Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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“At the time building those fires seemed like the best thing you could be doing in the world. Shedding a little light. Being there I felt my life was bigger than it had been before.”

***

Evenings, Ho Tung would invite Darrow to join the village men. They’d sit in the communal house in the center of the hamlet to drink beer.

Helen tried to read by lamplight, but she found it impossible to concentrate on the words of the page, so abstract and distant compared to the moonlight through the trees outside or the thick sweetness of grapefruit and frangipani blossoms. She closed her book, blew out the lamp, and gazed into the night sky. Words superfluous. She had reached a point of absolute stillness in her life, empty of wanting. Nothing could be added that would not unbalance the perfection of the present.

She fretted over Darrow’s words because she halfway believed them. The picture of Captain Tong had created headlines. It had opened eyes, made the old man’s death not in vain. In Darrow’s words, it had made her feel her life was bigger, more important than before. But to repeat that, Helen would have to be willing to go out again and again on missions. She longed to be in that chalet in Switzerland, almost willing to turn her back on the Captain Tongs of the world for it. What was wrong with a small, selfish life?

Ngan came in on the nights that Helen was alone, bringing a bowl of scented water and a towel, insisting on sponging her down. When Helen at first refused, Ngan sulked until she reluctantly agreed.

The girl, only twenty, was already a widow with a small boy of two. She had bright, clear eyes and a high forehead, and Helen thought her quite pretty.

“Ngan, why no boyfriend?”

She giggled, squeezed water out of the sponge, let it run along Helen’s arm. “No one interested.”

“That’s not what I hear.” The other women in the village gossiped that a certain middle-aged farmer had proposed and been refused.

“Minh?” Ngan shuddered. “I study in Saigon one year. I want to be teacher. I learn more English.”

“But no boyfriend?”

Ngan frowned, turned Helen onto her stomach, and made long strokes along her back. “Not farmer’s wife. I go back to Saigon, back to study for teacher.”

“No Minh?”

Ngan laid her head on Helen’s back. “He is old and ugly. Smells like buffalo,” she whispered, giggling, and Helen laughed.

“You want a young, handsome man?” She could feel Ngan’s head nodding on her back.

“A good man, like your husband.”

Helen did not correct her. “There’s no one you like?”

“Linh.”

Helen was silent for a moment. “Oh.”

“His wife die. No family. No children.”

Helen pulled the sheet around her and sat up. “He told you this?”

Ngan smiled and nodded. She stood up to throw the contents of the bowl outside in the bushes. “No woman friends, either. Very proper.”

Helen feigned a yawn. “I’ll go to sleep now.”

The girl left the room, but not before Helen took new note of the straightness of her back, the small and delicate curve of her feet.

Alone, her breath slow and deep, she meditated on the tragedy of Linh’s family. If one’s meaning came from being a brick in the wall, what did it mean to have no one? To be unmoored? What did it mean in Vietnam not to be part of any family? Was that the answer to the sadness she sensed in him? The answer to his devotion to Darrow? Half asleep, she waited to hear Darrow’s footsteps, waited for him to take off his clothes, to part the white netting surrounding their bed and close the folds behind him, for his lips to find her. A husband in every way that mattered.

Perfect stillness and perfect communion, and yet she struggled to stay in the present of her happiness, thoughts returning again and again to the puzzle of Linh. Of course, there was what had happened with the convoy in Pleiku. She probed that like a sore tooth, testing the impact of her mistake. But also, this news from Ngan. Was it true that he had lost family? What of Darrow’s sanguine attitude to his possibly being a spy? Where had he gone off to now while she was camping out in this village backwater? Darrow. She suspected that even if she closed her eyes to the evils of the Captain Tongs of the world to live her insulated happiness in a chalet in Switzerland, it was a fool’s choice because Darrow had already decided long before he met her.

The wariness of the villagers grew to friendliness-Darrow and Helen enfolded within the life of the village. Grain by grain, Helen’s restlessness fell away; she became part of Linh’s brick wall. A madness to consider going back into battle. But as Darrow’s arm strengthened, she noted he again listened to AFVN on the radio and read what ever newspapers he could cadge from the USAID compound.

Each morning and evening, Helen joined the women to bathe in the river, in an area upstream of the hamlet partitioned off with cotton sheets. The women disrobed under the soft greenish light filtered through trees leaning over the bank. They slowly soaped while talking, the beautiful smooth bodies of the teenage girls next to the sinewy dark limbs of the old women. Many of the married women stood with jutting bellies while they nursed babies at their breasts.

Ngan now kept far from Helen during bathing. The girl had been shy around her ever since their talk, and Helen guessed that she regretted her revelation. Two small girls stood naked in the shallows, washing themselves while watching Helen. She called to them, but they ran away.

Helen handed out coveted bars of Ivory soap as gifts and created a sensation when she pulled out a razor and sat on a rock to shave her legs.

She had regained some of the weight she had lost out in the field. She slept long hours, a deep and dreamless sleep fed by the rich life around her.

Twice a week Helen and Darrow went to the USAID house quartered in an old French colonial building in the neighboring town, for both the American food and the conversation. Nichols had just retired from active military duty and now thrived on projects to increase agricultural productivity. He was in charge of building storage houses for fertilizers, pesticides, and improved grain for planting. Rumors were that he loved the lifestyle, including his young Vietnamese mistress, too much to leave.

The longer Helen stayed in the village, the more she made excuses to not visit the USAID house. She felt awkward in front of the Vietnamese servants, who were treated poorly by the American men. Darrow seemed oblivious; or rather, he chose not to notice. He happily listened to music and drank scotch while scouring the magazines and newspapers.

Nichols and Sanders were loud, both in their conversation and the music they played. Helen shivered in the cold gale of air-conditioning. The platesize steaks grilled on the barbecue and the endless cocktails made Helen feel dull. At first, she brought a towel with her for the civilizing effect of a hot shower, but as weeks passed, she found she preferred the river.

During the long evenings, she watched Nichols’s mistress in the background, the one whom the village women gossiped about. Only fifteen, the girl’s family had disowned her because of the liaison but had just bought another parcel of land with money she sent. She received more spending money in a week from Nichols than her father could earn from farming in a year. Nichols didn’t include her during the meal-like a stray, the girl stayed in the background, along the edge of their evening.

“Why don’t you ask her to join us?” Helen asked, poking at a baked russet potato imported from the States.

Nichols turned and eyed the girl walking down the hallway in her unstable high heels. “Khue? She’s happier on her own. Getting some time off.”

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