Lorena Verzero - Espacios y emociones

___ 2017b, Atmospheric Architectures: The Aesthetics of Felt Spaces, ed. y trad. de Anna-Christina Engels-Schwarzpaul, Londres, Bloomsbury.

Bulgákov, Mijaíl, 1981 [1924], La guardia blanca, Barcelona, Bruguera.

Clément, Maéva y Eric Sangar, 2018, Researching Emotions in International Relations: Methodological Perspectives on the Emotional Turn, Cham, Suiza, Palgrave Macmillan.

Cooper, David, Christopher Donaldson y Patricia Murrieta-Flores (eds.), 2016, Literary Mapping in the Digital Age, Londres y Nueva York, Routledge.

Coughlin, Maura y Emily Gephart (eds.), 2020, Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture, Londres y Nueva York, Routledge.

Davidson, Joyce, Liz Bondi y Mick Smith (eds.), 2007, Emotional Geographies, Aldershot, Ashgate.

Didi-Huberman, Georges, 2009, La imagen superviviente. Historia del arte y tiempo de los fantasmas según Aby Warburg, Madrid, Abada Editores.

Galland-Szymkowiak, Mildred y Mickaël Labbé (eds.), 2019, Les Cahiers philosophiques de Strasbourg, número especial sobre “Atmosphères. Philosophie, esthétique, architecture”, 46. URL: https://doi.org/10.4000/cps.2958.

García Canclini, Néstor, 2019, Ciudadanos reemplazados por algoritmos, Bielefeld, Bielefeld University Press.

Gherlone, Laura, 2018, “Scrittrici italo-ebree tra ricordi e memoria transgenerazionale”, Olho D’água 10-2, 163-176 (versión en portugués, “Escritoras ítalo-judaicas: entre lembranças e memória transgeracional”, 177-190).

___ 2019, “Lotman continues to astonish: Revolutions and collective emotions”, Bakhtiniana. Revista de Estudos do Discurso 14-4, 163-183 (versión en português, “Lótman continua a surpreender: revoluções e emoções coletivas”, 170-191). URL: https://doi.org/10.1590/2176-457338371.

___ 2021, “Compasión colectiva, esfera digital e imágenes de pathos en tiempo de COVID-19”, Eikón Imago 10-1 (monográfico “Tristeza eterna. Representaciones de la muerte en la cultura visual desde la Antigüedad a la actualidad”, ed. Luis Vives-Ferrándiz Sánchez). [En prensa].

___ 2022, “Explosion”, Marek Tamm y Peeter Torop (eds.), The Bloomsbury Handbook to Juri Lotman, Londres, Bloomsbury. [En prensa].

Gordillo, Gastón, 2016, “The savage outside of White Argentina”, Paulina Alberto y Eduardo Elena (eds.), Rethinking Race in Modern Argentina, Nueva York, Cambridge University Press, 241-267.

Griffero, Tonino, 2014, Atmospheres: Aesthetics of Emotional Spaces, trad. de Sarah De Sanctis, Farnham, Ashgate.

___ 2017, Quasi-Things: The Paradigm of Atmospheres, trad. de Sarah De Sanctis, Albany, Nueva York, State University of New York Press.

Griffero, Tonino y Marco Tedeschini, 2019, Atmosphere and Aesthetics: A Plural Perspective, Cham, Suiza, Palgrave Macmillan.

Hones, Sheila, 2014, Literary Geographies: Narrative Space in “Let the Great World Spin”, Nueva York, Palgrave MacMillan.

___ 2018, “Literary geography and spatial literary studies”, Literary Geographies 4-2, 146-149.

Kolesch, Doris y Hubert Knoblauch, 2019, “Audience emotions”, en Jan Slaby y Christian von Scheve (eds.), Affective Societies: Key Concepts, Londres y Nueva York, Routledge, 252-263.

Lefebvre, Georges, 1986 [1932], El gran pánico de 1789: la Revolución Francesa y los campesinos, Barcelona, Paidós.

Losiggio, Daniela y Natalia Taccetta, 2019, “La cuestión del archivo desde una perspectiva warburguiana: huellas, pathos, dinamogramas”, Cuadernos de filosofía 72,69-76. URL: https://doi.org/10.34096/cf.n72.7804.

Lotman, Iuri, 2000, “Dom v Mastere i Margarite” / “Дом в Мастере и Маргарите”, en Semiosfera / Семиосфера, San Petersburgo, Iskusstvo-SPB, 313-320.

Mignolo, Walter, 2008, “La opción descolonial”, Revista Letral 1, 4-22.

___ 2010, “Aiesthesis decolonial”, Calle 14: Revista de investigación en el campo del arte 4-4, 10-25. URL: https://revistas.udistrital.edu.co/index.php/c14/article/view/1224/1634.

Mignolo, Walter y Rolando Vazquez, 2013, “Decolonial AestheSis: Colonial Wounds/Decolonial Healings”, Periscope – Social Text. URL: https://socialtextjournal.org/periscope_article/decolonial-aesthesis-colonial-woundsdecolonial-healings/.

Mignolo, Walter y Catherine E. Walsh, 2018, On Decoloniality: Concepts, Analytics, Praxis, Durham y Londres, Duke University Press.

Molina, Pablo y Laura Gherlone, 2019, “Ciberepacio y semiótica de la otredad”, deSignis 30, 53-62. URL: http://dx.doi.org/10.35659/designis.i30p53-62.

Murrieta-Flores, Patricia y Bruno Martins, 2019, “The geospatial humanities: past, present and future”, International Journal of Geographical Information Science 33-12, 2424-2429. URL: https://doi.org/10.1080/13658816.2019.1645336.

Nagy, Piroska y Ute Frevert, 2019, “History of emotions (Comment & Response)”, en Marek Tamm y Peter Burke (eds.), Debating New Approaches to History, Londres [etc.], Bloomsbury, pp. 189-215.

Papacharissi, Zizi, 2016, “Affective publics and structures of storytelling: sentiment, events and mediality”, Information, Communication & Society 19-3, 307-324, URL: https://doi.org/10.1080/1369118X.2015.1109697.

Peluffo, Ana, 2016, En clave emocional: cultura y afecto en América Latina, Buenos Aires, Prometeo.

Philippopoulos-Mihalopoulos, Andreas, 2015, Spatial Justice: Body, Lawscape, Atmosphere, Abingdon, Oxon y Nueva York, Routledge.

___ 2019, “Atmospheric aestheses: Law as affect”, en Tonino Griffero y Marco Tedeschini (eds.), Atmosphere and Aesthetics: A Plural Perspective, Cham, Suiza, Palgrave Macmillan, pp. 159-174.

Piatti, Barbara y Lorenz Hurni, 2011, “Editorial: Cartographies of Fictional Worlds”, The Cartographic Journal 48-4, 218-223.

Pink, Sarah, 2015, Doing Sensory Ethnography, Los Ángeles, SAGE.

Punte, María José, María Lucía Puppo y Macarena Urzúa Opazo, 2020, “Introducción” al dossier “Entre pasajes, escrituras e imágenes: proyecciones latinoamericanas de la Geocrítica”, Universum. Revista de humanidades y ciencias sociales, 35-2, 22-27.

Rezaire, Tabita, 2020, “Decolonial healing: In defense of spiritual technologies”, Kevin Smets, Koen Leurs, Myria Georgiou, Saskia Witteborn y Radhika Gajjala (eds.), The SAGE Handbook of Media and Migration, Londres, SAGE, pp. xxix-xliv.

Riedel, Friedlind y Juha Torvinen (eds.), 2020, Music as Atmosphere: Collective Feelings and Affective Sounds, Londres y Nueva York, Routledge.

Saban, Karen, 2020, “De la memoria cultural a la transculturación de la memoria: Un recorrido teórico”, Revista chilena de literatura 101, 379-404. URL: http://dx.doi.org/10.4067/S0718-22952020000100379.

Schankweiler, Kerstin y Philipp Wüschner, 2019a, “Images that move: Analyzing affect with Aby Warburg”, en Antje Kahl (ed.), Analyzing Affective Societies: Methods and Methodologies, Londres y Nueva York, Routledge, pp. 101-119.

___ 2019b, “Pathosformel (pathos formula)”, en Jan Slaby y Christian von Scheve (eds.), Affective Societies, Londres y Nueva York, Routledge, pp. 220-230.

Schmitz, Hermann, 2014, Atmosphären, Friburgo y Mónaco, Verlag Karl Alber.

Seyfert, Robert, 2011, “Atmosphären – Transmissionen – Interaktionen: Zu einer Theorie sozialer Affekte”. Soziale Systeme 17-1, 73-96.

___ 2012, “Beyond personal feelings and collective emotions: A theory of social affect”, Theory, Culture and Society 29-6, 27-46.

Slaby, Jan, 2014, “Emotions and the extended mind”, en Christian von Scheve y Mikko Samela (eds.), Collective Emotions: Perspectives from Psychology, Philosophy, and Sociology, Oxford, Oxford University Press, pp. 32-46.

Slaby, Jan y Philipp Wüschner, 2014, “Emotion and agency”, en Sabine Roeser y Cain Todd (eds.), Emotion and Value, Oxford, Oxford University Press, pp. 212-228.