Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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The evenings were such a relief that we usually stayed at home, convalescing after the din of the day, and so we missed most of the social and cultural events that had been organized for the benefit of summer visitors to the Lubéron. Apart from a bottom-numbing evening in the Abbey of Senanque, listening to Gregorian chants as we sat on benches of appropriately monastic discomfort, and a concert held in a floodlit ruin above Oppède, we didn't move from the courtyard. It was enough just to be alone and to be quiet.

Hunger eventually forced us out one night when we discovered that what we had planned to have for dinner had acquired a thick coating of grit from the day's drilling. We decided to go to a simple restaurant in Goult, a small village with an invisible population and no tourist attractions of any kind. It would be like eating at home, but cleaner. We beat a layer of dust from our clothes and left the dogs to guard the holes in the walls.

It had been a still, oppressively hot day, and the village smelled of heat, of baked tarmac and dried-out rosemary and warm gravel. And people. We had chosen the night of the annual fête. We should have known, because every village celebrated August in one way or another-with a boules tournament or a donkey race or a barbecue or a fair, with colored lights strung in the plane trees and dance floors made from wooden planks laid across scaffolding, with gypsies and accordion players and souvenir sellers and rock groups from as far away as Avignon. They were noisy, enjoyable occasions unless, like us, you were suffering from the mild concussion brought on by spending the day in a construction site. But we were there and we wanted the dinner that we had already mentally ordered. What were a few extra people compared to the delights of a salad made with warm mussels and bacon, chicken tickled with ginger, and the chef's clinging and delicious chocolate cake?

At any other time of the year, the sight of more than a dozen people in the village streets would indicate an event of unusual interest-a funeral, perhaps, or a price-cutting war between the two butchers who had adjacent shops a few yards from the café. But this was an exceptional night; Goult was playing host to the world, and the world was obviously as hungry as we were. The restaurant was full. The terrace outside the restaurant was full. Hopeful couples lurked in the shadows under the trees, waiting for a free table. The waiters looked harassed. The proprietor, Patrick, looked tired but satisfied, a man with a temporary gold mine. "You should have called," he said. "Come back at ten and I'll see what I can do."

Even the café, which was large enough to hold the entire population of Goult, could offer standing room only. We took our drinks across the road, where stalls had been set up in a hollow square around the monument honoring the men of the village who had fought and died in the wars, fallen for the glory of France. Like most war memorials we had seen, it was respectfully well kept, with a cluster of three new tricolore flags sharp and clean against the gray stone.

The windows in the houses around the square were open and the occupants leaned out, their flickering television sets forgotten behind them as they watched the slow-moving confusion below. It was more of a market than anything else, local artisans with their carved wood and pottery, wine growers and honey makers, a few antique dealers and artists. The heat of the day could be felt in the stone walls and seen in the way that the lazy, drifting crowd was walking, weight back on the heels, stomachs out, shoulders relaxed in a holiday slouch.

Most of the stands were trestle tables, with artifacts displayed on print tablecloths, often with a notice propped up saying that the owner could be found in the café if there was any risk of a sale. One stand, larger and more elaborate than the others, looked like an outdoor sitting room, furnished with tables and chairs and chaises longues and decorated with potted palms. A dark, stocky man in shorts and sandals sat at one of the tables with a bottle of wine and an order book. It was Monsieur Aude, the artist ferronnier of Saint-Pantaléon, who had done some work on the house. He beckoned us to sit down with him.

The ferronnier is a man who works with iron and steel, and in rural France he is kept busy making bars and gates and shutters and grilles to keep out the burglars who are assumed to be behind every bush. Monsieur Aude had progressed beyond these simple security devices, and had discovered that there was a market for replicas of classical eighteenth- and nineteenth-century steel furniture. He had a book of photographs and designs, and if you wanted a park bench or a baker's grill or a folding campaign bed such as Napoleon might have used, he would make it for you, then season it, being a superb judge of rust, to the required state of antiquity. He worked with his brother-in-law and a small beagle bitch and he could be relied upon to quote a delivery time of two weeks for anything, and to arrive with it three months later. We asked him if business was good.

He tapped his order book. "I could open a factory-Germans, Parisians, Belgians. This year they all want the big round tables and these garden chairs." He moved the chair next to him so that we could see the graceful arch of the legs. "The problem is that they think I can make everything in a couple of days, and as you know…" he left the sentence unfinished, and chewed reflectively on a mouthful of wine. A couple who had been circling the stand came up and asked about a campaign bed. Monsieur Aude opened his book and licked the point of his pencil, then looked up at them. "I have to tell you," he said with a completely straight face, "that it might take two weeks."

It was almost eleven by the time we started to eat, and well past midnight when we got home. The air was warm and heavy and abnormally still. It was a night for the pool, and we slipped into the water to float on our backs and look at the stars-the perfect end to a sweltering day. A long way off, from the direction of the Côte d'Azur, there was a mutter of thunder and the brief flicker of lightning, distant and ornamental, somebody else's storm.

It reached Ménerbes in the dark and early hours of the morning, waking us with a clap that shook the windows and startled the dogs into a chorus of barking. For an hour or more it seemed to stay directly above the house, rolling and exploding and floodlighting the vineyard. And then it rained with the intensity of a burst dam, crashing on the roof and in the courtyard, dripping down the chimney and seeping under the front door. It stopped just after dawn and, as if nothing had happened, the sun came up as usual.

We had no electricity. A little later, when we tried to call the Electricité de France office, we found we had no phone line. When we walked around the house to see what the storm had destroyed we saw that half the drive had been washed into the road, leaving ruts as wide as tractor wheels and deep enough to be dangerous to any normal car. But there were two silver linings: It was a beautiful morning, and there were no workmen. They were undoubtedly too busy with their own leaks to worry about our central heating. We went for a walk in the forest, to see what the storm had done there.

It was dramatic, not because of any uprooted trees, but because of the effects of the deluge on earth that had been baked for weeks. Wraiths of steam rose among the trees, and with them a continuous hissing sound as the heat of the new day started to dry the undergrowth. We came back for a late breakfast filled with the optimism that sunshine and blue sky can inspire, and we were rewarded by a working phone, with Monsieur Fructus on the end of it. He had called to see if his insurance policy had suffered any damage.

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