Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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When Linh came in, he bowed his head. “I’m sorry…” All the awkwardness between them since her return vanished.

“I survived.” She forced herself to be nonchalant, not able to stand his pity.

“It should have been me.”

“Much easier to be hurt rather than be the one watching it.”

When she was strong enough to be moved, she transferred to the abdominal ward on the USS Sanctuary off the coast. The recovery took more than a month, the wound slow to heal. The doctors on the boat blamed the field hospital doctor, who cut too many muscles; the field doctor blamed the medic for not cleaning out the debris sooner. Linh visited every day. The smell of rotting flesh so pervasive in the ward that he took lemons aboard with him and cut them in half, holding them to his nose and squeezing juice on his hands before and after going in.

As soon as she was strong enough to leave, Gary and he took her home to the apartment in Cholon. It would have been easier to stay at the Continental, but she insisted on the quiet of those rooms.

“What you see in this dive, I don’t know,” Gary complained. “I’ll have to have meals sent from the hotel.”

Linh and Helen looked at each other and laughed.

“What’s so funny?”

“Everyone knows this is the center of the universe.”

***

Linh had a single shelf of books given to him by Darrow. In her confinement, Helen pulled down a volume, the cover splayed, the pages swollen and wavy with humidity. She read at random, her concentration shaky, following Darrow’s scribbling in the margins and his underlined passages. In Tacitus she found:

Fear and terror there certainly are, feeble bonds of attachment; remove them, and those who have ceased to fear will begin to hate. All the incentives to victory are on our side. The Romans have no wives to kindle their courage; no parents to taunt them with flight; many have either no country or one far away. Few in number, dismayed by their ignorance, looking around upon a sky, a sea, and forests which are all unfamiliar to them; hemmed in, as it were, and enmeshed, the Gods have delivered them into our hands… In the very ranks of the enemy we shall find our own forces.

She closed the book quickly. This was the way she dealt with books now, plunging in and out of passages as if they were glacial rivers too cold to be endured long. She could not imagine reading a book from cover to cover, the idea of narrative old and quaint, like a tea cozy in this new fractured world.

This was not a book she would have chosen; to Darrow such a book had still seemed valid.

But something in the passage made her think not about the obvious analogy to the American soldiers, but instead about Linh; since her return she found herself wondering about him often, speculating. Wasn’t Linh without wife or family, except for the brief, mysterious appearance of Thao? What had happened? He never spoke of them, although Helen left many opportunities when she told about her own family. Linh was in his own country, but he was not part of that brick wall. Where, she wondered, was his heart? How did one reconcile being on one side, then the other? What went through his head on patrol when American soldiers distrusted him? Or worse, when they tortured Vietnamese? Didn’t he still have more in common with a fellow countryman, even if he was the enemy, than he did with them? What did he feel when he heard gook and slant-eye? Whose victory, finally, would constitute winning for Linh? Maybe the only real victory for any of them-peace.

When he walked through the door with dinner, she turned and moved away guiltily, dropping the book, as if she had been caught doing something private and self-indulgent.

Each day Linh brought something to interest Helen. One day, a smelly durian like ripe cheese, the next a box of incense, then a lacquered river stone. She took a childish delight in the new, waited eagerly for it. He brought a record of classical Vietnamese music, which they listened to each evening. One night, they were playing cards, and Helen said she was tired.

“Would you like to sleep?”

“Tell me a story.”

And so Linh began with all the fairy tales he had grown up with. When he ran out of those, he brought the epic poem The Tale of Kieu, and translated it to her a page at a time, explaining this was the most beloved of all Vietnamese tales. During these weeks, they began to understand each other in a way that had not been available to them before. Without telling her, one night Linh read aloud the play he had written for himself and Mai, the last one they performed together. When he finished, Helen held still for a moment.

“That was so beautiful-what was it called?”

“It’s not well known.”

“Who wrote it?”

He hesitated. “I did.”

“I had no idea you could write.”

“Before… I dreamed of being a playwright.”

Helen nodded. “You would have been a fine one. You can still be.”

“Those things are unimportant during war.”

“Maybe that’s when they’re most important.”

“Maybe.”

“Do you have other stories?”

For the first time, Linh brought out the writings he had worked on, off and on, starting with the spiral notebook Darrow had given him in Angkor. Each night, they ate dinner, then Helen waited to hear more. Linh had not felt such intoxicating attention in a very long while. When the stack of pages grew thin, he began composing again. In this way, he came back to his real life.

After a month, she had recovered sufficiently to stay alone. Linh went for longer periods to check assignments downtown. One day, although he left her with food-sweetened rice and fresh oranges and pomelo-she longed for a spicy, hot bowl of pho. At the hospital she had endured a diet consisting solely of bland starchy foods, Jell-O and mashed potatoes. As she lay in bed hour after hour, the thought of the clear, pungent broth obsessed, and she was convinced that one bowl of it would bring back her strength.

She did not want to admit that the real reason for her planned assault on the pho stand might be that she did not want to be alone with her thoughts. The injury and the hysterectomy had happened so quickly, and she had not dealt with the aftermath. She had hoped eventually to have children in the distant future. Now the option had been taken away. She avoided writing to her mother with the news, showing what she had done to their family’s future. But that mourning seemed indulgent when so many lives were being lost all around her, so many children, so many mothers and fathers. Her own pain slight in the ocean of grief all around her.

Helen dressed carefully, the pain in her belly a stab each time she moved. Using a cane, she slowly climbed step-by-step down the two buckling flights of stairs. When she was halfway down, it was obvious the trip was a mistake, but sheer will pushed her to continue, like a soldier carrying out an order, the most important thing not to admit defeat. Sweat beaded her forehead, and her legs wobbled, threatening to go out from under her. She gripped the cane tighter, rested against the wall. Now she could get in real trouble, fall and break a leg and be stranded for hours. The painkillers had worn off, but she had resisted taking more, worried about dizziness until she returned from her journey. Her plan was to swallow a pill when she was back in bed with a stomach full of soup. Panting, she braced herself on each step until finally she reached the Buddha door at the bottom.

From the dim stairwell, she noticed for the first time that the wood at the back of the door was black with oxidation; one of the panels had a hairline split through which sunlight showed. From outside the door had appeared sound, unbroken, and it was only her unlimited time that allowed her to notice this.

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