Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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The rehabilitation center was down in the Wilshire district, and Helen circled the hospital block a few times, finally parking a quarter mile away at a coffee shop. The day was hot, the air crackling dry with Santa Ana winds, the usual smog-stained haze replaced by a sharpness that etched the trees and buildings on the landscape. Helen sat in the restaurant, her appetite lost in the smell of grease, floor wax, and disinfectant. She tried to focus on the assignment, to think of Lan as just another story.

She was late as she muscled her camera bags onto her shoulders in the parking garage and pushed through the pounding sunlight, the sour smell of hot asphalt under her feet. On the children’s floor of the hospital, a whole platoon of doctors and therapists waited for her in their long, white, picture-ready coats. The head doctor on the case lectured about surgeries, using charts. His lab coat looked stiff and creased, as if it had just been taken out of a box. Samples of prosthetics had been laid out on a banquet table loosely covered by a long red tablecloth so that the display had the eerie feeling of an awards table, each flesh-colored appendage set apart and spotlighted from above.

“Where’s Lan?” she finally asked.

“I thought you should see her progress first,” the doctor said. He sulked at her lack of interest.

“How about I see her first,” Helen said. “We’ll talk after.”

The room grew quiet, the doctor coughed into his hand. “Well then, let’s go see her.”

In a quick decision to brief her on the run, the woman psychologist walked alongside Helen. She was short and made a little skip every third step to keep up. Each time she spoke, she bit her lower lip as if the coming words might be bitter. They passed rooms filled with children. “Lan’s by herself right now,” she whispered. “She’s had an aggression incident again with the other children.” The woman narrowed her eyes so they disappeared in the flesh of her full cheeks. “That’s not acceptable behavior. Biting.”

“It wasn’t ideal… her living conditions in Saigon.”

“But we’ve saved her,” the woman said.

“Actually we’re the ones who hurt her.”

The woman stroked her own cheek with a dimpled hand, as if the unpleasantness of Helen’s words might bring on a rash.

At the end of the hall, she stopped and opened a door. At first the room appeared empty, but then Helen saw Lan sitting at a low table in the corner, shaping a ball of clay. The adults formed a semicircle around the table, but Lan acted as if she heard nothing, did not move her eyes from the clay figure in front of her. Impossible to believe she was the same girl from Saigon-now filled out with rounded arms and cheeks, glossy hair tied in ponytails with pink yarn, wearing a pink Cinderella T-shirt and pants.

“Lan?” Helen said. “Remember me?”

The girl looked up with a heavy, bored look, as if bracing herself for more unwanted attention. Helen moved closer, bent down to hug her. Her skin smelled sweet and medicinal, like cough syrup. Close-up, it was obvious that her face was bloated, her eyes dry and hard. Helen wondered what medications she was on. Lan’s body remained limp in her arms.

Helen sat on a low plastic stool. The table was filled with toys, but Lan had attention for only the small ball of clay in her hands. She had the dull, listless behavior of an animal in the zoo. “You have a lot of toys,” Helen said.

Lan grabbed her hand. “You bring me candy?”

Helen laughed, relieved at the shared memory. The doctors standing around them made her feel she needed to offer something up. “I brought her candy in Saigon.”

Lan shook her head, impatient, with a sharp tilt of the chin. “Sam bring me candy. What you bring me now?”

“I came to take pictures again for the magazine.”

Lan yawned. “I’m hungry.”

The nurse stepped forward eagerly. “I’ll bring you back some lunch, sweetie.”

“I want hamburger,” Lan said to her retreating back as the door swung shut.

Helen looked from Lan to the doctors. “Should we start taking pictures?”

“What are you giving me?” Lan shouted.

Behind her the doctors moved off, whispering and marking their clipboards. Under her breath, Lan began to sing a tune, the words getting louder until they could be clearly heard: “ ‘There was a little honey from Kontum/Boy did she ever like boom, boom…’ ”

“No,” Helen said, bending down and hushing the girl. “Not in the hospital. Don’t let them hear you.” She felt a flush of parental embarrassment.

Lan shrugged and plucked at her hair, pulling out a few strands that she dropped on the floor.

“What do you want me to bring next time?” Helen said, figuring on bargaining with the child.

“A camera,” she said. “Sam promised me a camera, and he lied and goes to die instead.” The words froze Helen, and Lan noticed, becoming suddenly attentive. “He lied to you, too?”

“It was an accident, Lan. He didn’t want to die.”

“Mama says no accidents. I lose my leg because I was stupid girl.”

“That’s wrong. It wasn’t your fault.”

“I pick vegetables because they grow bigger and more easy than walking around to safe place.”

“It was an accident.”

The nurse came back carrying two cafeteria trays of food and put one down in front of each of them. She winked at Helen. “If you two finish your lunch maybe I can find you a dessert.”

Lan’s face turned red, her brow furrowed. “My mama’s right. No accidents. You’re stupid.”

Helen took a deep breath, suddenly tired of the whole idea of the shoot, the effort too hard; she just wanted to escape from the girl’s craziness. “You like America?” Helen asked, bending down and taking a camera out of its case.

“I want that camera.”

“This is mine. I’ll buy you your own.”

“I want to go home. Why can’t my parents visit?” Lan shoved the tray of food across the table, sending it flying over the edge and onto the floor. “I hate chicken. Lan is special girl, eat anything she want.” She jerked herself sideways on her stool, grabbing for the crutches against the wall, moving so quickly she lost her balance and fell.

Helen made no move to help her, and when Lan looked up and saw her sitting back, she cried louder as the nurse rushed forward and kneeled next to her.

“Don’t touch,” Lan screamed. “No touch me.”

Helen’s face beaded with sweat; she couldn’t breathe, the commotion bringing back the low, dark Red Cross room in Saigon, the close smell of urine and unwashed bodies.

Images clattered one after another in her head. Helen rose on unsteady legs as if rising from a heavy, drugged sleep. No matter what she did, she could not escape, that much was clear. Even a dangerous talent better than nothing.

She longed for cool air and quiet. Lan’s screams grew louder, more out of control, but Helen saw only the wounded children of Saigon in front of her, laid out on their beds sardine-style, the little boy in the courtyard eating bougainvillea blossoms. The camera in her hand shook. Lan rocked on the floor with the doctors kneeling around her like a wounded soldier attended by medics. Helen grabbed her camera bag and ducked out the door.

In the hallway, the cries muffled, Helen leaned against a cartoon rabbit painted on the wall and closed her eyes.

The nurse came out. “Sorry about that. Today’s a bad one.”

“She’s done this before?”

“Oh yeah. Back and forth. Shell shock for kids. Not pretty.”

“She wasn’t like that.”

“You don’t look so good yourself. Why don’t you lie down, and I’ll get a doctor.”

“That’s okay.” Helen moved toward the elevator.

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