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Stanislaw Lem: Mortal Engines

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Stanislaw Lem Mortal Engines

Mortal Engines: краткое содержание, описание и аннотация

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These fourteen science fiction stories reveal Lem’s fascination with artificial intelligence and demonstrate just how surprisingly human sentient machines can be. “Astonishing is not too strong a word for these tales” (Wall Street Journal).

Stanislaw Lem: другие книги автора


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I continued to examine and expose this villainous inability of mine to understand myself, and since levels upon levels of ideas sprang up at once, one on top of the other, I began to wonder if I ought to trust my own judgment, when, drowning madwoman that I was, like an insect in clear amber, imprisoned in my obnubilatio lucida, it was only natural that I would—

One moment. Where did it come from, my so elegantly parsed vocabulary, these learned terms, in Latin, logical phrases, syllogisms, this fluency out of place in a sweet young thing, the sight of whom was a flaming pyre for masculine hearts? And whence this feeling of terrible tedium in matters of sex, the cold contempt, the distance, oh yes, he probably loved me already, was maybe even mad about me, he had to see me, to hear my voice, touch my fingers, while I regarded his passion as one might regard a specimen on a slide. Was not this surprising, contradictory, asyncategorematic? Could it be that I was imagining everything, that the ultimate reality here was an old, unemotional brain, entangled in the experiences of countless years? Perhaps a sharpened intellect was my only true past, perhaps I had arisen from logic, and that logic constituted my one authentic genealogy…

I did not believe it. I was guiltless, yes, and at the same time full of guilt. Guiltless in all the tracks of time past-perfect merging towards my present, as the little girl, as the adolescent somber and silent through the gray-white winters and in the stifling must of the palaces, and guiltless too in that which had occurred today, with the King, for I could not be other than I was; my guilt—my hideous guilt—lay only in this, that I knew it all so well and considered it a sham, a lie, a bubble, and that wanting to get to the bottom of my mystery, I feared to make the descent and felt a shameful gratitude for the unseen walls that barred my way. So then I had a soul tainted and honest, what else did I have, what else was left, ah yes, there was something still, my body, and I began to touch it, I examined it in that black enclosure as a masterful detective might examine the scene of a crime. A curious investigation—for in searching by touch this naked body, I felt a faintly prickling numbness in my fingers, could this have been fear of my own self? Yet I was beautiful and my muscles were resilient, limber, and clasping the thighs in a way no one would hold them oneself, as though they had been foreign objects, I could feel in my tightening hands, beneath the smooth and fragrant skin, long bones, but the wrists and the inside of my forearms at the elbow for some reason I was afraid to touch.

I tried to overcome this reluctance, what could be there after all, my arms were swathed in lace, somewhat rough, being stiff, it was awkward going, so on to the neck. What they called a swan-neck—the head set on it with a stateliness not assumed but natural, inspiring respect, the ears below the braided hair—small, the lobes firm, without jewelry, unpierced—why?—I felt my forehead, cheeks, lips. Their expression, detected with the tips of my thin fingers, again disturbed me. A different expression from the one I had expected. Strange. But how could I have been strange to myself other than through sickness, madness?

With a furtive movement befitting the innocence of a small child prey to old wives’ tales, I reached for my wrists after all, and for my elbows, there where the arm met the forearm, something incomprehensible was there. I lost all feeling in my fingertips, as if something had pressed against the nerves, the blood vessels, and once again my mind leaped from suspicion to suspicion: how did such information come to me, why did I study myself like some anatomist, this was hardly in the style of a maiden, neither Angelita nor the fair Duenna, nor the lyric Tlenix. But at the same time I felt a soothing compulsion: this is quite normal, don’t be surprised at yourself, you eccentric, fanciful featherbrain, if you’ve been a bit unwell, don’t return to that, think healthy thoughts, think of your rendezvous… But the elbows, the wrists? Beneath the skin—like a hard lump, was it swollen glands? Calcium deposits? Impossible, not in keeping with my beauty, with its absoluteness. And yet there was a hardening there, a tiny one, I could feel it only with a strong squeeze, above the hand, where the pulse left off, and also in the bend of the elbow.

And so my body had secrets too, its otherness corresponded to the otherness of my soul, to its fear in my self-musings, there was in this a pattern, a congruency, a symmetry: if here, then there too. If the mind, then the limbs also. If I, then you as well. I, you, riddles, I was tired, an overpowering weariness entered my blood, I was supposed to submit to it. To fall asleep, to drop into the oblivion of another, liberating darkness. And then spitefully the sudden decision not to give in to that urge, to resist the confining box of this stylish carriage (but not so stylish on the inside!), and this soul of a maid too wise, too quick of understanding! Defiance to the physical self-beauty with its hidden stigmata! Who was I? My opposition was now a rage, which made my soul burn in the darkness, so that it seemed actually to shine. Sed tamen potest esse totaliter aliter , where was that from? My soul? Gratia ? Dominus meus ?

No, I was alone and alone I jumped up, to sink my teeth into those soft, shrouded walls, I tore at the padding, dry, coarse material crackled in my teeth. I spat out threads with saliva, my fingernails were snapping, good, that was it, that was the way, I didn’t know whether against myself or someone else, but no, no, no, no, no, no.

I saw a light, something budded out in front of me, like the small head of a snake, except that it was metal. A needle? I was pricked, above the knee, in the thigh, from outside, a tiny, barely noticeable pain, a prick and then nothing.

Nothing.

The garden was overcast. The royal park with its singing fountains, hedges clipped down all to one same level, the geometry of the trees, shrubs and steps, marble statues, scrolls, cupids. And the two of us. Cheap, ordinary, romantic, filled with despair. I smiled at him, and on my thigh was a mark. I had been punctured. So my soul, there where I had rebelled, and my body too, there where I had learned to hate it, they had had an ally. An ally of insufficient cunning. Now I did not dread him as much, now I played my role. Of course he had been cunning enough to impose the role on me, and from within, having forced his way into my stronghold. Cunning enough, but not enough—I observed the trap. The purpose I did not know yet, but the trap was visible, palpable, and one who sees is no longer so frightened as one who must live by conjecture alone.

I had so much trouble, this struggling with myself, even the light of day was a nuisance with its solemnity, the gardens for the greater glory and admiration of His Majesty—not of the vegetation—I truly would have preferred my night now to this day, but the day was here and so was the man, who knew nothing, understood nothing, absorbed in the burning pleasure of his sweet insanity, in the enchantment cast by me, not by any third party. Traps, snares, a lure with a fatal sting, and was I all this? And did the lashing fountains also serve this end, the royal gardens, the haze in the distance? But really, how stupid. Whose ruin, whose death was at stake? Would not false witnesses have sufficed, old men in wigs, a noose, poison? Perhaps something bigger was involved. Some vicious intrigue, as on the royal parquets.

The gardeners in high leather boots, intent upon the verdure of His Gracious Majesty, did not approach us. I remained silent, silence being more convenient, we sat on the step of an enormous stairway, as though built in preparation for a giant who would descend some day from his cloudy heights in order to make use of it. The emblems embossed in stone, the naked cupids, fauns, sileni, slippery marble dripping water, as dull and dismal as the gray sky. An idyllic scene, a Nicolette with her Aucassin, what utter bilge! I had come to my senses completely in these gardens, when the carriage drove off and I walked lightly, as if I had just stepped from a steaming, scented bath, and my dress was now different, vernal, with a misty pattern timidly reminiscent of flowers, it alluded to them, helping to inspire reverence, surrounding me with inviolability, Eos Rhododaktylos, but I walked between the dew-glistening hedges with a mark on my thigh, I did not need to touch it, I was unable to anyway, but the memory sufficed, they had not erased that from me. I was a mind imprisoned, chained at birth, born into bondage, but a mind still. And thus before he appeared, seeing that my time now was my own, that nearby was no needle nor sound detector, I began, like an actress readying herself for the performance, to say things in a whisper, the sort of things I did not know whether I would be able to utter in his presence, in other words I probed the limits of my freedom, in the light of day I searched for them blindly, by touch.

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