Malcolm J. Crocker - Engineering Acoustics

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Engineering Acoustics: краткое содержание, описание и аннотация

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A comprehensive evaluation of the basic theory for acoustics, noise and vibration control together with fundamentals of how this theoretical material can be applied to real world problems in the control of noise and vibration in aircraft, appliances, buildings, industry, and vehicles. The basic theory is presented in elementary form and only of sufficient complication necessary to solve real practical problems. Unnecessary advanced theoretical approaches are not included. In addition to the fundamental material discussed, chapters are included on human hearing and response to noise and vibration, acoustics and vibration transducers, instrumentation, noise and vibration measurements, and practical discussions concerning: community noise and vibration, interior and exterior noise of aircraft, road and rail vehicles, machinery noise and vibration sources, noise and vibration in rapid transit rail vehicles, automobiles, trucks, off road vehicles, and ships. In addition, extensive up to date useful references are included at the end of each chapter for further reading. The book concludes with a glossary on acoustics, noise and vibration

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and by taking 10 log throughout this equation

(3.50) where L pis the sound pressure level L Wis the source sound power level and r - фото 291

where L pis the sound pressure level, L Wis the source sound power level, and r is the distance, in metres, from the source center. (Note we have assumed here that ρc = 415 ≅400 rayls.) If ρc ≅ 400 rayls (kg/m 2s), then since I = p 2 rms/ ρc

Engineering Acoustics - изображение 292

So,

(3.51) Engineering Acoustics - изображение 293

Engineering Acoustics - изображение 294

3.8 Sound Sources Above a Rigid Hard Surface

In practice many real engineering sources (such as machines and vehicles) are mounted or situated on hard reflecting ground and concrete surfaces. If we can assume that the source of sound power W radiates only to a half‐space solid angle 2 π , and no power is absorbed by the hard surface ( Figure 3.10), then

Engineering Acoustics - изображение 295

(3.52) where L Wis the sound power level of the source and r is the distance in - фото 296

where L Wis the sound power level of the source and r is the distance in metres.

Figure 310 Source above a rigid surface In this discussion we have assumed - фото 297

Figure 3.10 Source above a rigid surface.

In this discussion we have assumed that the sound source radiates the same sound intensity in all directions; that is, it is omnidirectional. If the source of sound power W becomes directional, the mean square sound pressure in Eqs. (3.48)and (3.46)will vary with direction, and the sound power W can only be obtained from Eqs. (3.41)and (3.47)by measuring either the mean‐square pressure ( p 2 rms) all over a surface enclosing the source (in the far acoustic field, the far field) and integrating Eq. (3.47)over the surface, or by measuring the intensity all over the surface in the near or far acoustic field and integrating over the surface ( Eq. (3.41)). We shall discuss source directivity in Section 3.9.

Example 3.10

If the sound power level of a source is 120 dB (which is equivalent to 1 acoustical watt), what is the sound pressure level at 50 m (a) for sound radiation to whole space and (b) for radiation to half space?

Solution

1 For whole space: I = 1/4π(50)2 = 1/104 π (W/m2), then

Since we may assume r = 50 m is in the far acoustic field, Lp ≅ LI = 75 dB as well (we have also assumed ρc ≅ 400 rayls).

For half space: I = 1/2π(50)2 = 2/104 π (W/m2), then

and L p≅ L I= 78 dB also.

It is important to note that the sound power radiated by a source can be significantly affected by its environment. For example, if a simple constant‐volume velocity source (whose strength Q will be unaffected by the environment) is placed on a floor, its sound power will be doubled (and its sound power level increased by 3 dB). If it is placed at a floor–wall intersection, its sound power will be increased by four times (6 dB); and if it is placed in a room comer, its power is increased by eight times (9 dB). See Table 3.2. Many simple sources of sound (ideal sources, monopoles, and real small machine sources) produce more sound power when put near reflecting surfaces, provided their surface velocity remains constant. For example, if a monopole is placed touching a hard plane, an image source of equal strength may be assumed.

Table 3.2 Simple source near reflecting surfaces a.

Intensity Source Condition Number of Images Engineering Acoustics - изображение 298 Power D DI
I Engineering Acoustics - изображение 299 Free field None W 1 0 dB 4 I Reflecting plane 1 - фото 300 W 1 0 dB
4 I Reflecting plane 1 2 W 4 6 dB 16 I - фото 301 Reflecting plane 1 2 W 4 6 dB 16 I Wallfloor intersection 3 - фото 302 2 W 4 6 dB
16 I Wallfloor intersection 3 4 W 16 12 dB 64 I - фото 303 Wall‐floor intersection 3 4 W 16 12 dB 64 I Room corner 7 - фото 304 4 W 16 12 dB
64 I Room corner 7 8 W 64 18 dB a Q and DI are defined in Eqs 353 358 - фото 305 Room corner 7 картинка 306 8 W 64 18 dB

a Q and DI are defined in Eqs. (3.53), (3.58), and (3.60).

3.9 Directivity

The sound intensity radiated by a dipole is seen to depend on cos 2 θ (see Figure 3.11). Most real sources of sound become directional at high frequency, although some are almost omnidirectional at low frequency. This phenomenon depends on the source dimension, d , which must be small in size compared with a wavelength λ , so d/λ ≪ 1 for them to behave almost omnidirectionally.

Figure 311 Polar directivity plots for the radial sound intensity in the far - фото 307

Figure 3.11 Polar directivity plots for the radial sound intensity in the far field of (a) monopole, (b) dipole, and (c) (lateral) quadrupole.

3.9.1 Directivity Factor ( Q ( θ , ϕ ))

In general, a directivity factor Q θ,ϕmay be defined as the ratio of the radial intensity 〈 I θ, ϕ〉 t(at angles θ and ϕ and distance r from the source) to the radial intensity 〈 I s〉 tat the same distance r radiated from an omnidirectional source of the same total sound power ( Figure 3.12). Thus

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