!”

Helen watched as the next bag was loaded in carefully, almost tenderly.

Linh staggered up to her. “We’re not going out. We’re going on patrol with them.” He nodded his head back to the Lurps eating their dinner.

“You’re drunk.” Helen’s gaze took in the group of men who were oblivious to their presence. “Do they know this?”

“Already arranged.”

“By who?”

He wagged his head. “Me.”

She rubbed her boot back and forth in the dirt, a long, tired arc. “I’m beat. You go. I’m going back on this ride.”

Linh grabbed her arm. “For me, this time. Without questions.”

She hesitated. After Darrow’s death, she felt strange around Linh. The memory of the three of them together making the absence more painful. “I don’t have enough film.”

“Enough for the job.”

“Which is?”

Linh studied her face, looking for something. “You said you wanted to photograph the Ho Chi Minh trail. Still do?”

After three days, Helen no longer thought of the crooked apartment or Saigon. Even Darrow changed from a pain outside, inflicted, to something inside, a tumor, with only its promise of future suffering. The fastness of the jungle struck her again in all its extraordinary voluptuousness, its wanton excess. It enchanted. Time rolled in long green distances, and she took comfort in the fact that the land would outlast them, would outlast the war-would outlast time itself.

They traveled straight west for three days, illegally crossing the border at some point, and continued on. They moved beyond rules; she, in her grief, was also beyond rules. Gradually, as happened each time, Helen was absorbed by the details of the patrol-the heat, the terrain, the soldiers-till nothing else existed. She was impressed by the obvious relish with which they went about their job, hardwired for it in a way other units were not. They lived deep in the land; traveled through it like ghosts. No base camps or supply drops. Understood there would be no mercy if they were caught. They made do with very little-whatever was on their backs or taken from the land.

Deep in the wilderness, Helen experienced the longed-for slipping beneath the surface, losing the sense of herself as separate from her surroundings. After five days all thought of the war was gone. Only movement and land covered, the safety of the men and herself. She lost her tiredness, lost her appetite. Simply ate and slept enough to have the strength to keep walking. The idea of taking photos small and beside the point. The Lurps mostly ignored her except for the one who had made the body bag comment. After a week he came up and complimented her: “You’re almost invisible.”

On the tenth day they received a click-hiss on the radio, a signal an NVA convoy would be passing within hours. They set up positions in the bush with a clear view of a wide dirt path that crossed a quick-moving river. The sound of the water concealed them against accidental noise.

Linh and Helen cut branches to create a tripod inside a large bush, then hid the camera and zoom lens with leaves. Linh attached a cable release for the shutter. “When they come, no movement. No framing. We have to be lucky. If your hands shake, no problem.”

She listened and did what Linh told her without question. Enacting a ritual to summon a spirit, conjuring an enemy that had for the most part remained invisible and otherworldly. Beyond belief that such a force could be made up of individual people, and she wondered if it was the same for the North Vietnamese-did they fear the magic of the Americans, with their planes and bombs? Their endless machines. Each time the Americans came across fresh footprints of rubber sandals, they stared at them with a kind of queasy awe. The only tangible evidence of the enemy’s existence so far was dead bodies, but strangely, the dead were somehow less, did not match the fear and terror they inspired, much like one could not imagine flight from the evidence of a dead bird on the ground.

Hours passed that held the weight of days. Ten feet away, Helen heard the click-hiss of the radio again as the Lurp nodded up and down the line and then shut it off. More hours, with only a minimum of movement. The day overcast and cooler, a thin fog curled at the top of the mountains, and the first enemy soldier materialized on the path without a noise.

How young they seemed.

Barely out of boyhood in their shabby khaki uniforms, thin so that their pants, rolled up, revealed the large knobs of knees. The AKs strapped across their chests looked too big for them to handle, children playing war with their fathers’ guns. Their faces so serious and yet they moved with the energy of teenagers, confident in their steps. When the first soldiers came to the river, they stopped and scanned it up and down, but they were at the narrowest and slowest-flowing part-the Lurps made sure of that before setting up positions-and Helen pressed down on the cable release over and over, hoping that just by sheer numbers she would come up with a usable frame, the click of the camera inaudible over the gravelly sound of the running water.

The first soldiers waded in their rubber sandals halfway across the river, the rushing water reaching waist-high so that they had to raise their weapons. Behind the point guard, soldiers came with heavy loads strapped onto bicycles, a bamboo pole across the handlebar and another from the seat of the bike for steering. One of them said something to a soldier in the stream, and the young man again scanned the river up and down and shrugged.

The bicycles shuddered in the river, the rushing water tugging against the canvas bags, forcing the drivers to cross quickly, almost at a jog because the power of the current would tire them, soaking the bags heavy and making their jobs harder. More than fifty bicycles passed in an hour.

Next came a kind of crude wagon balanced on four fat rubber tires. Two soldiers directed it, one front and one back. Halfway across the river, a front tire caught on something underwater, and the force of the soldier pushing from the back made it go in deeper, splaying the wagon sideways so it was at a forty-five-degree angle to the bank. The two soldiers tried to straighten it, then back it up, but the vehicle wouldn’t budge.

Now the soldiers closest to the Americans stopped on their side of the riverbank, laid their bikes down and slipped off their packs, and waded into the water to free the wagon. It took eight men to get it moving, and when they reached the other side, the steep bank was too slippery, and the wheels couldn’t gain traction. An order was given to cut down poles to create a ramp.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Lotus Eaters»

Представляем Вашему вниманию похожие книги на «The Lotus Eaters» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Lotus Eaters»

Обсуждение, отзывы о книге «The Lotus Eaters» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x