D. Max - Every Love Story Is a Ghost Story - A Life of David Foster Wallace

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The first biography of the most influential writer of his generation, David Foster Wallace. David Foster Wallace was the leading literary light of his era, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Since his untimely death by suicide at the age of forty-six in 2008, Wallace has become more than the quintessential writer for his time — he has become a symbol of sincerity and honesty in an inauthentic age. In the end, as Max shows us, what is most interesting about Wallace is not just what he wrote but how he taught us all to live. Written with the cooperation of Wallace’s family and friends and with access to hundreds of his unpublished letters, manuscripts, and audio tapes, this portrait of an extraordinarily gifted writer is as fresh as news, as intimate as a love note, as painful as a goodbye.

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248 “not about the thing,” from a letter to a friend, February 22, 1998.

249 “post-partum funk,” from a letter to a friend, October 25, 1998.

249 “I’ve been going,” from a letter to Brad Morrow, April 4, 1998.

249 “We snorkeled,” from a postcard to Jonathan Franzen, November 4, 1998.

250 “Issues of usage,” from a letter to Don DeLillo, November 25, 1998.

250 “It is a sad Christmas,” from a card to Don DeLillo, December 1998.

251 “I always get the giggles,” from a letter to Rich C., August 24, 2000.

251 “I too have used,” from a note to Lee Freeman, Fall 1998.

252 “She was a girl,” from J. D. Salinger, “A Perfect Day for Bananafish,” in Nine Stories (Little, Brown, 1953) at 3.

253 “a collection of,” from “Overlooked,” Salon , April 12, 1999.

253 “mean to just about,” from an interview with Michael Silverblatt on KCRW, August 12, 1999.

253 “The big Attention eyeball,” from a letter to Brad Morrow, April 4, 1998.

253 “I’m in the midst of,” from a letter to Steven Moore, June 4, 1999.

253 “The Statue Talks!” from a letter to a friend, December 28, 1997.

253 “just want[ed] to,” from the Arden interview.

253 “I wanted to do,” from an interview with Michael Silverblatt on KCRW, August 12, 1999.

254 “full-scale harassment,” from Benjamin Weissman, “A Sleek and Brilliant Monster,” LA Weekly , April 28, 1999.

254 “seemingly inexhaustible bag,” from Andrei Cordescu, “Literary Cure,” Chicago Tribune , May 23, 1999.

254 “another mad scientist,” from Adam Goodheart, “Please Phrase Your Answer in the Form of a Question,” New York Times , June 20, 1999.

254 “No doubt these,” from Michiko Kakutani, “Calling Them Misogynists Would Be Too Kind,” New York Times , June 1, 1999.

254 “The NY Times just,” from a letter to Steven Moore, June 4, 1999.

255 “meta-ironic” and “Does Wallace’s work,” from A. O. Scott, “The Panic of Influence,” New York Review of Books , February 20, 2000.

255 “The difference,” from Seth Stevenson, “David Foster Wallace’s Hideous Men,” Slate , June 3, 1999.

257 “We fill pre-existing forms,” from Frank Bidart, “Borges and I,” in Desire: Poems (FSG, 1999) at 9.

257 “weird cultish Sikh,” from a letter to Rich C., August 24, 2000.

258 “a long march,” from a letter to Don DeLillo, November 3, 1999.

258 “visually raw,” from a letter to Don DeLillo, March 21, 2000.

258–59 “Almost everything I,” from a letter to Jonathan Franzen, circa summer 2000.

259 “I’m scared I can’t,” from a letter to Rich C., September 19, 2000.

260 “the brief weird excitement,” from the optional foreword to “Up Simba,” in Consider the Lobster (Little, Brown: 2005) at 159.

260 “three months that tickled” and “I do not know,” from a letter to Don DeLillo, March 21, 2000.

261 “I know [enough],” from a letter to Jesse Cohen, June 29, 2000.

261 “on the side” and “Did you know,” from a fax to Jesse Cohen, August 4, 2000.

261 “Cantor and the sheer,” from a fax by Jesse Cohen, August 7, 2000.

262 “Most of my own,” from a letter to David Markson, November 3, 2000.

262 “did a pretty good,” from a letter to Don DeLillo, April 26, 2001.

262 “Highlights” and “gearing up for” from a postcard to Don DeLillo, August 20, 2001.

263, 264 “It’s been a couple,” “two periods,” and “I apologize in advance,” from a letter to Michael Pietsch, October 13, 2001.

264 “There’s the whole,” from an interview with Laura Miller, in Salon.com , March 9, 1996.

264, 265 “A genre is hardening” and “vitality at all costs,” from James Wood, “Human, All Too Inhuman,” The New Republic , August 30, 2001.

265 “the traditional galleys-and-proofs,” from a letter to Don DeLillo, April 28, 2000.

265 “I struggle a great deal,” from a letter to Rich C., August 24, 2000.

267 “The students actually,” from a letter to Dale Peterson, March 2, 2001.

267 “home,” from a letter to Brad Morrow, April 31, 2001.

Chapter 8: The Pale King

268 “What kind of zip code,” from a letter to Don DeLillo, July 3, 2002.

268 “yellow snow,” from a letter to Brad Morrow, March 21, 2003.

269 “closest thing to a child,” from a letter to Brad Morrow, December 1, 2002.

270 “much less touristy or vulgar” and “pretty much hopelessly in love,” from a letter to Brad Morrow, January 6, 2003.

270 “land of 1600 SAT scores,” from a letter to Brad Morrow, April 30, 2001.

270 “We’re hiring you,” from Paul Brownfield, Literary Star Out of Limelight, Los Angeles Times, April 27, 2003.

270 “I have a lottery-prize-type gig,” from an interview with Dave Eggers, The Believer , November 2003.

272 “own eccentric researching,” from an email to Bonnie Nadell, April 4, 2003.

272 “enormous, pungent and extremely well-marketed,” from “Consider the Lobster,” Gourmet , August 2004.

273 “My audit group’s,” from The Pale King (New York: Little, Brown, 2011) at 387.

273 “I…did not think,” from a letter to Don DeLillo, circa November 2002.

274 “I’m doing a book about math!” from a postcard to Steven Moore, January 13, 2002.

274 “wretched math book,” from a postcard to Don DeLillo, July 3, 2002.

274 “both the math-editor,” from a postcard to Don DeLillo, September 1, 2002.

274 “The galleys for,” from a postcard to Don DeLillo, June 4, 2003.

276 “refreshingly conversational style,” from John Allen Paulos, “Electrified Paté,” American Scholar , Winter 2004.

276 “One wonders exactly whom,” from David Papineau, “Room for One More,” New York Times , November 16, 2003.

276 “mathematicians will view it,” from Rudy Rucker, “Infinite Confusion,” Science , January 16, 2004.

276 “Dr. Ragde,” from a letter to Jesse Cohen, circa early 2004.

276 “the best of the stuff,” from a letter to Michael Pietsch, October 13, 2001.

277 “unhappy, complicated, intellectualizing men,” from a letter by Michael Pietsch, November 28, 2001.

277 “I don’t feel much like an editor here,” from a letter by Michael Pietsch, October 3, 2003.

279 “only the tiniest tasting,” from Michiko Kakutani, “Life Distilled from Details, Infinite and Infinitesimal,” New York Times , June 1, 2004.

280 “forest-killing manuscript,” from Steve E. Alford, “Wordy Wallace Has New Stories,” Houston Chronicle , June 13, 2004.

280 “Wallace has the right,” Wyatt Mason, “Don’t like it? You don’t have to play,” London Review of Books , November 18, 2004.

281 “Karen is rehabbing,” and “It’s a dark time,” from an email to Jonathan Franzen, July 16, 2005.

282 “No more nymphs,” from a postcard to Steven Moore, February 2, 2002.

282 “I hear Kath[y],” from an email to Jonathan Franzen, February 11, 2004.

282 “I am more and more,” from an email to Jonathan Franzen, February 18, 2004.

283 “shitty motel,” from a letter to Don DeLillo, January 26, 2005.

283-84 “It’s just this” and “Basically — I empathize,” from a letter to Weston Cutter, un dated.

284 “I’m poised, ready,” from Brownfield, “Literary Star, Out of the Limelight.”

285 “You’re special,” from a letter to Evan Wright, October 17, 1999.

286 “I allow myself,” from a letter to Erica Neely, July 3, 2001.

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