Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Linh had stood helpless at the gate of the plane; he had broken his own discipline and confused her by his actions. In his weakness he asked Helen for something to remember her by, but it was too late. All she had was a gold scarf around her neck that was brand-new and not hers yet, but she took it off and handed it to him. Now he held it to his nose, but there was no scent of her on it. Slowly he twisted it and wrapped it tight around one wrist, when someone knocked at the door. He did not want to answer, did not want to endure Mr. Bao at this moment, but to continue to avoid him would be worse. He opened the door.

Mr. Bao walked through the room, now needing a wooden cane, taking in each object although only the bare furniture remained. “Now it seems I must come to you. It’s been months since we’ve talked.”

“There are no developments. Other than my being a staff photographer.”

“That is very good. Keep your ears and eyes open.”

“That’s my job.”

Mr. Bao looked at him sharply, his small eyes behind the glasses magnified. “Don’t forget whose side you are on. Sentiment is turning to our side. Men like you are credited with helping that. Don’t make us doubt you.”

“Why pretend? It’s not as if this has been voluntary on my part. How is the heroin trade? Prosperous?” It amazed Linh how naive the North still was about the Americans, not realizing Westerners’ quest for news was more powerful than anything he could have ever led them to.

Mr. Bao picked up a figurine of a Buddha, a trinket from the markets, left behind. “So your little adventuress is gone?”

“Yes.”

“Too bad. Why didn’t you convince her to stay?”

“I have no control.” The truth was, and he felt shame in his pride over it, that he could have persuaded her to stay. But his loyalty to Darrow outweighed his love and his anger. The Americans did not yet realize that they would lose the war. There was a kind of hopeless certainty in Linh that no harm would come to him in this war, that he was one of the charmed, although he did not particularly care about that survival. He was angry that he had not been with Darrow, thwarted his death.

“It doesn’t matter. Better to not deal with a woman anyway. What if she falls in love with you?” Bao chuckled and eyed the scarf. “What’s that?”

“She left it behind.” He saw Bao’s eyebrows rise, and quickly added, “She asked me to deliver it to a friend to send on to her.”

Mr. Bao reached out and touched the fabric. “Then you shouldn’t wrinkle it so. Too bad. It is good quality-my wife would have liked it.”

FOURTEEN. Back to the World

Helen refused to attend the memorial service for Darrow in New York City. She considered it a hijacking of his wishes and would not be party to it. She would not be party either to her moniker of other woman. Gary and the others thought her callous not to go, to represent his colleagues in Vietnam. No. They expected her to be a good sport, to let the past stay in the past, but it was not within her to do it.

She flew from Tokyo to San Francisco, and felt a childish excitement as she looked down through the clouds, the idea of home suddenly real after such a long absence. Home would fix things. On the plane to Los Angeles, the last leg, she sat with soldiers still in uniform who had processed out of Travis and were going home. Could it be as easy as walking off a plane to leave the war behind?

Her mother, Charlotte, met her at the gate with a bouquet of flowers wrapped in cellophane. She saw her own face in her mother’s, softer and more fragile now. How she had missed that smell of Joy perfume. She pushed away the guilt she felt, her mother resigned to the whole selfish tribe she had raised. As they hugged, Helen watched the returning soldiers heckled by a small group of antiwar protesters. A stringy brunette wearing tattered jeans and a suede halter top stood in front of the soldiers, blocking their way. Her long brown hair was tangled, a feather dangling from a braided strand of it. With barely a glance, one of the soldiers shot his arm out to shove her aside.

The girl’s eyes widened until the whites were visible, and she yelled, “Who do you think you are touching me?” But the soldiers ignored her and moved off.

“Let’s leave,” Helen said.

“You’re so thin,” her mother said. “I hardly recognized you.”

Helen put her arm around her mother’s thickened waist as they walked by the brunette. She slowed and stared at the girl, who returned a flat, dreamy gaze. A look with no contradiction, not the smallest doubt. “Think peace,” the girl offered, then turned to drink from a soda can.

Helen stopped, transfixed. Her mother tugged at her arm.

The girl looked back now, flushed. “What?”

“That’s real brave… what you’re doing here.”

“I want to leave,” Charlotte said.

“Gee, thanks,” the brunette said with a nervous giggle and turned to the two men she was with.

“You’re really making a statement… standing in an air-conditioned airport.”

“Look,” the girl started. “My boyfriend was drafted. Were you there?” “Yes.”

The girl’s eyes widened. “That’s so cool. Did you see them bayonet babies?”

Helen shook with a rage she didn’t know was inside of her. Charlotte dragged her down the walkway.

“What was the point of it?” the girl yelled, gaining confidence at their retreat.

Helen stopped, unable to think. No one had ever asked her the question before.

When they reached the house, Helen first went around to the back and stood staring at the view she had grown up with-ocean waves breaking on the rocks down below. Then she walked from room to room, marveling how big and clean everything looked. Nothing had changed since she’d left except for herself. It was hard to imagine what had burned in her to leave this place and go halfway around the world. She wanted to return to what she had been before she left, but better, smarter, more content.

“Come and look,” her mother said, and showed her the pile of magazines and newspapers with her photos. “This just came.” She held the magazine with the NVA boy soldier on the cover. Inside was an editorial announcing Darrow’s death with the picture Linh had shot of him in the Special Forces camp. “So horrible, so sad.”

Helen said nothing. If she told about her relationship with Darrow, it would boil down to the elements of a dime-store romance. How she had wanted to bring Darrow here, to meet her mother and see where she grew up.

“Please put them away for now.”

Her mom fidgeted with her hands, shy in front of her daughter. “What was it like there?”

“Scary and depressing. Alive. Parts were wonderful.”

“I can’t imagine.”

“Yeah.”

“Did you find what you were looking for?”

No answer.

“I’m just so glad you’re back. I’m proud. People say things about Vietnam behind my back. But my brave girl went.”

Helen stared at the floor. “That means a lot to me.”

“I invited some of our friends over,” she said. “Everyone is so anxious to see that you’re in one piece.”

“Not just yet.”

Charlotte stopped in the middle of the room. “This part of life is important, too.” She bit her lip. “All of you acted like the war was the only real thing that mattered.”

Helen hugged her, then stretched out on the couch.

“Take your shoes off the sofa. Don’t be a lazy bones. Come see your room. I haven’t changed a thing.” The comforting assurance one gave an invalid, when everyone knew that nothing at all stayed unchanged. Her room still had the white-painted twin bed, the flocked coverlet with pastel flowers sewn on. The walls papered with the pictures of Indochina she had collected as a teenager-broad swaths of the monsoon across the plains, long sun-drenched valleys, two figures wearing woven conical hats sitting in a fishing boat in the watery distance. Unreal and movieish; had this bit of fakery really started her on her way to Vietnam? How impossibly naive she had been.

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