Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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The talk of the parties was about the price of brandy and the availability of hair spray and war; the latest restaurant and nightclub and war; divorces and marriages, war; romances and salaries, war; babies, the danger of the countryside, war; eventually they came back to the bedrock of their existence, the cause of the present Americanized incarnation of Saigon, and it was always war.

But it was her life with Darrow in the crooked apartment behind the Buddha door in Cholon that formed Helen’s true history. What was between them balanced the madness outside.

Darrow and Helen were sent to cover a refugee exodus below the DMZ-a poisonous, sinewy, snakelike stream of old fuming diesel trucks, loaded-down bicycles, carts, wagons, and people. By the time they reached the convoy, a dozen other journalists were already there, including Robert. Then Matt Tanner appeared. Helen had not run into him again since their exchange over the Captain Tong pictures, and she considered that a good thing, and regretted seeing him now.

Tanner walked on, not acknowledging them. Robert shook hands, polite and curious. As soon as he saw them together, he realized he had lost all chance with her.

Darrow and Helen walked alongside the refugees while Linh asked questions. People had evacuated in a panic; there was a shortage of basic supplies. They passed Helen with slow, solemn steps, taking no notice of her camera. Food and water were scarce. Although she was parched, Helen avoided sipping from her canteen, guilty that she had water and at the same time protective, afraid to be mobbed for it.

After the calm of the village, the sheer numbers of people overwhelmed; the scale of the disaster made her feel useless. Dry-mouthed, she licked her lips, tasting salt, growing more thirsty. When an old man collapsed on the side of the road, she stooped down, shielding him from view, and gave him precious mouthfuls of her water, but in seconds a crowd formed, and she had to move on.

The sides of the road, used as both kitchen and toilet, had turned to mud, the stench unbearable. Some of the older villagers so frail every step was a miracle of will. Darrow walked ahead and ran into Tanner and two other photographers circling a young man as he struggled to pull a cart loaded down with belongings. A tiny, aged couple-grandparents?-sitting in the back with three small children in their laps. The young man had taken off his shirt and wrapped it around his head. His ribs were sharp, etched, every muscle and tendon roped with the strain of pulling the cart. Tanner appeared especially bull-like as he towered over him, bending as he angled his camera to capture the young man’s expression.

Darrow jumped forward, pushing Tanner hard in the back so that he braced his hands on the side of the cart to keep from falling. The wood wheels of the cart shuddered and creaked from the sideways thrust.

“What the hell-?”

The young man stopped and put down the stays of the cart. His chest heaved with hard intakes of breath. Indifferent, resigned to what ever would happen next.

Darrow motioned him to the back of the cart and picked up the stays himself and began to pull. The young man’s eyes widened, but he followed the cart, speaking softly to the white-haired couple. The woman turned her arthritic neck to study Darrow’s back.

“What the fuck stunt is this supposed to be?” Tanner screamed. “You lunatic!”

Robert watched the scene unfold. Let Darrow hang himself, but he couldn’t stand Helen’s stricken face. He shook his head. “Go on ahead, Tanner.”

“He’s a goddamned nutcase!”

“Go on!” Robert yelled.

Linh slipped the two neck straps from Darrow’s neck.

“Put them in the cart,” Darrow said. “Go ahead and get some pictures farther up.”

Linh jogged ahead. Darrow’s face tight, jaw quivering. Helen didn’t know what to do, and in her indecision, she walked alongside the cart. A brawl averted, Robert dropped back down the line without a word to either of them. Whatever had gone wrong in Darrow’s head was her problem to deal with now.

For two hours, not a word was spoken. Finally the young man ran up to the front of the cart and tapped Darrow on the shoulder. He pointed to a shady spot under the trees, and Darrow nodded and pulled the cart off the road. The moment he set down the stays, the old couple sprang up and began handing down the children. As the old man washed their faces with the corner of a handkerchief and some water, the old woman unpacked a basket of wrapped banana leaves.

Clenching and unclenching his blistered hands, Darrow stood awkwardly, not knowing how to leave them. What are the boundaries of charity? When started, where does it morally end? His upbringing had been a secular one, but how he longed to have the crutch of faith, even temporarily. Something had exploded inside his head, an anger he thought he had dealt with. The cool thing for us is that when this war’s done, there’s always another one. The placid thought floated in his head that he would have shot Tanner point-blank if given the chance.

Helen came up and, silent, handed him a canteen. Shy with him, knowing he wished she hadn’t witnessed the act. No matter what came next, she had seen underneath the bravado. Deep despair. Does contradiction in the beloved make one love him less or more?

The old man untied a piece of bamboo and opened the banana leaf. Inside was a square of rice. He motioned for Darrow to have it, but Darrow shook his head, fished in his pocket for what ever chance money there was, and handed it over, a fortune of a few twenties, as if in contrition. The man’s face lit up, but already Darrow had slunk away, disappearing up the road.

***

That evening Linh, Darrow, and Helen sat at a table on the terrace of the Continental. Both of Darrow’s hands were wrapped in gauze, so he cupped his hands to pick up the slick glass of gin and tonic.

“Tell her how great Angkor is,” he insisted.

Linh smiled, sensing a shift between them, a new agreement. “It is a nice collection of rocks.”

“No, I’m serious,” Darrow said. He took a large gulp of his drink and turned toward Helen. “I need to take you there.”

“There’s just this little war thing going on,” Helen said.

“Don’t worry. You’re in luck. There’ll be plenty of war when we get back.” Darrow heard the cynicism in his voice, but it felt old and outdated; he had moved beyond it.

Linh finished his own drink and lifted three fingers to the waiter for another round.

“Someday,” she said.

Exchanged looks.

“ Phnom Penh is like the dream image- Vietnam before the war.” Darrow nudged Linh. “Do you remember the quiet?”

“Everyone thought we were crazy. Working all day in the hot sun.”

Darrow laughed. “But it was good, wasn’t it?” He said it eagerly, needing it to be true.

Linh wondered what was going wrong inside him. Had the outburst with the wagon really been justified? “Yes, it was good.”

The waiter set down three more drinks. “How about ordering some food on the side?” Helen said. “Not someday-now. You need to see it. Let’s leave tomorrow morning.” Frustrated that neither of them was paying attention, treating him like a cranky child, Darrow sulked.

She caught the waiter’s eye. “Leave for where?”

“You aren’t listening,” Darrow said. “Mouhot forgot his homeland, his family, blissful in his exploration. He couldn’t tear himself away.”

“What a selfish man,” she said.

“No, you’ve got it all wrong. He was like one of Homer’s lotus eaters. He simply forgot all thoughts of return.”

“But you don’t need to go to Angkor. You already have the war.”

The waiter stood ready for their order when Tanner walked in.

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