D. Max - Every Love Story Is a Ghost Story - A Life of David Foster Wallace

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The first biography of the most influential writer of his generation, David Foster Wallace. David Foster Wallace was the leading literary light of his era, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Since his untimely death by suicide at the age of forty-six in 2008, Wallace has become more than the quintessential writer for his time — he has become a symbol of sincerity and honesty in an inauthentic age. In the end, as Max shows us, what is most interesting about Wallace is not just what he wrote but how he taught us all to live. Written with the cooperation of Wallace’s family and friends and with access to hundreds of his unpublished letters, manuscripts, and audio tapes, this portrait of an extraordinarily gifted writer is as fresh as news, as intimate as a love note, as painful as a goodbye.

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118 “I have only very recently,” from a letter to Steven Moore, January 18, 1989.

118 “Personally I love sending,” from a letter to Brad Morrow, February 9, 1989.

119 “I figure if I ever,” from a letter to Brad Morrow, March 7, 1989.

119 “95 % Portuguese and Brazilian,” from a letter to Jonathan Franzen, May 2, 1989.

120 “It’s lovely and crowded” and “I may well be,” from a letter to Steven Moore, April 17, 1989.

121 “the exact part of my nose,” from a letter to Steven Moore, May 1, 1989.

123 “Boston is fun ,” from a letter to Bonnie Nadell, May 26, 1989.

123 “fuck strangers,” from Lipsky, Although of Course , at 63.

123 “I’m bogged down,” from a letter to Jonathan Franzen, May 2, 1989.

124 “You’d be surprised,” from a letter to Bonnie Nadell, May 11, 1989.

125 “Alice has been marvelous,” from a letter to Bonnie Nadell, May 26, 1989.

125 “was not meant to carry,” from a letter to Steven Moore, August 18, 1989.

125 “Stay Fly, and Shit,” from a letter to Bonnie Nadell, July 5, 1989.

126 “The thing I like about,” from a letter to Steven Moore, May 12, 1989.

126 “carve out two days,” from a letter to Steven Moore, May 25, 1989.

126 “Fine prep. For the innumerable,” from a letter to Steven Moore, August 18, 1989.

127 “looking into celibatee,” from a letter to Bonnie Nadell, August 22, 1989.

127 “Thank God I don’t,” from a letter to Kathe Burkhart, August 1, 1989.

127 “You seem doomed,” from a letter to Kathe Burkhart, August 24, 1989.

127 “toddle off with my Get Smart,” from a letter to Jonathan Franzen, undated, circa summer 1989.

127 “intro german plus,” from a letter to Steven Moore, May 12, 1989.

128 “short journalistic version,” from a letter to Bonnie Nadell, August 22, 1989.

128 “horribly long,” from a letter to Bonnie Nadell, August 22, 1989.

128 “This magazine is way,” from a letter by Alice Turner, July 5, 1989.

128 “confusion, misunderstanding, deception,” from a letter to Alice Turner, July 11, 1989.

128 “I must say,” from a letter by Alice Turner, July 17, 1989.

128 “too much impressed,” from Kirkus Reviews , July 15, 1989.

128 “a real brown helmet,” from a letter to Brad Morrow, July 3, 1989.

128 “a dynamic writer of extraordinary talent,” from Jenifer Levin, “Love Is a Federal Highway,” New York Times , November 5, 1989.

129 “What is the fiction writer,” from an essay in Wigwag, republished in Sven Birkerts, American Energies (New York: Random House, 1994).

129 “A lot of it is like being,” from a letter to Steven Moore, September 5, 1989.

130 “the best young writer going,” from a letter to Steven Moore, May 1, 1989.

130 “simply separates sock from pod,” from a letter to Jonathan Franzen, May 2, 1989.

130 “more than a bubble,” from a letter to Jonathan Franzen, May 25, 1989.

130 “By merely abstracting,” from a letter by Jonathan Franzen, July 22, 1989.

131 “This Jonathan Franzen guy,” from a letter to Steven Moore, August 25, 1989.

131 “sentimental pretentious pseudo-autobiographical,” and “extensively explained dislike,” from a letter to Jonathan Franzen, August 13/14, 1989.

132 “The book is not yet out,” from a letter to Bonnie Nadell, November 1, 1989.

132 “a kind of shrill,” from Lipsky, Although of Course , at 229.

132 “This book is dying,” inscription in book for Rich C., October 17, 1989.

133 “as though the entire,” from Lipsky, Although of Course , at 68.

134 “The lovely medical staff,” from a letter to Brad Morrow, October 30, 1989.

Chapter 5: “Please Don’t Give Up on Me”

135 “Armageddon,” from the McCaffery interview.

136 “hard-core recidivist” and “I am getting booted,” from a letter to Bonnie Nadell, November 28, 1989.

138 “every bad ’60s novel,” from Lipsky, Although of Course , at 233.

138 “Give me a little time,” from a letter to Steven Moore, January 3, 1990.

138 “I’m not going anywhere,” from a letter to Brad Morrow, December 18, 1989.

138 “I am” and “Most of the guys,” from a letter to Dale Peterson, December 21, 1989.

139 “a motorhead from the South Shore,” from a letter to David Markson, July 29, 1990.

139 “It’s a rough crowd,” “I try hard to listen,” and “I’m scared,” from a letter to Rich C., December 21, 1989.

140 “They gave me Librium,” from a letter to Rich C., August 24, 2000.

141 “nobody is as gregarious,” from Lipsky, Although of Course , at 138.

141 “going from Harvard to here,” from a letter to Dale Peterson, December 21, 1989.

142 “I think part of why WM” and “one a vapid gushy,” from a letter to Steven Moore, January 3, 1990.

143 “The bald fact,” from a letter to Jonathan Franzen, May 1, 1990.

144 “some laffs and companionship,” from a letter by Jonathan Franzen, May 5, 1990.

144 “a kind of a ripping” and “the humble, unpaid work,” from a letter to Jonathan Franzen, May 21, 1990.

145 “[f]iction for me is a conversation,” from a letter to Jonathan Franzen, August 13–14, 1989.

145 “I’d love to hear more,” from a letter to Jonathan Franzen, May 21, 1990.

146 “so blank and depressed,” from a letter to David Markson, June 7, 1990.

146 “I cannot sit still,” from a letter to David Markson, July 29, 1990.

148 “a hip kids’ college,” from a letter to David Markson, October 18, 1990.

148 “Teaching is going OK,” from a letter to Jonathan Franzen, September 9, 1990.

148 “We spend most of our time,” from a letter to David Markson, October 18, 1990.

149 “rather like asking the Consul,” from a letter to David Markson, July 29, 1990.

149 “would be ‘sumptuous,’” from a letter to David Markson, October 18, 1990.

149 “They’re all ‘television’ majors,” from a letter to David Markson, January 6, 1991.

149 “I want to start trying,” from a letter to Steven Moore, November 20, 1990.

151 “I’ve gone from thinking,” from a letter to Steven Moore, October 26, 1990.

151 “I am the best copyeditor,” from a letter to Steven Moore, November 20, 1990.

151 “couldn’t even take,” from a letter to Steven Moore, December 14, 1990.

151 “every shred of will,” from a letter to David Markson, April 21, 1991.

152 “flat and strained,” from a letter to Jonathan Franzen, November 5, 1990.

152 “The people I’ve known there,” from a note to Jonathan Franzen, April 21, 1991.

152 “I think that eventually,” from a letter by Jonathan Franzen, July 22, 1991.

152 “I finally told Mary,” from a letter to Jonathan Franzen, June 7, 1991.

152 “Nothing is new,” from a letter to Fred Brooke, June 27, 1991.

153 “The apartment is strange,” from a letter to Jonathan Franzen, October 4, 1991.

153 “back to back in the afternoon,” from a letter to Jonathan Franzen, October 4, 1991.

154 “Please don’t give up on me,” from a letter to Bonnie Nadell, Spring 1991.

155 “slowly trying some fictional stuff,” from a letter to Forrest Ashby, August 8, 1991.

155 “writing quite a bit and enjoying it,” from a letter to Dale Peterson, August 23, 1991.

157 “mostly just to see what you think,” from a letter to Jonathan Franzen, September 19, 1990.

158 “decided that maybe being really sad,” from Lipsky, Although of Course , at 237.

158 “The key to ’92 is that MMK was most important,” from the marginalia in Wallace’s copy of Ernest Kurtz, The Spirituality of Imperfection .

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