Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Linh smiled. He had observed them since his return, how Helen’s eyes lingered on Darrow’s face, questioning.

“Maybe you need to go back to the war to rest?” Darrow said.

“Maybe we go rest together,” Linh said, and Helen burst out in laughter, the first since Linh had arrived.

When they tied the boats along the steep bank and climbed up, the heat was so intense Helen thought the rivers should be boiling. They drank water and ate cold rice for lunch, then the villagers stretched out under the trees to sleep.

“When will you return to America?” Ho Tung asked.

“Soon,” Helen answered.

“Can you go to St. Louis, maybe? Check on my granddaughter?”

“It’s a very big country,” Helen said, and seeing the disappointment, added, “Give us her address.”

Ho Tung smiled, relieved, his mission accomplished. The chief motioned for Darrow, Helen, and Linh to follow him to explore the interior. “There is a temple in the center of the island.”

“Come on, then,” Darrow said, grabbing Helen’s hand.

They pushed aside the thick barrier of brush and edged along an overgrown path. Every inch of land filled with huge purple orchids. Abundant, dense, violent growth.

Linh lagged behind the others, but when he saw the flowers he stopped. “I’ll wait back at the boats.”

“No, come on,” Darrow said. “It won’t take long.”

“I’d rather-”

“Come.”

Flowers hung aggressively from trees and crowded on the ground and along rocks, thick and choking in a wild scramble for light in the semigloom of the overhead palm and rubber trees.

“This is an enchanted garden,” Helen said, moving forward into the sea of flowers, her bad mood turned to delight.

She picked a small bloom and brought it to her nose, but there was only a faint scent of decay. She tucked the flower behind her ear anyway.

As she turned, Darrow snapped her picture. “There’s my girl.”

“No fair.”

“Look over here again.”

“No.”

“Come on.” Darrow took a step forward through the dense foliage.

“No!” Helen laughed and ran, crashing down the path through the flowers, trampling vines and leaves and petals.

“Come back,” Darrow shouted, laughing, running after her.

Drenched, she ran as if in a downpour, sides heaving. Hearing the crash of footfalls behind her, she ran faster, careless, when suddenly a shadow passed in front of her face. She looked up into a huge banyan tree from which hundreds of orchids clung, choking the tree in a blaze of purple. One particular orchid hanging from a long branch seemed especially large and perfect. She took another step to reach for it, tripped over a tree root hidden in the underbrush, and fell down into the plants.

“You okay?”

Darrow stooped down next to her as she laughed and rolled onto her back. He bent over and brushed the dirt off her knees as Linh and the chief came up.

“Helen is hurt?”

Darrow shook his head. “Not yet.”

She sat up, searching the ground for what poked into her back and picked up small white sticks. She brought them closer, her smile fading as she realized they were bones, and showed them to Darrow.

“Human?”

“This is a burial island,” Ho Tung said, pleased.

“Why didn’t you tell us?” Helen asked.

“They bury monks here. The first monk, a hermit, lived here by himself. When the villagers came to check on him after the monsoon, they find only his bones and a purple orchid growing out of the rib cage. The flowers are said to be a manifestation of his enlightenment. How do you say? They are ‘right luck’?”

Helen dropped the bones on the ground.

Ho Tung waved his arms, motioning to Helen as he talked. “Keep. Brings right luck.”

“What do you mean?”

“Come on,” Darrow said. “You don’t believe this hocus-pocus?”

Linh shook his head. “Right luck. Some women come here to pray because they want children. Or they have only daughters. Others come for forgetting.”

“Forgetting?” Helen asked.

“Their sorrows. If they grieve so much they cannot bear the land of the living.”

She stared at Linh, and he met her eyes. “I’ll wait at the boats,” he said.

“Me, too,” Helen said. The mood broken, the small island now seemed gloomy and claustrophobic.

“No temple?” Darrow shook his head. “You two are no fun.”

Helen swept the bones under a bush with her boot. She stood and dusted herself off. Ho Tung knelt with his hands together in mudra and chanted under his breath.

As if he had been waiting behind a tree for just this moment, an orange-clad monk stepped out into the middle of the path and bowed to them. Linh came back and talked at length with him.

“This is the hermit monk of the island,” Linh translated. “He invites us to tea.”

They sat in the small temple that was no more than branches strung loosely together overhead. The monk stirred twigs and placed his iron teapot over them, looking at the foreigners sideways, giggling.

“He says he has never seen white faces before. He asks why you are here.”

Darrow shrugged. “The war. Tell him we’re photographers.”

“Who would want such pictures?”

Darrow chuckled.

“He asked, ‘Which war?’ ”

A pause. “Between the North and South.”

“He says there is always war, but why are the Westerners fighting Vietnamese war?”

“To give freedom.”

The monk shook his head, rubbed his hands over his stubbled scalp. He talked rapidly to Linh, gesturing, then laughing. “That makes no sense. Why die for Vietnamese?”

“Tell him… it’s complicated. Tell him it’s geopolitics, the movement of Communism, the domino theory of the fall of Southeast Asia…”

The monk stood up and yawned, moved off to a tree, and relieved himself against it. Linh laughed. “He says your words mean as little as his piss does to this tree.”

Darrow blinked and then laughed, and the monk laughed louder, till he was red in the face, and came back to sit down.

“We’re making bigger and bigger mistakes because we can’t admit we made the first one. We can’t lose a war to a small Asian country.”

The monk giggled and covered his mouth. “But you’ll have to fight till every last Vietnam man is gone.”

Darrow looked at the ground and nodded. “The first wise man I’ve met.” The monk shook his head and poured tea.

“He is only a simple monk. He is afraid for the Westerners, that you will lose your own way by interfering with Vietnam ’s destiny.”

The monk got up, bowed to them, and walked away.

“He hasn’t talked so much in a year. He’s tired.”

After the tea, they walked back in silence. As Helen climbed into the first boat, she got off balance. Darrow was looking away down the river, frowning, but Linh reached out his hand to steady her.

The peace of night was broken by the sounds of jeeps driving into the village. Headlights glared as American soldiers and local Vietnamese militia jumped out swinging machine guns, cordoning off the hamlet, and beginning a house-to-house search.

Darrow threw on a T-shirt and pants, and ran outside. “What’s going on?”

“You’re here. Where’s Adams? All Americans are ordered to the AID compound immediately.”

“Give us a minute to dress. What’s going on?”

“An American has been attacked and killed in the area.”

“Who?”

“One of the AID guys, Jerry Nichols.”

As they packed, Ngan appeared. She crouched in the corner of the hut, crying. Helen bent down to pat her back, reassuring her as Linh came in.

“I’ll stay. Interrogations start, they need an interpreter,” Linh said.

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