Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Linh’s the best scout you could hope to find.”

Molina grimaced. “He gets it first if he leads us into an ambush.”

After he walked away, Helen tugged on Darrow’s arm. “This feels bad. We should get out of here.”

“You’re skittish.”

The soldiers moved out single file along the narrow trail of crushed shell that wound through the high sand dunes. Tanner walked point singing, “ ‘Hi, ho. Hi, ho. It’s off to work we go,’ ” making the soldiers around him snicker. Midmorning, the temperature climbed over a hundred, the sky a low, gloomy, saline white. The soldiers wore flak jackets open over bare chests. Under their helmets, they wore bandannas to keep sweat out of their eyes.

The first hamlet contained fifty adults. The huts clustered at the base of a chiseled limestone cliff next to the ocean. The villagers seemed friendly enough; they smiled and went through the charade of carrying on as if the soldiers were not there. A thorough search yielded nothing, and the soldiers got ready to move out again.

Linh and Helen entered a hut at the urging of an old woman who waved them in. The room was small and dark, filled from floor to ceiling with paper flowers. Rows of reds and yellows and white lined up. Linh hesitated, wiping his face. “She makes these,” he said, “for celebrations, for altars.”

The old woman spoke in a low mumble to Linh.

“What is she saying?” Helen asked.

“She’s afraid the soldiers will burn the village. She has a year of work inside. All on its way to be sold in Danang.”

“Tell her we’re on our way out.”

As they gathered on the edge of the hamlet, bunched up in a group, sipping from their canteens in the smoldering heat, lighting cigarettes, a mortar whistled down between the palms. Everyone dove, but when they rose, four men on the left side of the tree were dead, while two others crawled along the ground.

When they heard the strike, Helen and Linh pitched themselves against a sand dune next to the old woman’s house. All the fear that Helen thought she had recovered from came back tenfold. Her legs useless, acid in her throat. Darrow ran over, cameras hitting against his chest in his hurry. He put his hand on the back of her head. “You okay?”

She nodded.

“Linh, take care of her.”

Darrow was gone back through the smoke.

Captain Molina ordered the casualties pulled down the road, and called in air power. Helen watched as he held the radio receiver, his face wet and tight. She saw the tremor in his hand as he handed the receiver down to the radio operator.

The helicopters would come in from the west, forcing the fleeing VC toward the ocean, where the other companies would block their escape north and south. A young boy, Costello, had frag wounds to both legs, his skin peppered with black holes. Darrow and Tanner together pulled him along with the other wounded to the road. As the shock wore off, the kid trembled but made no sound.

Helen felt nauseous from the heat and the blood and the noise, but she picked up her camera and focused through the viewfinder. Molina stood over the boy, his face a mottled red, his lips tight and pulled back from his teeth. In the viewfinder, framed, he had a terrible kind of power. Helen framed a shot of him on the radio handset while the operator crouched next to him, fingers stuffed in his ears at the sound of another mortar, face clenched, reluctantly attached by the umbilical of the cord. Molina waved his arm and brought it down hard on his thigh as if he could will the helicopter’s appearance, oblivious to the flames snaking their way up a thatched roof behind him, oblivious to the comatose boy at his feet. If he had taken any more notice of Costello, he might have shot him.

Helen put down the camera, puzzled, when she saw blackened, fluttering shapes in the air like dark butterflies. The sight of his injured legs mesmerized Costello; Helen grabbed a plastic field poncho and draped it over his lower body.

“Let me see them,” Costello said.

“You’re not hurt that bad,” the medic said.

But Costello was past hearing.

“You’ll be okay,” Helen said. She said the words by rote, as if comforting a child, but she felt angry at his squeamishness when there were dead bodies yards away. There was a sense of release in the coldness she felt, her lack of concern for the man. She didn’t want his name and rank, or his picture. She wanted to forget him the moment he was on that helicopter.

Within minutes assault helicopters flew overhead and sprayed bullets and bombs over the village. An inferno, the fire created a hot wind that fed upon itself, heat upon heat, until Helen felt each breath she took scorched her lungs.

Linh pointed, and Helen again noticed a swarm of black fluttering shapes that looked like swallows or bats rising above the old woman’s hut. “Her flowers.”

Helen remembered when her father returned from duty in Italy. How he had brought her a red tin of amoretti. How he took the waxy wrapping as she ate each cookie, lit a match beneath it and smiled as it flew skyward like a spirit, to her screams of delight.

Although they watched the hut burn to cinders, the old woman was nowhere in sight.

The action seemed to be mostly over, and so it was a shock when a dozen men burst out of a tunnel opening at the edge of the village, the heat from the burning hut above the entrance roasting them in the tunnel, parts of their clothing curling off their backs in flame. They ran down the beach to reach the water, wanting to plunge in the wetness and stop the burning, but the running alerted the soldiers, who opened fire.

Linh yelled, but Darrow grabbed him. “No!” He pointed to Helen. “Stay between him and the soldiers.” She held Linh’s shoulder, felt the quivering of his muscles.

“They’re villagers, not VC,” he said.

Darrow ran down through the sound of the automatic weapons’ fire. So much smoke and the deafening pound of the helicopters-it was impossible to make out clearly what had happened.

Fifteen minutes later, the helicopters gone, the beach was strewn with bodies on the sand and down into the surf. An eerie quiet except for the keening cries of the village women who had a view of the beach. The mood of the soldiers had turned murderous. They went back again and again to the bodies of the dead men, as if they feared they would resurrect. Tanner took pictures, moving bodies with his foot into more graphic positions. “Don’t think this one is running anywhere,” he said to a soldier, who glared down, bayonet pointed.

Darrow’s forehead creased, his head bent down as he walked over. “That’s enough. Women are watching up there.”

Tanner turned and narrowed his eyes. “Don’t get jealous, Sam. You’re not the only photographer in Vietnam.”

A few of the soldiers glared at Linh as he moved along the beach with Helen. “How come he didn’t warn us?” they asked over and over.

“Because he didn’t know. He’s on our side,” Darrow said.

When the first medevac landed, Darrow joined Helen and Linh. “Let’s take this one out. We’ve got enough.”

Tanner stayed with the company.

As they walked by villagers placed under guard, Helen felt their eyes on her. The women clutched their children against their bodies, away from the guns. “Why aren’t they releasing them?”

“Interrogation. Can’t ask a dead man if he’s VC.”

“Maybe we should stay,” Helen said.

“The company’s out of control. More Tanner’s style anyway.”

Scared herself, Helen didn’t have the heart to argue. Later, she would regret giving up so easily and leaving. The change in herself proved by how little she thought of the villagers’ fate, how uneasy she was around her own soldiers. They flew to the field hospital and unloaded Costello, who floated on a large pillow of morphine, oblivious to their good-byes. The trip back to Saigon was a gloomy one.

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