Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“You’re the one who goes to war, remember?”

“We better go home.”

“I like you. But you’re not that kind of girl.”

The next day she took the box of Darrow’s belongings and boarded a flight for New York.

She did not think about what she would find, did not know what she was looking for. Not until later did she realize that the addition of facts would simply dilute her own store of memories without bringing him closer, that as she became the biographer of his life, Darrow himself would move further and further from her grasp. Although she knew him deeply, now she could discover only the surface of his life.

She drove out of the city, onto long, winding roads shaded by the dying yellow and red of fall. Although it was only late September, already there was a chill in the air, and the low sun cast a somber light on the lawns and houses. Circling streets aimlessly, unable to place Darrow in this suburban environment, she came upon his street name and turned. She planned to drive by the house a few times, to reconnoiter the area, but when she saw a long, rising lawn that led to a white Cape Cod, she stopped. How to reconcile this house with the crooked apartment in Cholon? Could the same man belong to both places?

Helen parked on the side of the road and watched as a coiffed brunette in a floral dress unloaded groceries from a car trunk. Her own jeans and army T-shirt with a khaki shirt on top suddenly seemed shabby. This place, this woman, were impossible to put together with the Darrow she knew. Was the excuse of war a way to go live another, a second life? Were there closets filled with his clothes inside? If she brought them to her nose, would she smell him? She got out of the car and struggled to lift the box, balancing it on her hip as she closed the car door.

The driveway dipped before it rose to the house. A small puddle filled with fallen leaves had formed from an earlier rain. Helen walked around it, stepping on the wet lawn, almost slipping in a hidden dip. The driveway was long, the woman too far away for Helen to see her face. Once she saw her close-up, she would know if Darrow had loved her.

As she walked up the gravel path, a small boy ran around the corner of the house with an Airedale chasing him. The boy laughed and shouted to his mother, the dog jumping and nipping him in mid air, and Helen stopped. His curly hair the exact brown shade of Darrow’s. Her legs went weak. Suddenly she did not want what she had come for. Nothing could be added; nothing would change her facts. The woman called out to the boy a name Helen couldn’t quite make out. Her blood pounded in her ears like waves, and she realized Darrow had never told her the boy’s name, had kept him unreal.

The child pointed his arm down the driveway toward Helen. The woman reached out for him, but he ducked away and began to run full speed down the driveway with her in chase. When they came within speaking distance, the woman stopped, and her face became hard, a cool stare. “Can I help you?”

“I’m Helen Adams. From Life. I have your… I have Sam’s things.”

“You’re late. You were supposed to be here hours ago.” The woman shielded herself as if a wind had come up. “I’m Lilly Darrow. Come,” she said, and walked back up to the house.

The interior was neat and dark, low ceilings and unlit Tiffany lamps, unused chintz-covered furniture. Gloomy, wood-carved antiques and marble-topped, sarcophagal tables, everything in perfect taste, fallow. It did not seem that a man had ever lived there, and certainly not Darrow. As they sat in the dim living room, Helen noticed Lilly’s face had a professional symmetry to it-a broad, pale forehead, tight smile. A face more to be admired than loved.

“Would you like tea?” she asked, and Helen, not listening, was at a loss until Lilly pointed to a china service. “I love having someone to entertain.”

“It’s too much…”

“Not after you flew across the country.”

Lilly lifted the tea tray and pushed at the swinging kitchen door. “Come on, if you want. It’s more comfortable in here.”

The light through the windows was murky, the sun hidden by tall pines that cast bluish, prone shadows on the back lawn. Copper pots hung from the kitchen walls. Stacks of dishes leaned in the glass-paned cabinets. She was right: Compared to the other room, this did feel more comfortable. Helen liked Lilly better for noticing the difference and admitting it. Her back was toward Helen while she filled the kettle. The fabric of her dress was expensive with a dull, heavy shimmer to the thread.

When the boy wandered in, Helen was unable to take her eyes from him. His brown hair was messed, a cowlick in front, the promise of his father’s heavy-lidded eyes and long, slender fingers.

“Go to your room, Sam. This friend of your father’s, who came all the way to see us. To bring you some of Daddy’s cameras.”

He looked at Helen with new interest. “Show them to me?”

Lilly interrupted before Helen could answer. “Not now. We’ll look later, okay? Now scoot.”

“That’s okay, I don’t mind.” She wanted the boy to stay, wanted the buffer of him.

“He never came here, you know,” Lilly said, taking out pastries from a box, and the evident effort that she had gone through belied her casualness. “We married in the city and lived in a small apartment before he left. My parents… live down the street. He told me family was important to him. So I made this home for him.”

“It’s lovely.”

“So he would have a home to come back to.” Lilly shook her head. “Someone to survive for.”

Helen said nothing. A feeling of claustrophobia, of wanting to escape, overcame her, and her hands fidgeted in her lap. As much as she hurt, she was lucky compared to this.

Lilly set down a series of forks and spoons at Helen’s place, put out individual pastries, berries and cream, small sandwiches, and sat down to pour. Up close, Lilly’s two front teeth, perfect otherwise, overlapped slightly. Helen hesitated, embarrassed that she did not know which fork to pick up.

“I was engaged to a law student from my hometown. But Sam… was so passionate about changing the world.” She picked up the fork farthest from the plate. “How could I not fall for him? I wanted to wait before we had children. Spend time alone.” She smiled and leaned forward, as if in confession. “I even thought of becoming a photographer. Going with him. But he insisted it was no place for a woman. He wanted a family.”

Helen used the small fork to tear apart her apple tart.

Lilly reached over and held Helen’s arm for emphasis. “I’m not naive. I understand things. He hated the war, and the two of you took solace in each other.”

Helen cleared her throat. “I brought everything I thought your son-”

“You’re the first one of them he talked of marrying, though.”

Them. So this was her purpose. Revenge posthumously. Helen put the tiny fork down and picked up the sandwich with her fingers. “He loved what he did.”

“Oh, yes.” Lilly stood and moved to the now dark window. She ran her hands over her hair and looked out into the dusk. A natural, unselfconscious gesture, it spoke of many afternoons spent alone. Helen could see only the pale forehead and curved line of her chin in the glow of the lamp. She imagined her as the young woman that Darrow had married. “He was ambitious, wasn’t he? That’s what I have to convince Sammy of. That he was a great man doing important work. That his death was a hero’s death.”

“Yes.” It took everything for Helen to remain seated in the room, not to run. A terrible mistake coming here; this woman twisting everything around until it was impossible to determine what was what.

“Every year he told me he was quitting. Each woman was the last. Finally I figured out that he was going to stay till he got killed.”

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