Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“I bet.” Helen cut at her meat with a large saw of a steak knife.

Nichols squinted, his skin flushing a darker red. “You said she had a sharp tongue.”

“Actually,” said Darrow, “what I said was that she was too sharp for you.”

Nichols looked at him for a moment, weighing things, and then deciding to take it as a joke, broke into a barking laugh. “That’s it. That’s what you said, all right.” He puddled ketchup and A.1 on his plate.

The room fell silent. Sanders, his food untouched, cleared his throat. He had lost a lot of weight since Helen and Darrow arrived in the village. They guessed he had developed a pipe habit. “You must be dying to get back to the life in Saigon.”

“Not really,” Helen answered.

“I’m ready to test this arm,” Darrow said. “Send someone down as soon as a message comes from my assistant.”

“You contacted Linh?” She felt betrayed not only that Darrow had been plotting his return all along, but also at her own feelings of panic at the prospect of going back. Why had he chosen this public setting to announce his intentions?

Nichols smiled. “Oh, boy, did I cause trouble?”

“They’ve already replaced me on a couple of assignments,” Darrow said. “Pretty soon I’ll be taking pictures of supermarket openings in Amarillo.”

“What I wouldn’t give to be in Saigon,” Nichols said, swallowing a small bite of meat and daintily licking his lips.

“Looks like you’re doing fine here,” Darrow said, nodding his head in the direction the girl had gone. He intended the jab at Helen, his declaration at her possessiveness.

“Sanders gets the pipes, and I get the poon.” Nichols looked in the direction the girl had gone. “But there would be so many more goodies to choose from in Saigon.”

Helen excused herself and went down the hallway. She hated these men and hated Darrow when he was with them. This was her last visit. She applied her lipstick in the mirror, readying her excuse to leave.

When Khue came out of a room, she was startled, as if caught. Up close, the girl looked even younger. Pointing at the lipstick, she smiled, revealing a front tooth with a large chip. Helen motioned for her to try it. Self-consciously, Khue closed her lips and applied the color.

Why didn’t Nichols take her to get the tooth fixed? Infuriated, Helen decided to take the girl to a dentist herself. Khue studied the rose sheen on her lips with great seriousness; too sad and wise for such a young girl. Forget the dentist, the girl needed to be taken away from there, put into a school. How would Helen manage that?

Khue handed back the lipstick, but Helen patted the girl’s fingers around the tube. “For you.” When the two of them entered the living room, Nichols was sprawled out on a lounge, drunk. He took one look at Khue and yelled, “Come over here! Come now!”

A small, throbbing vein appeared along Khue’s temple, visible as she stepped forward.

“Leave her be-” Darrow said, noticing that Helen had not come to sit next to him but remained standing.

Nichols grabbed Khue by the hip and pulled her down on his lap, wiping her mouth with his sleeve. “You look like a whore, honey. No good. Look like a little whore with that stuff on.” He patted her cheek. “That’s my girl. My good, clean girl.”

Helen turned around and walked out.

“What’s wrong? I just don’t want you showing her bad ways,” Nichols yelled.

Outside on the dirt driveway, Darrow stumbled getting his shoes back on. “We walking home?”

Helen marched down the road without a word. The darkness and the warm air were a relief.

“You mad at me?”

“Not at you. No… Yes. Why didn’t you say anything?”

“If you’re choosy, you’re not going to have too many friends out here.”

“I’m never going back there.”

“Fine. But you’re punishing the girl, too.”

Helen slowed, shaking pebbles from her sandals. Darrow laughed and grabbed her arm. “What’s funny?” she asked.

“What a puritan you were, how self-righteous. How outraged. I had no idea.”

Helen said nothing.

“I lost that capacity some time back. But I admire it.”

“You’re ridiculing me. And you didn’t tell me your plans to go back to work.” As she said it she knew her outrage on Khue’s behalf had also been for herself.

“That’s the thing, I didn’t want it official,” Darrow said, suddenly serious. “All good things and all bad things come to an end.”

***

Preparations for the summer festival frenzied the village, and Helen and Darrow were invited to take part. Ho Tung knew their plans to leave but insisted they stay through the celebrations.

Helen had been thrown out of her stillness. All she could think was that she was losing something she wanted. But she couldn’t tell Darrow what it came down to-them or the war, no longer both. Apparent to her that she could no longer go through a village from the outside, as before. Impossible to cover the war with such conflicting loyalties. Was that what had happened to MacCrae, she wondered, too many angles of loyalty?

Pigs were butchered, the cries of slaughter haunting her till she escaped to the river. When she returned, the communal house had been hung with lanterns. They were seated in a place of honor next to the chief. He talked about how expensive it must be to send a letter from America, especially St. Louis, and Helen didn’t know what else to do but agree. “I know young girls get distracted,” Ho Tung said, “but how can she forget where she comes from?”

Women swayed under trays of food, delicacies such as glutinous rice, sweet boiled rice cakes, shredded pork with bamboo shoots. Toasts were drunk with fermented rice alcohol. Darrow spent long hours with a translator to figure out what they should contribute. Finally it was decided beer for the adults and ice cream for the children.

During the afternoon of the festival day, a decorated plow was taken to the communal rice paddy outside the village and a ceremonial furrow plowed. Later, the villagers gathered at the community house for the ritual enactment of the rice harvest, a fertility rite with four goddesses chosen from the village girls to represent Phap Van, the cloud; Phap Vu, the rain; Phap Loi, the thunder; and Phap Dien, the lightning.

Work was forgotten; paddies lay untended. The women wore their best clothing. Unmarried girls washed their hair in perfumed water and wore it long and dark down their backs. Platters of food were there for the taking; at almost any hour one could find a crowd of people busy at some game. Darrow’s arm healed well enough to get rid of the sling, and he and Helen photographed boat races, kite flying contests, rice cooking and rice cake competitions, stick fighting, wrestling, and traditional dances.

“I love this,” Darrow said. “We’ll travel the world, do cultural layouts. Wildlife shots in Africa. No more wars.”

“You promise?” she said, trying not to show how much she wanted the answer.

On the final night fireworks shimmered along the river, ribbons of light reflecting on the water as young couples escaped into the darkness. A leniency in behavior was allowed for the night, and Ho Tung laughed that many new marriages were celebrated shortly after the festival. He had urged Ngan to reconsider Minh’s proposal. Helen saw the two walking awkwardly together along the river, Ngan frowning. But the chief shook his head. “Ngan refuses to settle down. She has caught the strange, unhappy-making new ideas.”

The next morning at dawn, everything returned to its normal state-the women again hidden under their dark clothes and conical hats; the men bent under the weight of their plows. The paddies inhabited again, plaintive songs hanging in the air, the previous week as distant and separate as a dream. Helen dreamed of a third way for Darrow and her to exist other than Switzerland or the war-staying in the village for a full year until the next harvest.

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