Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“We were about to leave.”

“I got divorce papers out of the blue. He wasn’t thinking straight.”

“He asked you in Saigon.”

“He never asked such a thing. We argued when he was coming home. What kind of father doesn’t see his son?”

“I came for the boy’s sake. You didn’t even know him. Everything that was most important about Sam, you didn’t know.”

“I’d say neither of us was his first love.” Lilly leaned back and spread her arms out, encompassing the room. “But at least I have this. His home. I’m his grieving widow. At least I have Sammy.”

“Yes.”

Lilly moved closer till Helen could smell her perfume, could see her eyes narrowed on her, and understood for the first time how angry she was, and how hard she was working at controlling that anger. “Women like you I can’t figure out. Was that little part of him really enough for you?”

Dizzy, Helen shook her head. “We had the war.”

“I loved him, you know. I loved him when he was himself. He lost himself over there, in that horrible little country, but that didn’t make me stop loving him.”

The kitchen had turned shadowy and cold. Helen shivered in her thin cotton shirt, she was always cold now, but Lilly had sweat across her pale, high forehead; she glowed with a mineral kind of heat. Finally Helen saw-this place had nothing to do with Darrow, except for the boy. It was their life, and the war inside it, that was real, and she had simply not understood.

“I hated you in Saigon,” Lilly said. She seemed weary from the long afternoon. “But I don’t anymore. You’ve lost more than I could ever take away.”

A month passed. Helen had returned to working in the bakery. Something had been solved in her mind regarding Darrow, and she lived with the past more easily. When Robert drove down from Los Angeles, and they walked arm in arm along the boardwalk in the cool, damp evening air, life almost seemed normal. The street along the beach was lined with slow-moving cars, teenagers cruising. Robert looked ten years younger than he had in Saigon.

“Peace has been kind to you,” Helen said.

“Can you believe we made it? Seems too good to be true,” he said. “Every morning I wake up, and I feel so grateful for the smallest things.”

She didn’t tell him about opening Linh’s letter. How the glow over the ocean was purple, the room dark, and as she opened the envelope, the pool of light from the reading lamp shone on the sheaf of gold rice stalks as they fell out onto her lap.

How instantly she was transported, and what relief she felt.

The paper on which Linh wrote had the faint outline of a lotus blossom in pale yellow, and his writing in black ink on top of the image reminded her of the streets of Saigon, the constant juxtaposition of beauty with necessity.

“It seems so far away.” She eyed the crawling line of cars. When the one nearest them backfired, she flinched.

“Remember the first night I took you to dinner? And you tried to free the ducks of Vietnam?”

“How could I have been so stupid?”

“I thought you were charming. And that you’d never last.”

“I went to see Darrow’s ex-wife.”

“Why?” He frowned, tired of her constant exhuming of the past.

“My whole experience was clouded over there. We were in a dream. It was so vivid, I thought it wasn’t real. But it was. Truer than anything here.”

“Peace is kind to everyone, Helen. Except you.”

She led Robert out to the sand, and they sat against a large rock, watching as the waves dissolved from view in the near dusk. The kelp had drifted in, and a strong brine smell blew down from the north part of the cove. “Nothing compared to nuoc mam, huh?” The fermented fish sauce smell was a staple of any local Saigon restaurant one entered. She grabbed Robert’s hand, intertwined her fingers with his. “It feels good to be with you. You know, someone who gets it. Don’t you miss it just a little?”

Robert sighed. “Saigon? Happy to have gone through it and survived.”

Helen rested her head on his shoulder. “I don’t mean the war. Of course not.”

“Come to work in L.A. The story Darrow and you did on Lan was a big success. They want a follow-up on her here in California.”

“Local?”

“I’m not sending you back to Vietnam, if that’s what you’re asking.” He had never been one of them, had not understood MacCrae, or even Darrow, for that matter. The war had never captured his imagination. “What happened in Saigon… what didn’t happen… things were crazy. But I thought maybe we could try seeing each other under normal circumstances.”

Helen gave a small laugh. “Is that what this is? Normal circumstances?”

“Yeah. Not a war zone.” He pulled back, irritated. “You know, I don’t buy the ‘weren’t those the days’ crap about the war. The war was shit, Saigon was shit, and we’re lucky to be out of it alive.”

“Sure.” She could not share, after all, waking up in the middle of the night and pretending that she needed to get up for a mission, could not share her midnight patrols of the neighborhood with Duke.

“I gave you the benefit of the doubt over there. That you were out of your element.”

“Have you heard from Linh?”

Robert was silent for a long minute. “A couple of times. He’s on staff. I offered him a transfer, American citizenship to boot. He turned me down.”

“I thought he married.”

“Linh? No, that’s not it. He’s either patriotic or really patriotic, if you know what I mean. Darrow always joked that he was working for Uncle Ho’s side.”

“Whatever he is, I’d trust him with my life.”

Robert said nothing.

“Do you remember that first night? When I left you at the restaurant? I thought you’d hate me, but you didn’t.”

“Didn’t we go to some lousy Chinese place… in Cholon? I don’t remember.” But, of course, he did remember each thing from that night, and he had hated her, but it didn’t hold.

“Remember Darrow saying they were lucky because there was always another war? I thought it was just macho posturing. But now I wish he was here so I could tell him I finally understand.”

They got up and walked back to the boardwalk. The sky overhead black, a pale moon casting a sterile light on the water, on the houses in the hills behind them.

“There are plenty of twenty-year-old guys thinking they’re immortal. You and I know better,” Robert said.

“I’ll take the assignment.”

“Good girl.”

She nodded and took his hand again, brought it to her lips. “Sometimes I wish I could just be back there an hour. Just enough so that I could really love all this again.”

That night she opened the window while she changed for bed. After seeing Robert, she was confident that the dreams would come that night. She undressed in the dark, listening to the sliding of the ocean as she pulled the white, veil-like nightgown over her head. She put her hair back chastely in an elastic. Only then did she turn on the light, look at the pictures on the walls that were already in her head, then quickly turn the light back off. The dreams had begun to go away, and when they did come, they were less intense, and she found she needed to jog her memory before she fell asleep to meet Darrow again in that vast darkness. But instead of Darrow, the dream of the children came to her. She was kneeling this time, an unknown man beside her, lying prone, and the group of Vietnamese children approached and circled the two of them, pressing in, circling around and around, touching, but again when she tried to speak with them, they turned their backs to her. Even while dreaming, she was trying to remember where the image had come from-it was a more threatening feeling than that day on the beach with Linh in Vung Tau-but she couldn’t place it.

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