Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Half an hour later, Helen, Darrow, Linh, and the helicopter crew were seated in a beachside café in Vung Tau, the old Cap St. Jacques, drinking “ 33” beer and eating cracked crab. The proprietor, thrilled by his dollar-laden clients, had two tables with large blue-and-white striped umbrellas dragged out onto the sand. For the occasion, he even ran a greasy towel over the oilcloth tabletop. When they ordered more beer, a small boy dug around in a trash can filled with ice that housed both the bottles and that day’s catch. As the meal went on, orange-pink splintered shells formed a jagged reef around the table.

After lunch Darrow set up a chess set and played Linh while the helicopter crew ran touch football on the beach, recruiting the local boys, who kept running off with the ball. One of the men turned on AFVN radio.

Maintenance of the M16 in the field is affected by conditions. In the upper altitudes only a light lube should be applied, thin and often, especially often. Down in the delta, areas with plenty of water, be extra careful that your lubrication does not get contaminated. Take care of your weapon and your weapon will take care of you…

If you leave Vietnam on emergency-leave orders…

“Turn that damn thing off!” the pilot yelled. “Can’t you see we’re on vacation here?”

And, indeed, the relaxed faces of the people on the beach, the wet breeze and the lethargic waves, made the war seem somewhere far away. When Helen left to walk on the beach, Linh moved his knight so that his king was exposed.

“Hey, you can’t toss the game!” Darrow said.

“Sorry, I can’t concentrate.”

Darrow looked around and spotted the pilot stretched out on three chairs. “ Billings, you’re up.”

The pilot mock sighed, opened a fresh “ 33,” and sat down at the table. Linh stepped over the reef of crab shells and made his way to the surf where Helen stood. They watched fishermen, their skin a dark, sun-cured teak, tug nets of beating fish up on the sand.

As they walked along the surf, a boy ran by, and when he was within feet of Helen, he reached down his arm and splashed her with water. She stopped and looked down at her soaked capri pants, then at the boy. She cupped her hand in the warm water and splashed him back with twice as big a spray. His eyebrows shot up in surprise, and he stood still and gave a loud belly laugh. Then began a tag game in earnest, Helen and the boy joined by his friends, running through the knee-high waves, catching each other in ropes of water. At one point, Helen was clutching Linh inside a ring of the boys who circled the two of them, pressed them in, splashing them with water, circling around and around. Helen had a sudden vision of her long-ago dream of the Vietnamese children when she had first arrived in Saigon, how threatening she had found them as they circled around her and Michael. Perhaps she had read the dream wrong, and they weren’t menacing at all. After fifteen minutes, the novelty of the American woman wore off, and the boys retreated to a food stall. Helen stood drenched beside Linh.

“I’ll tell you the truth, I hated it here when I first came. It was strange and frightening. But this time in the village… despite everything, this place moves me.”

“I’m pleased.”

“Since we’re wet, let’s swim out to that buoy,” she said.

“I can’t.”

“Come on. What if I get a cramp? You’ll need to save me.”

Linh looked down at the water slapping over his knees but said nothing.

“What?”

“I cannot swim.”

Helen sensed his embarrassment and took his hand. “Then you’re in luck, because I taught swimming every summer during high school.”

They walked together along the sand, away from the crowds, coming across dead jellyfish whose purple translucent flesh reeked in the sun. At a deserted stretch, they entered the water that had only a hint of oily coolness. Helen showed Linh how to hold his breath underwater, to float on his back, to move his arms for the breaststroke and the sidestroke.

She touched him, hand against hand, arm against chest, trunk against back, with a kind professionalism, like a nurse with a patient. Linh dunked his head underwater again, opened his eyes wide to allow the sting of salt, the excuse for tears. No one had touched him, except in the most incidental way-Helen’s hug, the brush of strangers-since he had lost his family. He had numbed himself to the absence, but this strange baptism woke each part of him to a fresh agony. He dunked his head again, held his breath till his lungs threatened to buckle, surfaced to the shattering of light, spluttering, the far-off laughter of playing children.

Helen put her hand on his arm. “Are you okay?”

Linh shook his head. They walked out of the water and stood in the sand.

“Don’t worry. It doesn’t come all at once. You’ll get the hang of it.”

“Why do you dream to photograph the Ho Chi Minh trail?” he asked her.

“I did.” Helen shook out her hair. “I still do. Not for the same reasons anymore.” She brushed sand off her arms. “I’m beginning to admire them. Their fierce will. Do you understand someone better when you’ve sat down and eaten a bowl of rice with them?”

The sun spun low in the sky, turning the South China Sea into a long liquid field of bronze.

“I thought of you all the time in the village. You should have been there with us,” Helen said. “I felt it, the thing you talked about, being a brick in the wall.”

With those words, Linh knew without a doubt he loved her. He barely remembered walking up the sand to the café, how they stood shoulder to shoulder, how her hair dried to the color of light straw.

As they approached, Darrow stretched his arms over his head, smiling at them even as he cast a troubled glance down the beach. All Linh could see was the radiance of Helen’s face as she gazed at Darrow.

“I only have that fierce will for those I love,” she said under her breath to Linh. “I need to get him away from here.”

Years later Linh would wish that there had been some sign that this moment was the perfect one, balanced on the edge of changing, that the three of them would never again be together and as happy as they were then. But even if he had known, how did one hold time? Instead, there was a shout from one of the crewmen: “Ice cream!” and Helen grabbed Linh’s hand as they hurried through the white powdery sand, stumbling, laughing, blind.

The three of them returned to the war that had brought them together, but the war itself had changed. Saigon with it.

Helen and Linh went out to photograph the refugees crowded into the new slums overwhelming the city. The faces they met were weary-bones pressing against skin, hollow-cheeked, eyes sunken and stony from hardship-looking away, not into the camera. An indication the enemy was winning?

Life in the city remained as schizophrenic as ever: Each night Helen waded through dozens of quickly mimeographed invitations to dinners at posh restaurants and cocktail receptions at the embassies. As the war grew larger, the social life of the city expanded with it. They attended the official functions dutifully, knowing that nothing of interest would come out of it beside the line about winning the war.

Darrow and Helen returned a couple, and they now took their place in the expat life of journalists and adventurers. Many came from ambition, as Darrow had claimed, but just as many came to escape what ever bound them to home-jobs, family, boredom. Media stars mixed with journeymen photographers and freelancers who never took a picture, a movie star’s son, and a Connecticut debutante. American teenagers washed up on the streets, straight out of high school or college dropouts.

They met at all-night parties hosted in dilapidated French villas or in seedy bars scattered through the city. They listened to Cuban music a wire-service stringer supplied; they drank rum and scotch, smoked pot and opium. Most of the men had Vietnamese girlfriends; the few women had a number of men to choose from.

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