Stanislaw Lem - Mortal Engines

The crew of the demolished transporter escaped unhurt, without even bums, and Pirx found out—much later, it’s true—that they had in fact been firing at him, for the Setaur, dark against the dark cliffs, went completely unnoticed. The inexperienced gunner had even failed to notice that the figure in his sights showed the light color of an aluminum suit. Pirx was pretty certain that he would not have survived the next shot. The Setaur had saved him—but had it realized this? Many times he went over those few final seconds in his mind, and each time his conviction grew stronger, that the Setaur had been standing in a place from which it could tell who was the real target of the long-range fire. Did this mean that it had wished to save him? No one could provide an answer to that. The intellectronicists chalked the whole thing up to “coincidence”—but none of them was able to support that opinion with any proof. Nothing like this had ever happened before, the professional literature made no mention of such incidents. Everyone felt that Pirx had done what he had to do—but he wasn’t satisfied. For many long years afterwards there remained etched in his memory that brief scene when he had brushed with death and come out in one piece, never to learn the entire truth—and bitter was the knowledge that it was in an underhanded way, with a stab in the back, that he had killed his deliverer.

In the beginning there was darkness and cold flame and lingering thunder, and, in long strings of sparks, char-black hooks, segmented hooks, which passed me on, and creeping metal snakes that touched the thing that was me with their snoutlike flattened heads, and each such touch brought on a lightning tremor, sharp, almost pleasurable.

From behind round windows eyes watched me, immeasurably deep eyes, unmoving, and they receded, but perhaps it was I who was moving on, entering the next circle of observation, which inspired lethargy, respect and dread. This journey of mine on my back lasted an indeterminate time, and as it progressed the it that was I increased and came to know itself, discovering its own limits, and I cannot say just when I was able to grasp its own form fully, to take cognizance of every place where I left off. There the world began, thundering, flaming, dark, and then the motion ceased and the delicate flitting of articulated limbs, which handed the me to me, lifted lightly up, relinquished that me to pincer hands, offered it to flat mouths in a rim of sparks, disappeared, and the it that was myself lay still inert, though capable now of its own motion yet in full awareness that my time had not come, and in this numb incline—for I, it, rested then on a slanting plane—the final flow of current, breathless last rites, a quivering kiss tautened the me and that was the signal to spring up and crawl into the round opening without light, and needing no urging now I touched the cold, smooth, concave plates, to rest on them with stone relief. But perhaps all that was a dream.

Of waking I know nothing. I remember incomprehensible rustlings and a cool dimness and myself inside, the world opened up before it in a panorama of glitter, broken into colors, and I remember also how much wonder there was in my movement when it crossed the threshold. Strong light beat from above on the colored confusion of vertical trunks, I saw their globes, which turned in its direction tiny buttons bright with water, the general murmur died down and in the ensuing silence the thing that was myself took yet another step.

And then, with a sound not heard but sensed, a tenuous string snapped within me and I, a she now, felt the rush of gender so violent, that her head spun and I shut my eyes. And as I stood thus, with eyes closed, words came to me from every side, for along with gender she had received language. I opened my eyes and smiled, and moved forward, and her dresses moved with me, I walked with dignity, crinoline all around, not knowing where I was going, but continuing on, for this was the court ball, and the recollection of her own mistake a moment before, when I had taken the heads for globes and the eyes for wet buttons, amused me like a silly girlish blunder, therefore I grinned, but this grin was directed only at myself. My hearing reached far, sharpened, so in it I distinguished the murmur of courtly recognition, the concealed sighs of the gentlemen, the envious breathing of the ladies, and pray who is that young woman, Count? And I walked through an enormous hall, beneath crystal spiders, from their ceiling webs dropped petals of roses, I looked at myself in the disfavor creeping out over the painted faces of dowagers, and in the leering eyes of swarthy lords.

Behind the windows from the vaulted ceiling to the parquet gaped the night, pots were burning in the park, and in an alcove between two windows, at the foot of a marble statue, stood a man shorter than the rest, surrounded by a wreath of courtiers clad in stripes of black and bile, who seemed to press towards him, yet they never overstepped the empty circle, and this single one did not even look in my direction when I approached. Passing him, I stopped, and though he was not looking at all in my direction, with the very tips of my fingers I gathered up my crinoline, dropping my eyes, as if I wished to curtsy low to him, but I only gazed at my own hands, slender and white, I did not know however why this whiteness, when it shone against the sky blue of the crinoline, there was something terrifying in it. But he, that short lord or peer, surrounded by courtiers, and behind whom stood a pale knight in half armor, with a bare blond head and holding in his hand a dagger small as a toy, he did not deign to look upon me, saying something in a low, boredom-muffled voice to himself, for to no one else. And I, not making my curtsy, but only looking at him a brief moment very fiercely, to remember his face, darkly aslant at the mouth, for its comer was turned up in a weary grimace by a small white scar, and riveting my eyes on that mouth, I turned on my heel, the crinoline rustled and I moved past. Only then did he look at me and I felt perfectly that fleeting, cold glance, such a narrow glance, as though he had an unseen rifle at his cheek and aiming for my neck, right between the rolls of golden curls, and this was the second beginning. I didn’t want to turn back, but I did turn back and lowered myself in a deep, a very deep curtsy, lifting the crinoline with both hands, as if to sink through its stiffness to the sheen of the floor, for he was the King. Then I withdrew slowly, wondering how it was I knew this so well and with such certainty, and also strongly tempted to do something inappropriate, for if I could not know and yet did know, in a way inexorable and categorical, then all of this was a dream, and what could it hurt in a dream—to pull someone’s nose? I grew a little frightened, for I was not able to do this, as if I had inside me some invisible barrier. Thus I wavered, walking unaware, between the convictions of reality and dream, and meanwhile knowledge flowed into me, somewhat like waves flowing up onto a beach, and each wave left behind new information, ranks and titles as if trimmed with lace; halfway through the hall, underneath a blazing candelabrum that hovered like a ship on fire, I already knew the names of all the ladies, whose wear and tear was smoothed away by careful art.

I knew so very much now, like one fully roused out of a nightmare, yet with the memory of it still lingering, and that which remained inaccessible to me appeared in my mind as two dark shadows—my past and my present, for I was as yet in complete ignorance about myself. Whereas I was experiencing, in its totality, my nakedness, the breasts, belly, thighs, neck, shoulders, the unseen feet, concealed by costly clothing, I touched the topaz in gold that pulsed like a glowworm between my breasts, I could feel also the expression on my face, betraying absolutely nothing, a look which must have perplexed, for anyone who noticed me received the impression of a smile, yet if he searched my mouth more closely, my eyes, my brows, he would see that there was not a trace of amusement there, not even merely polite amusement, so he would gaze once more into my eyes, but they were completely tranquil, he would go to the cheeks, look for the smile in my chin, but I had no frivolous dimples, my cheeks were smooth and white, and the chin intent, quiet, sober, of no less perfection than the neck, which revealed not a thing. Then the gazer would be troubled, wondering why on earth he had imagined I was smiling, and in the bewilderment caused by his doubts and my beauty he would step back into the crowd, or render me a deep bow, in order that he might hide himself from me beneath that gesture.