Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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The pilot, Captain Anderson, was in his midtwenties, a big puppyish kid with a constant grin, unable to hide his plea sure in flying. Sunlight glinted off his blond, buzz-cut hair. Darrow smiled, and the sobering thought occurred to him that he was almost old enough to have a son that age. Where had the time gone?

After doing an aerial recon, Anderson got orders to drop in on a couple of forward firebases in the Parrot’s Beak. Isolated, the area was considered bandit country, riddled with VC and NVA positions. The night before, bases were attacked, and now enemy bodies, strung up in the perimeter wire, bloated in the hot sun as trophies.

Darrow and the pilot sat on the ground, their backs against sandbags, and ate C-rations, ignoring the fetid smell blowing in from the wire.

“I’m shy to say this, but you were the photographer when my dad served in Korea. You took his picture.”

“No kidding?”

“I swear it. Recognized the name right away.”

“That’s amazing. So he came home. And had you.”

“And five others. Wait till I tell him you were here.”

“That’ll be good. Very good.”

“Where you headin’ to after this?” Anderson asked.

“Heading home.” The words felt strange in his mouth, as if they had no connection to himself. After all these years, where was home? He felt at home right there, with this young man who could have been his son, but wasn’t.

The boy blew out a breath. “Home. You are one lucky-”

“Your father should be very proud. Do you miss home?” Darrow asked. In the bright sun, he thought the young captain’s face impossibly unlined, impossibly innocent. Had he ever been so young? Choked up, he pulled out a cigarette and offered one. Anderson took it but averted his eyes, and Darrow realized that he had missed that look, the toughness in the jaw, that the captain was boyish only in his joy of flying.

“I do and I don’t, you know?”

Darrow chuckled. “I’m there, guy.”

Anderson, egged on, sat up, nodding his head. “I mean, I’m in the groove here. Finally. I can do this. But there… it doesn’t make sense anymore. I don’t know if I trust it.”

“Me, either.”

“Then why you goin’?”

Darrow shrugged. “A woman. Couldn’t help myself.”

Anderson laughed out loud. “No shit? Well, good luck to you. You’re a braver man than me.” He took a long drag of his cigarette. “I’m supposed to be one of the best pilots. So they send me on all the tough stuff. Hero shit. So the chances of me eating it are better than if I was just a washout. How fucked up is that?”

“You don’t have to be the best pilot.”

Anderson laughed. “Wrong! I do, and they know it. Can’t help myself.” He thrust his hips lewdly. “Flying’s the only other thing I’ve ever been good at.”

The next day Anderson and Darrow were on their way to the firebase at Kontum.

The morning passed, uneventful, and Darrow spent the hours in a dreamlike mood, lulled by the closeness and speed of trees under his feet. Except for the earsplitting noise of the engines, it was a bird’s-eye view of the world, like boyhood dreams of flying before other dreams, dreams of war, had taken over.

He would take Helen to Angkor and show her the expression on one particular face. Serenity mixed with savagery. Only she could understand-the history of the place showed both a great lust and indifference for violence. And wasn’t that what they had become, Helen and he, interpreters of violence? A very twisted connoisseurship. They would sit on the warm stones in the evening, and he would whisper his greatest fears to her.

That the image betrayed one at last. It grieved and outraged, but ultimately it deadened. The first picture, or the fifth, or even the twenty-fifth still had an authority, but finally the repetition made the horror palatable. In the last few years, no matter how hard he tried, his pictures weren’t as powerful as before he had known this. Like an addict who had to keep upping the dose to maintain the same high, he found himself risking more and working harder for less return. He would never again be moved the way he was over that first picture of a dead World War II soldier. Was his own work perpetrating the same on those it came into contact with? A steady loss of impact until violence became meaningless? His ridiculous brawl with Tanner when in truth Tanner was the logical progeny of their profession. Maybe they deserved to be charged with war crimes, too.

He worried, as the trees sped by beneath his feet, that Helen did not believe he loved her other than by his leaving. But he would prove it to her in a hundred thousand ways.

They were flying over the Plei Trap Valley when Anderson, whom Darrow now imagined as his and Helen’s son, tapped him on the shoulder, yelling over the roar of the engine, the boyish grin absurd and comforting. “You okay?”

“Fine. The heat’s getting to me.”

“I got two wounded for emergency evac. We’re the only free ride around. Okay with you?” he asked eagerly, as if he were borrowing keys to his father’s car.

“Let’s go.” Darrow laughed and gave him a thumbs-up. He had gone a little deeper, and then not intending to, deeper still. Didn’t every man in every war believe that he would be the one to make it, to survive, to return home filled with tales? Darrow was no different. The unspoken truth of how each of them survived their time.

Minutes later they dropped into a combat spiral, and he felt the familiar wrenching of the stomach, the mouth going dry. And then a terrible shattering, as if the helicopter had been hit by lightning, smote by a giant hand instead of a rocket. Now the boy turned all warrior, face grim and masklike as they spiraled earthward; a tearing sound signaled the rear tail torn away. The green of the trees roared toward them with a sickening rush, and between the branches Darrow saw flashes of light. The smooth, brown warrior from the Lolei temple, the eyes wild. Reluctantly, Darrow lifted his now gravity-weighted head and looked at Anderson once more. Son. He took leave of him and looked out. A rush of green and then Helen’s face. The branches like arms reaching out. He calculated odds he had escaped from before as he heard the whooshing sound, the vacuum of air as the cockpit glass became as bright as a new sun. White knuckles and sunlight and her eyes. An infinity of green. Every shade of green in the world.

THIRTEEN. Ca Dao

Songs

Name: Samuel Andre Darrow

Rank/Branch:

Unit:

Date of Birth: 7 May 1925

Home City of Record: New York City, NY

Date of Loss: 14 November 1967

Country of Loss: South Vietnam

Loss Coordinates: 14127N 1074920E (ZA045798)

Status: Missing in Action

Category: 1

Acft/Vehicle/Ground: OH6A

Other Personnel in Incident: Captain Jon Anderson

The mission to recover bodies had been denied for months because of enemy movements, the area considered extremely dangerous, but then recon reported the enemy had pulled out. An invisible veil lifted, and although nothing to the eye had changed-the hills remained just as green, the paths stretched out in their promise of innocence-the land officially became neutral again.

Linh and Helen went in with a Green Beret unit and two South Vietnamese rangers familiar with the terrain of that part of the Ho Chi Minh trail network. They went in on cargo transports, linking with a contingent of Montagnard mercenaries led by Special Forces officers.

After hiking through the morning, the main force went to destroy enemy bunker complexes, while their unit branched off and went on the five clicks to the crash site. Because the bodies had not been recovered, Darrow and the pilot were listed as MIA. The mislabeling of the truth angered Helen, and she climbed the hills in a spirit of righteousness. She had not wanted to bring her camera, but Linh insisted that they bring a minimum of equipment.

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