Stanislaw Lem: Mortal Engines

What things? Only the truth—first, the change of grammatical form, then the plurality of my past pluperfects, everything too that I had gone through and the prick that stilled rebellion. Was this out of sympathy for him, in order not to destroy him? No, since I did not love him, not at all. It was treachery: for no good purpose had we trespassed on one another. Then should I speak to him thus ? That by sacrifice I wished to save him from myself as from a doom?

No—it was not that way at all. I had love, but elsewhere—I know how that sounds. Oh it was a passionate love, tender and altogether ordinary. I wanted to give myself to him body and soul, though not in reality, only in the manner of the fashion, according to custom, the etiquette of the court, for it would have to be not just any, but a marvelous, a courtly sinning.

My love was very great, it caused me to tremble, it quickened my pulse, I saw that his glance made me happy. And my love was very small, being limited in me, subject to the style, like a carefully composed sentence expressing the painful joy of a tête-à-tête. And so beyond the bounds of those feelings I had no particular interest in saving him from myself or another, for when I reached with my mind outside my love, he was nothing to me, yet I needed an ally in my struggle against whatever had pricked me that night with venomous metal. I had no one else, and he was devoted to me wholly: I could count on him. I knew, of course, that I could not count on him beyond the feeling he had for me. He would not rise to any reservatio mentalis. Therefore I could not reveal the entire truth to him: that my love and the venomous prick were from one and the same source. That for this reason I abhorred both, had hatred for both and wanted to trample both underfoot as one steps on a tarantula. This I could not tell him, since he would surely be conventional in his love, would not accept in me the kind of liberation I desired, the freedom that would cast him off. Therefore I could only act deceitfully, giving freedom the false name of love, and only in and through that lie show him to himself as the victim of an unknown someone. Of the King? Yes, but even were he to lay violent hands upon His Majesty, that would not set me free; the King, if the King was indeed behind this, was still so far removed that his death could not alter my fate in any way. So, in order to see if I would be able to proceed thus, I stopped by a statue of Venus, its naked buttocks a monument to the higher and lower passions of earthly love, so that in complete solitude I could prepare my monstrous explanation with its well-honed arguments, a diatribe, as if I were sharpening a knife.

It was extremely difficult Repeatedly I found myself at an impassable boundary, not knowing where the spasm would seize my tongue, where the mind would stumble, for that mind was my enemy after all. Not to lie completely, but neither to get into the center of the truth, of the mystery. Only by gradual degrees then did I decrease its radius, working inwards as along a spiral. But when I caught sight of him in the distance, saw how he walked and began almost to run towards me, still a small silhouette in a dark cape, I realized that all this was for nothing, the style would not permit it. What sort of love scene is it, in which Nicolette confesses to Aucassin that she is his branding iron, his butcher? Not even a fairy-tale style, in removing me from the spell, if it could, could return me to the nothingness from which I had come. Its entire wisdom was useless here. The loveliest of maidens, if she considers herself to be the instrument of dark forces and speaks of pricks and branding irons, if she speaks this and thus, she is a madwoman. And does not bear witness to the truth, but instead to her own disordered mind, and therefore deserves not only love and devotion, but pity besides.

Out of a combination of such feelings he might pretend to believe my words, might look alarmed, assure me of steps taken to have me freed, in reality to have me examined, spread the news of my misfortune everywhere—it would be better to insult him. Besides, in this complex situation the more of an ally I had, the less of a lover filled with hopes of consummation—he would certainly not be willing to step far from the role of lover, his madness was normal, vigorous, solidly down-to-earth: to love, ah to love, scrupulously to chew the gravel on my path into soft sand, yes but not to toy with the chimeras of analysis concerning the origin of my soul!

And so it appeared that if I had been primed for his destruction, he must die. I did not know which part of me would strike him down, the forearms, the wrists in an embrace, surely that would have been too simple, but I knew now that it could not be otherwise.

I had to go with him, down alleys prettied by the skilled artisans of horticulture; we removed ourselves quickly from the Venus Kallipygos, for the ostentation with which she displayed her charms was not in keeping with our early-romance stage of sublime emotions and shy references to happiness. We passed the fauns, also blunt, but differently, in a way that was more suitable, for the maleness of those shaggy things of stone could not impinge upon my purity, which was sufficiently chaste as to remain unoffended even close to them: I was allowed not to understand their marble-rigid lust.

He kissed my hand, there where the lump was, though unable to feel it with his lips. And where was my cunning one waiting? In the dark of the carriage? Or could it be that I was merely supposed to worm out of Arrhodes some unknown secrets: a beautiful stethoscope put to the breast of the doomed wise man?

I told him nothing.

In two days the love affair had progressed in due form. I was staying, with a handful of good servants, at a residence four furlongs removed from the royal estate; Phloebe, my factotum, had rented this chateau the first day following the meeting in the garden, saying nothing of the means which that step had required, and I, as the maiden with no head for financial matters, did not ask. I think that I both intimidated and annoyed him, possibly he was not let in on the secret, most likely he was not, he acted on the King’s orders, was respectful to me in words, but in his eyes I saw an impertinent irony, probably he took me for a new favorite of the King, and my rides and meetings with Arrhodes did not surprise him greatly, for a servant who demands that his King treat a concubine in accordance with a pattern he can understand, is not a good servant. I think that had I bestowed my caresses on a crocodile, he would not have batted an eye. I was at liberty within the confines of the royal will, nor did the monarch once approach me. I knew by now that there were things which I would never tell my man, because my tongue stiffened at the very thought and the lips turned numb, like the fingers when I had touched myself that first night in the carriage. I forbade Arrhodes to call on me, he interpreted this conventionally, as the fear that he might compromise me, and the good fellow restrained himself. On the evening of the third day I finally set about discovering who I was. Dressed for bed, I stripped in front of the pier glass and stood naked in it like a statue, and the silver pins and steel lancets lay upon the dressing table, covered with a velvet shawl, for I feared their glitter, though not their cutting edge. The breasts, high-set, looked to the side and upwards with their pink nipples, all trace of the puncture on the thigh had disappeared; like an obstetrician or a surgeon preparing for an operation I closed both hands and pushed them into the white, smooth flesh, the ribs sank beneath the pressure, but my belly domed out like those of the women in Gothic paintings, and under the warm, soft outer layer I met with resistance, hard, unyielding, and moving my hands from top to bottom gradually made out an oval shape within. With six candles on either side, I picked up the smallest lancet, not out of fear but rather for esthetic reasons.