Tatjana Soli - The Lotus Eaters

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The Lotus Eaters: краткое содержание, описание и аннотация

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“Pass on the food. Bring the check,” Darrow said.

“Anyway, we can’t leave. Linh and I are scheduled out with Olsen’s unit day after tomorrow.”

Darrow drank down half his glass in one gulp. “I need to go back to Angkor. I’ve been here… too long.”

“What you need is to eat. You’re drunk.” He was childish and petulant, and she was bewildered by the change that had come over him. She saw this as a version of her own fear, and she tried to help him with her own mantra, Fear is not an option.

“We need to get back what we had in the village,” Darrow said.

“But the village was a lie, wasn’t it?”

Tanner scanned the tables and saw the three of them, changed direction, and walked the long way to a table in the back.

“You know what your problem is?” Darrow said, hunching his back against Tanner’s presence, running his finger down the center of the table as if tracing a line of thought. “You should have been an accountant. You can take pictures, but you take them like an accountant.”

Linh stood. “I am busy tomorrow. See you early on Friday?”

Helen ignored his effort to escape. “You know what you have, Sam? The great white correspondent’s ego. When did it all get to be about you? What you did today was all about you and Tanner, not those people. Poor you.”

Across the room, Tanner’s loud bark of a laugh rang out as people joined his table. Darrow flinched as if from a sharp slap and kept glancing over his shoulder. “He makes me feel like a ghoul. Feeding off people’s suffering. I’m tired… sick to death…”

“I’m sorry, but I can’t leave. This is my chance now,” Helen said, and in spite of her pity for him, she felt strong.

“You’re lucky. I was like you once. I didn’t care for a long time.”

Helen threw bills down on the table, wanting to leave before he caused more of a scene. “Help me out, Linh.”

Darrow dropped his hands into his lap. “I made a fool of myself. I know that.”

Linh laid a hand on his shoulder, then turned to leave, wanting no part in Helen’s hardness.

One of the street children, a young girl who regularly sneaked in, ran through the restaurant waving a twenty-dollar bill. “Thief!” A waiter grabbed her, lifting her feet from the floor, and she shrieked.

“He give, he give,” she cried, pointing. In the back of the room, Tanner stood and motioned the waiter over.

“Yes, I did. Just a little present, okay? It’s hers,” he said to the dining room at large, then turned and shrugged to his companions. “Maybe I should hire a cyclo to take her home? Or better yet, drive it myself.”

They had to drag Darrow out, as he muttered expletives behind him. On the street, Helen waved down a taxi. They arrived at the mouth of the alley, the meeting place of silk and lacquered bowl streets. The depression in the road was dry, and they walked through it and on to the crooked building, Darrow’s arm around Helen’s shoulder, half protecting, half supported.

They lay under the mint green bedspread, the light of the lampshade warming the shimmering expanse of silk and the barren room beyond it.

“One mission is blending into another. It’s time for me to leave. I have nightmares.”

Helen laid her head on his chest. “Watching Tanner made me sick, too. Forget him.” She wanted to say something that would help, but he was so far away from her now.

Darrow moved up on his elbow and put his hand across her throat. “What’s there to do other than war? It’s become my life.”

Helen held his hand against her mouth, kissing each fingertip. “I’m your life.”

“I don’t know how to repair.” He had never spoken like this before, and she wondered what she would do if he said the words she had so long waited for.

“My family’s name was Koropec… Hungarian. I was fifteen when I decided I was going to be a famous American war photographer. And famous American war photographers didn’t have names like that. I made myself into Sam Darrow. Who am I if not that name? Now I have to live up to it.”

“Says who?”

He lay back in the pillows. “If only I had met you twenty years ago.”

“We met now. That’s worth something. I’m the accountant, remember?”

Dawn lit the sky outside the bedroom window. The leaves of the flamboyant fluttered, somnolent in the last of the night breeze. Helen woke to a noise and saw Darrow sitting at the window, smoking, an ashtray full of cigarettes at his feet.

“Did you sleep at all?”

“Can’t.”

“Why?”

“I left a will at Gary ’s office a few weeks ago.”

Now Helen woke up fully, scared. “Morbid conversation first thing in the morning.”

“It’s not… The reason I’m telling you is that it caused a rumor that I had some kind of death wish. It’s just that if something did happen, I don’t want to be buried. A phobia.”

“It’s bad luck to talk-”

“My scaredy-cat. It’s the reality. I’m wagering to live to be an old man.”

She rolled off the bed and pulled clothes off the chair to slip on. Since the previous night she had been formulating a kind of equation: the idea that leaving to save Darrow would allow her to leave Vietnam without guilt. A chance. “Don’t you wonder if it’s worth it?”

“Every time I go out. Wouldn’t be normal if you didn’t. No one wants to say it, but husband, father… none of that stuff is important in the war. Otherwise, why are we here?”

“We’ll take the next plane out. You said yourself you’ve been here too long.”

Darrow nodded his head and stubbed out his cigarette. “We might,” he said, then softened it. “We could. Soon.”

ELEVEN. Bao Chi

Journalist

On the morning Helen was to go out on patrol with Olsen, she woke and packed, ready for Linh to pick her up at three-thirty in the morning. She opened the door to a soft knock.

“I have a problem,” Linh said, standing there. “Family. Sister-in-law, her baby has croup. She is new to Saigon. I must help her find a doctor.” He had never talked of family before, and she was surprised.

“Sure. Can I help?”

“No. Can you go without me?”

“Don’t worry. I’ll be fine.”

Darrow struggled out of bed in the darkness behind her. “What’s wrong?”

Helen picked up her camera bags. “Linh can’t go.”

Darrow rubbed his eyes and put on his glasses. “Come with me instead to My Tho this afternoon.”

“I promised to cover this. Besides, I’ll be with my old buddies, Captain Olsen’s unit. I haven’t seen him since the Captain Tong pictures.” She felt confident that she could handle herself and also a small excitement proving she could go it alone. Now that it had been decided that they would leave soon, these final missions took on a feeling of nostalgia.

Darrow frowned and looked at Linh. “You sure you can’t go with her?”

“I’m fine.” She resented his treating her like she wasn’t competent enough to go alone and now was more determined than ever. Besides, giving him some of his own medicine might make things move faster to leaving.

After Linh left, Darrow sat in the bed and watched her pack the additional equipment she would have to carry alone. “Don’t go,” he said.

“You’re being silly.”

“For me.” He hadn’t intended it, but now it was a kind of test.

A test she wouldn’t take. “Remember asking why the people supposed to love us the most are the ones who try to stop us doing what we love?”

He had met his match and didn’t much care for it.

Problems plagued the assignment immediately. At Bien Hoa, one helicopter after another was diverted or canceled so that she didn’t make it to the small village where Captain Olsen’s unit was stationed until late afternoon.

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