Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Aren’t you going to say good-bye?” the nurse said.

“I don’t want to upset her,” Helen mumbled as the elevator doors opened.

“I can tell her you’re coming back, right?” the nurse shouted, but Helen was already gone.

Helen and her mother walked below their house with Duke, along the crescent of beach where she had grown up; in the sand she took her first steps in, stumbling into her father’s arms; along the water where she and Michael spent innumerable summers building sand castles while their young mother sat and talked with the other mothers and prepared sandwiches and Kool-Aid for their lunches. They walked under the limestone cliffs, Duke’s gold body weaving in and out of boulders, where Helen and teenage friends had burned bonfires late at night and talked and drank warm beer, the whole point to pair off and go into the dark, lie back in the cool embrace of sand and explore with lips and tongues and hands, to allow a first kiss, hands under a blouse, a bra to be unhooked, gentle kisses and quick straightenings, and then return to the group at the fire, and all that sweetness, all those boys smelling of shampoo that would later be transformed into the shapes of body bags. They walked in the late afternoon, the sun saffron-colored, and Helen’s mother cried, her face punched-looking, pale and blotched, hands clutching.

“I forbid it. No,” she said. “It isn’t fair.”

“But it’s no good,” Helen said. “I don’t belong anywhere else right now.”

“No!”

“I need to go,” Helen said.

They walked past families having early dinners, small children and dogs running and chasing, Duke running and chasing, around picnic tables piled with food, people laughing and talking, the same people they used to be, and Helen stumbled, something sharp against her ankles, her balance upset, and without thought she was diving sideways, facedown, pitching over her shoulder in a combat roll into the sand, and when she looked up she saw it was a piece of line pulled taut to a fishing pole stuck at the water’s edge, and two frightened little boys turned from their dinners, afraid they were in trouble, and because it wasn’t a trip wire, because it was not an ambush with a mine or a grenade or death at the end, Helen lost her control, sobbed and screamed and pounded her hands into the sand that had cheated her, that had cheated all of them, and her mother froze, a premonition, she did not know this strange haunted woman at her feet, her movements as foreign as that far-off, floating, green country, and seeing with her own eyes the death of her little blond-haired girl who was as dead now as her son, she realized she had lost them all, she was powerless against this thing called Vietnam. The people at the picnic table stared, silent. A large-bellied man with a sandwich in his hand hesitated and reluctantly began to approach them, Duke with a ball in his mouth ran along the water, and the young mother ran to her two boys, pressing them into her hips, the reality of the war creeping up the sand, invading, at last coming home.

FIFTEEN. Hang Hum Noc Ran

Tiger Den and Snake Venom- A Place of Danger

November 1968

It was a prodigal’s return. Helen arrived in Vietnam at night; as the plane approached the darkened runway of Tan Son Nhut, the lights on board blackened to avoid rocket or mortar attack. Blind, she could only feel the magnetic pull of the place, dragging her back to earth, and she suspected it had exerted itself, however faintly, all the way to California.

She stood in the open doorway of the plane, unable to see anything in the pitch-dark night of the tarmac, the air shrill with the sound of jet engines revving for night runs. The physical weight of the heat and humidity made her feel like a fish being released back into water. She breathed in deeply, and the scent that had teased her in the States came to her, forgotten and familiar, a third-world emanation of jungle and decomposition, garbage and dinner and unwashed skin mixed with the fumes of sewers, diesel, and rain. Home.

In the chaos of the airport stood Linh, unchanged, as if their months apart were nothing. Her relief to see him in the flesh, as if she dreaded that he, too, had become a ghost, was so great she dropped her bags and ran to hug him, kissing his cheek.

He pulled away, embarrassed, and looked around to see who might have been observing. She had forgotten too much already; all the difficulties and barriers to life in Saigon had disappeared from memory in her rush to return. Linh handed her the golden scarf.

She took it and wrapped it around her neck. “I missed it.”

Linh shrugged. “It was always yours. It waited for your return.”

“Good to be back.” She tried to hide her disappointment at the formality between them. When she had wired him announcing her return, she took his answer that he’d pick her up as approval.

She saw there had been a change in him, his face more tired and drawn than she had ever seen it. The war had not stopped simply because she went away.

“Is it really good?” he asked, and picked up her bags.

“Believe it or not,” she said. “It’s more terrifying there than here.”

“I don’t understand,” he said.

They rode into the city in silence with a new distance. Without the barrier of Darrow, the easy camaraderie between them strained. Helen was very aware of Linh as a man, and her former playful intimacy, up to the kiss she had just given him in public, embarrassed her. Clear that they had had a unique window of friendship because of Darrow, and this allowed her to know him in a way that would not have happened otherwise.

Things appeared smaller and dirtier and shabbier than she remembered. The car idled at the mouth of the alley in Cholon, dawn just beginning to lighten the edge of the sky, the first merchants stirring. They walked single file to avoid the large puddle, Linh ahead, carrying bags, until they reached the crooked apartment, its worn, stained stucco and tipped blue roof, the faded Buddha door. Helen stood in the alley and looked up, and her heart flooded at the sight of the red lamp in the window. A guilty plea sure like smoking a cigarette after months of abstinence. Her vision swam. Unreal to accept that Darrow was gone when she felt his presence here stronger than she had in months. Nothing was the same and yet a teasing that one could rewind time.

“Did you marry, Linh?”

He watched her face, not able to guess her feelings. “No.” He stopped, but when she remained silent he continued. “Thao fell in love with a mechanic. They married last year. She is expecting a child.”

“I’m sorry…”

“I’m happy for her.”

Helen seemed far from him. So far he feared he’d never reach her; he half-expected that she would know the imagined conversations he had with her in the intervening months, the intimacy gained in his thoughts. “Sleep and I’ll come by in the afternoon.”

“Stay and let’s talk-”

“It’s better to rest, I think. Be patient. Good night.”

At the press briefings, Helen was surprised how filled the room was, how many unknown faces. New journalists jockeyed for information and packed the restaurants and bars. She recognized a handful of veteran reporters, and when she caught their eye, they nodded, unsurprised by her return. For those who had the appetite, it was as simple as wanting to be where the action was. For the first time in months, Helen felt she was where she belonged. Doing what she was good at. Being at the source of history in the making and not reading about it in the paper. But she noticed there was no more talk at the parties and restaurants and briefings whether the war was being won or lost. It had ceased to be an issue.

When she first went back to the magazine’s offices, Gary met her with a big hug and stony silence.

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