Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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He was a sly one; she suspected he had tricked her into realizing how valuable they were.

“My fee just tripled. And I want my byline on each picture.” She rolled back onto the bed, appalled with this small, hard ambition inside her. “What about the one with Samuels standing at the edge of the paddy?”

“Tripled, didn’t I say that? I’ll have to check on the name, greedy girl. Your soldier’s the cover boy.” He was relieved by her voracity. That bit of ruthlessness would serve her well and meant that all this bed rest was just theatrics.

“No, you didn’t say.”

“Of course,” Gary said, running his hand up and down the bedspread, “knowing the outcome of the battle… well, he’s immortalized.”

She closed her eyes, weighing the decision. “Even if he shot himself?”

Gary paused, relieved now that he had found out the cause of her behavior. “I didn’t even hear that.”

“Are you that cynical?”

He glanced at her, a small, wan smile, then got up and moved away. “Man, it’s boiling in here. What I am is a guy with a constant deadline. Samuelson-”

“Samuels.”

“Whatever. Was a brave soldier-I have testimonials. You don’t know what happened for sure. Things go on out there that can’t be judged by the standards of ordinary life, little girl.”

Even if Gary knew exactly what had happened, it would make no difference.

“Give this a thought. Fly to Washington and present a print of this Samuels to his parents, or girlfriend, wife, what ever he’s got. That would be great coverage.”

She shook her head. “I’m through.”

“That’s why you had your fee tripled? What you need is rest.” He paced the room, sweating and wiping his forehead with a paper napkin. “How about me sending some meals over from Grival’s.”

“You can’t buy me,” she said into her blanket, but they both knew he had won.

“It’s on the expense account, okay? And you’ll get your byline.”

“I don’t care.”

He studied her for a moment. “Even if the guy did flip out for a second-which I’m officially denying-what about all the times he’s a hero and no one is handy with a camera? He’s a brave SOB in my book just for being out there in Vietnam, another name for Hell.” He picked up his pack to leave.

“At the field hospital-”

“I’ll tell you something I shouldn’t. I rescued Darrow out there in Angkor. Don’t ever let him know. Hiding in the rocks. Flipped out, man. Scared of his shadow. I’m not sure what would have happened if Linh hadn’t shown up.” An exaggeration, of course, but one for a good cause.

Helen had never heard this version of their time at Angkor; all she knew was Darrow’s obsession with going back there.

“Be one of my best photographers. The job won’t betray you. I love Darrow, but he’s headed in a bad direction again-the thing with Tanner was dumb. I’m relying on you and Linh to pull him through.”

But Gary was wrong. Already the job had betrayed her. Or she had betrayed it, had fulfilled MacCrae’s prophecy, and become part of their movie. Young boys like Michael would see that picture of Samuels and follow in the footsteps of a man who rolled the dice with his life.

When Gary left, Helen got out of bed, dressed, and took up life again. At dinner with Annick, she sipped at a martini, so icy it went down like water. The smoothness of the tablecloth, the ice in their water glasses, the laughter at the tables around them, soothed her. A man across the room nodded, and she smiled back. The waiter brought them a complimentary round of drinks.

“You’re strange to night,” Annick said, and lit a cigarette.

Helen noticed the smudge of lipstick on Annick’s glass as she moved it away from her lips, the pristine cleanness of the china (nothing in the field could be made that clean), the rustle of a woman’s dress as she passed by.

“I was a coward.”

Annick blew away a stream of smoke and shrugged. “You made it back to Saigon. The only victory that counts.” She looked over her shoulder at the man. “I think he likes you.”

“Maybe I should call him over.” Helen pointed her chin in the man’s direction. “A whirlwind romance. We’ll get married, and he’ll take me home to meet his mother. Why not?”

“You’re drunk.”

“That’s the problem. I can’t get drunk. I’d need elephant tranquilizer to bring me down.”

Annick finished her drink and started on the new one. “But maybe you should marry him. All anyone can gossip about is Darrow’s wife coming to town.”

Helen set down her glass, sobered.

“She came for a surprise visit. Waiting for him in his room at the hotel. Word is that rumors made their way back home about a certain loose female photographer.”

This mythical wife existed in a time and space so far away from the crooked apartment that Helen had been able to ignore the situation. Darrow himself gave the marriage such little credence that she couldn’t grasp the reality of the wife’s sudden presence in Saigon. But here it was, or rather, here the wife was, pushing herself into a place she didn’t belong. Helen felt the scruples of her old life. If she had meet Darrow back home, the fact of his marriage would have kept her from seeing him, but the thousands of miles, the nature of the war, had seduced her, made life back home strange and unfathomable.

“You shouldn’t care. He loves you, not her.”

The idea of being the other woman so ridiculous. Compared to what she had just witnessed, wasn’t Darrow right, wasn’t this small and unimportant? She wanted her life to be clean and right; to have things of her own. This must be the first thing to change. Helen leaned forward, elbows on the table. “What should I do? Go home?”

“A woman’s never the most important thing to a man like him. You are fighting over scraps. Why not just take your pictures?”

Helen waved her hand as if shooing off an annoying insect.

“Then stop,” Annick said. “You’ve proved yourself.”

“The more I go out there the less I know why. But there are moments… when I feel this is what I’m alive for.”

“So take a little vacation to Singapore. A break.” Annick stubbed out her cigarette. “Other people make a whole life out of avoiding pain.” The waiter brought a bowl of fruit; Annick smiled up at him extravagantly till he left. “Distracting themselves.”

Helen smiled at her open flirtation. “What about you? I know how you distract yourself.”

Now Annick sat up and her demeanor became as businesslike as in the shop. “Speaking of-would you mind if I saw Robert?”

A stab of possessiveness, but Helen dismissed it. Of course, life had to go on, and it was no one’s fault that she had messed up her own. “Someone should be happy in Saigon.”

“Don’t be silly. This is a small place; we have to reuse each other. You think he’s an innocent, but you’re wrong. He sees through you and Darrow. He’s like me; he knows this war means nothing. Maybe a change would do us both good. Maybe living in New Orleans would be fun.”

That night Helen lay in bed, restless. After the drinks with Annick, she had hoped to fall asleep quickly, but each time she closed her eyes the image of Samuels haunted her. She regretted things. Crazy thoughts, made more powerful because of their lack of logic. What she had done or failed to do. The arrival of Darrow’s wife presaged a change, but to what? She fell into a fitful sleep, and again she had the dream; children approached and circled her, pressing in, circling around and around, touching, but when she tried to speak with them, they turned away.

After midnight footsteps on the stairs woke her, a key in the lock, and now that the change was close she wished he had stayed away longer.

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