Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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But what could she do with such knowledge? Even to her, the idea of going back to Vietnam was madness. So she trudged on through the mystery of building a life. She started at Gwen’s catering business, baking cakes and pies. Woke up at dawn and went down to the shop early, made coffee and sat in the bright light of the kitchen. Gwen, heavy-handed, brought a cousin to buy rolls-a setup. His name was Tom, a real-estate agent, a former USC football player. They had made small talk over coffee and muffins, and he asked Helen out. Helen was not friendly. She took his number, not intending to use it.

But she wouldn’t give up trying to live a normal life. In the evening she ran on the beach and noticed a family playing Frisbee with a dog, and, in a burst of inspiration, she went down to the pound and picked up a golden retriever puppy. When she brought him home, spilling over in her arms like a too-large bouquet, her mother held the door open and laughed, shaking her head. “A dog? A dog! Why not? High time for a dog in this house.”

“Yeah, it is.” She stroked the gold velvet ears and tried to ignore her mother’s intent gaze.

“What’ll we name him?”

“Michael always wanted a dog named Duke.”

Her mother nodded. “Duke, then.”

“How come we never had one before?”

“I don’t think your father liked them. Didn’t he get bit when he was a kid? Something like that.”

“But you never thought of getting one after he was gone.”

“Life ended after that.”

The puppy whimpered to be let out nights; Helen up like a shot, carrying the dog outside on the lawn, standing sleepy, barefoot on the wet grass, staring up at the stars. She walked him up and down along empty sidewalks, enjoyed the upside-down quality of the world at night, the only state that matched what she was feeling inside.

After two weeks, Helen called Tom. He sounded surprised. “I thought we didn’t connect,” he said.

“We didn’t.”

A pause.

“What’re you up to?”

“Knocking away on that chip on my shoulder you talked about.”

He laughed.

“Come for dinner about seven, we’ll eat with my mom.” A chaperoned dinner to take the pressure off her.

“Why not?”

During dinner Helen played hostess, passing salad and dinner rolls, smiling at his jokes. Tom pleased her mother beyond words; she glowed, hopeful that this was a first step for her daughter. Helen snuck scraps under the table to Duke.

When Tom asked Helen about her photographs in Vietnam, she spoke of the beauty of the countryside. “It’s too bad you never saw it in person, Mom. It’s so beautiful. Maybe we’ll go after the war is over.”

Charlotte frowned. “Why would I ever set foot in such a place? A place where they killed my son?”

Helen rose and took her plate to the sink. After dinner, Charlotte suggested Tom and Helen take a walk along the beach. Driving down the coast highway, Helen insisted on stopping first at the liquor store for a bottle of scotch. She drank out of the bottle and turned Tom’s radio on loud. At the top of a hill, with the town spread out below, she moved her leg over the gearbox and around the shaft. Tom ran his hand along her knee as she jammed her foot down on the accelerator, bracing herself against the back of the seat so he couldn’t dislodge her, and the car raced down the curving road. Tom held the wheel and slammed on the brakes. “Are you crazy?”

“Just having fun.”

“Some fun. Getting us killed.”

“Didn’t it feel good, just a little? Kept you dying from boredom?”

They parked along the beach and walked in the sand barefoot, passing the bottle back and forth between them.

“You’re a little wild, huh?” he said.

“That’s me.”

“How long did you say you’d been back?”

“I didn’t.” She stopped and dug her feet into the cold and gritty sand. Waves in the moonlight sharp and hard as the blades of knives. “Six weeks, four days.”

Far up the beach, teenagers crowded around a large bonfire that threw light up on the cliffs, but where Tom and Helen stood it was dark and deserted.

“So what are you doing with your days?” he asked. He took a long pull from the bottle and let his fingers brush along hers when he handed it back.

“Baking for Gwen.” She laughed. “Cakes and cookies, buns and rolls.”

“No, long-term. When are you going to start doing photography again?”

“I’m done with that.”

“I told all my friends about you, all your covers. They’d seen your stuff and were impressed as hell. That’s why I came when you called, even though you were a jerk that day.”

“Wow.” His bluntness made her like him better.

“So why aren’t you working at a newspaper? Or covering another war? Isn’t that what you’re supposed to do?”

“I just went as a lark. It turned into something else. What do you do if you have a hazardous talent, like riding over waterfalls in a barrel? A talent dangerous to your health?” After the question came out of her mouth, she felt embarrassed.

He stopped and took a sip. “I don’t know. If I was that good at something, I know it’d be hard to stop. Baking… shit.”

Helen moved back into the cave of shadows at the base of the hillside, tumbled onto her back in the sand. Was that the simple answer, that Darrow couldn’t leave his work because he was good at it? That she loved the work more than this life that felt like a living death? No matter how she tried, the gears of her old life kept slipping; she could gain no traction. Her mind was always far away, whirring. She had not known how alive she was in Vietnam. How despite the fear and the anger, she had been awake in the deepest way, in a way that ordinary life could not compete with. She motioned Tom down and pulled him on top of her.

“All those guys over there made you a little crazy, huh? We can go to my place. I have a bed.”

“Baking’s not so bad. You have flour, butter, sugar. The smell of baking bread.” She shook her head, squirmed from under him, reached for the bottle nested in the sand, and took a long drink.

He grabbed the bottle away. “That’s enough. I don’t want you passing out on me.” He kissed her on the lips, the neck, fumbled with the buttons of her blouse.

She closed her eyes, but that made her head spin faster, so she opened them again. “There was this place on Tu Do that made the most wonderful croissants.” Despite the pulsing of the waves, the times in high school and college, despite the smoky taste of the scotch on her tongue, this wasn’t even a moment’s forgetfulness.

“Come on…”

“No.” She couldn’t remember why she thought this would work, why she sought him out. He had unbuttoned her blouse. For a brief moment the pulse of warmth began, a deep pull, but instead of distracting, the arousal opened a deep grief inside her.

Helen jerked open his belt buckle, but the scotch suddenly created a wave of nausea welling up in her, and she pushed at his chest to get him off, unable to bear another minute, which he at first mistook for passion, pressing down harder, her slaps growing more frantic, powerful, convulsed, until he moved off, and she rolled away, crouched on all fours, and heaved.

He sat on the sand next to her. “Jesus Christ,” he said. “Nice.”

She sat with her knees up, her head on her arms, sucking down gulps of air.

He stood and took off his shirt, then his T-shirt. He walked to the waves, then came back. “Here,” he said, kneeling down, handing her his wet T-shirt to wipe her face. He sighed. “I don’t know what just happened.”

“I shouldn’t have called.”

“Yeah, maybe.”

“I wanted to be the kind of girl you think of when you go off to war.”

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