Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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Nothing came out. I had been expecting at best a scalded tongue, at worst permanently cauterized taste buds, but I took in nothing but air. It was a trick glass, and for the first time in my adult life I was deeply relieved not to have a drink. As the laughter of the other guests died away, genuine drinks were threatened, but we were saved by the cat. From her headquarters on top of a large armoire, she took a flying leap in pursuit of a moth and crash-landed among the coffee cups and bottles on the table. It seemed like an appropriate moment to leave. We walked home pushing our stomachs before us, oblivious to the cold, incapable of speech, and slept like the dead.

Even by Provençal standards, it had not been an everyday meal. The people who work on the land are more likely to eat well at noon and sparingly in the evening, a habit that is healthy and sensible and, for us, quite impossible. We have found that there is nothing like a good lunch to give us an appetite for dinner. It's alarming. It must have something to do with the novelty of living in the middle of such an abundance of good things to eat, and among men and women whose interest in food verges on obsession. Butchers, for instance, are not content merely to sell you meat. They will tell you, at great length, while the queue backs up behind you, how to cook it, how to serve it, and what to eat and drink with it.

The first time this happened, we had gone into Apt to buy veal for the Provençal stew called pebronata. We were directed towards a butcher in the old part of town who was reputed to have the master's touch and to be altogether très sérieux. His shop was small, he and his wife were large, and the four of us constituted a crowd. He listened intently as we explained that we wanted to make this particular dish; perhaps he had heard of it.

He puffed up with indignation, and began to sharpen a large knife so energetically that we stepped back a pace. Did we realize, he said, that we were looking at an expert, possibly the greatest pebronata authority in the Vaucluse? His wife nodded admiringly. Why, he said, brandishing ten inches of sharp steel in our faces, he had written a book about it-a definitive book-containing twenty variations of the basic recipe. His wife nodded again. She was playing the rôle of senior nurse to his eminent surgeon, passing him fresh knives to sharpen prior to the operation.

We must have looked suitably impressed, because he then produced a handsome piece of veal and his tone became professorial. He trimmed the meat, cubed it, filled a small bag with chopped herbs, told us where to go to buy the best peppers (four green and one red, the contrast in color being for aesthetic reasons), went through the recipe twice to make sure we weren't going to commit a bêtise, and suggested a suitable Côtes du Rhône. It was a fine performance.

Gourmets are thick on the ground in Provence, and pearls of wisdom have sometimes come from the most unlikely sources. We were getting used to the fact that the French are as passionate about food as other nationalities are about sport and politics, but even so it came as a surprise to hear Monsieur Bagnols, the floor cleaner, handicapping three-star restaurants. He had come over from Nîmes to sand down a stone floor, and it was apparent from the start that he was not a man who trifled with his stomach. Each day precisely at noon he changed out of his overalls and took himself off to one of the local restaurants for two hours.

He judged it to be not bad, but of course nothing like the Beaumanière at Les Baux. The Beaumanière has three Michelin stars and a 17 out of 20 rating in the Gault-Millau Guide and there, he said, he had eaten a truly exceptional sea bass en croûte. Mind you, the Troisgros in Roanne was a superb establishment too, although being opposite the station the setting wasn't as pretty as Les Baux. The Troisgros has three Michelin stars and a 19½ out of 20 rating in the Gault-Millau Guide. And so it went on, as he adjusted his knee pads and scrubbed away at the floor, a personal guide to five or six of the most expensive restaurants in France that Monsieur Bagnols had visited on his annual treats. He had once been in England, and had eaten roast lamb at a hotel in Liverpool. It had been gray and tepid and tasteless. But of course, he said, it is well known that the English kill their lamb twice; once when they slaughter it, and once when they cook it. I retreated in the face of such withering contempt for my national cuisine, and left him to get on with the floor and dream of his next visit to Bocuse.

THE WEATHER continued hard, with bitter but extravagantly starry nights and spectacular sunrises. One early morning, the sun seemed abnormally low and large, and walking into it everything was either glare or deep shadow. The dogs were running well ahead of me, and I heard them barking long before I could see what they had found.

We had come to a part of the forest where the land fell away to form a deep bowl in which, a hundred years before, some misguided farmer had built a house that was almost permanently in the gloom cast by the surrounding trees. I had passed it many times. The windows were always shuttered, and the only sign of human habitation was smoke drifting up from the chimney. In the yard outside, two large and matted Alsatians and a black mongrel were constantly on the prowl, howling and straining against their chains in their efforts to savage any passers-by. These dogs were known to be vicious; one of them had broken loose and laid open the back of grandfather Andrew's leg. My dogs, full of valor when confronted by timid cats, had wisely decided against passing too close to three sets of hostile jaws, and had developed the habit of making a detour around the house and over a small steep hill. They were at the top now, barking in that speculative, nervous manner that dogs adopt to reassure themselves when they encounter something unexpected in familiar territory.

I reached the top of the hill with the sun full in my eyes, but I could make out the backlit silhouette of a figure in the trees, a nimbus of smoke around his head, the dogs inspecting him noisily from a safe distance. As I came up to him, he extended a cold, horny hand.

"Bonjour." He unscrewed a cigarette butt from the corner of his mouth and introduced himself. "Massot, Antoine."

He was dressed for war. A stained camouflage jacket, an army jungle cap, a bandolier of cartridges, and a pump-action shotgun. His face was the color and texture of a hastily cooked steak, with a wedge of nose jutting out above a ragged, nicotine-stained mustache. Pale blue eyes peered through a sprouting tangle of ginger eyebrows, and his decayed smile would have brought despair to the most optimistic dentist. Nevertheless, there was a certain mad amiability about him.

I asked if his hunting had been successful. "A fox," he said, "but too old to eat." He shrugged, and lit another of his fat Boyards cigarettes, wrapped in yellow maize paper and smelling like a young bonfire in the morning air. "Anyway," he said, "he won't be keeping my dogs awake at night," and he nodded down toward the house in the hollow.

I said that his dogs seemed fierce, and he grinned. Just playful, he said. But what about the time one of them had escaped and attacked the old man? Ah, that. He shook his head at the painful memory. The trouble is, he said, you should never turn your back on a playful dog, and that had been the old man's mistake. Une vraie catastrophe. For a moment, I thought he was regretting the wound inflicted on grandfather André, which had punctured a vein in his leg and required a visit to the hospital for injections and stitches, but I was mistaken. The real sadness was that Massot had been obliged to buy a new chain, and those robbers in Cavaillon had charged him 250 francs. That had bitten deeper than teeth.

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