Peter Mayle - A Year In Provence

The Mistral started, suddenly and most inconveniently, while there was still plenty of uneaten shrimp salad on the tables. Lettuce leaves and scraps of bread became airborne, plucked from plates and blown among the snowy bosoms and silk trousers, scoring the occasional direct hit on a shirt front. Tablecloths snapped and billowed like sails, tipping over candles and wineglasses. Carefully arranged coiffures and composures were ruffled. This was a little too sauvage. There was a hasty retreat, and dinner was resumed under shelter.

More people arrived. The sound of Vivaldi from the barn was replaced by a few seconds of electronic hissing, followed by the shrieks of a man undergoing heart surgery without anesthetic: Little Richard was inviting us to get down and boogie.

We were curious to see what effect the music would have on such an elegant gathering. I could imagine them nodding their heads in time to a civilized tune, or dancing in that intimate crouch the French adopt whenever they hear Charles Aznavour, but this- this was a great sweating squawk from the jungle.

AWOPBOPALOOWOPAWOPBAMBOOM! We climbed the steps to the barn to see what they would make of it.

Colored strobe lighting was flashing and blinking, synchronized with the drumbeat and bouncing off the mirrors propped against the walls. A young man, shoulders hunched and eyes half-closed against the smoke of his cigarette, stood behind the twin turntables, his fingers coaxing ever more bass and volume from the knobs on the console.

GOOD GOLLY MISS MOLLY! screamed Little Richard. The young man went into a spasm of delight, and squeezed out an extra decibel. YOU SURE LOVE TO BALL! The barn vibrated, and le tout Paris vibrated with it, arms and legs and buttocks and breasts jiggling and shaking and grinding and flailing around, teeth bared, eyes rolling, fists pumping the air, jewelery out of control, buttons bursting under the strain, elegant façades gone to hell as everyone writhed and jerked and twitched and got down.

Most of them didn't bother with partners. They danced with their own reflections, keeping one eye, even in the midst of ecstasy, fixed on the mirrors. The air was filled with the smell of warm and scented flesh, and the barn turned into one huge throb, seething and frenzied and difficult to cross without being spiked by elbows or lashed by a whirling necklace.

Were these the same people who had been behaving so decorously earlier in the evening, looking as though their idea of a wild time might be a second glass of champagne? They were bouncing away like amphetamine-stuffed teenagers, and they seemed set for the night. We dodged and sidestepped through the squirming mass and left them to it. We had to be up early in the morning. We had a goat race to go to.

We had first seen the poster a week before, taped to the window of a tabac. There was to be a Grande Course de Chèvres through the streets of Bonnieux, starting from the Café César. The ten runners and their drivers were listed by name. There were numerous prizes, bets could be placed, and, said the poster, animation would be assured by a grand orchestra. It was clearly going to be a sporting event of some magnitude, Bonnieux's answer to the Cheltenham Gold Cup or the Kentucky Derby. We arrived well before the race to be sure of a good position.

By nine o'clock it was already too hot to wear a watch, and the terrace in front of the Café César was spilling over with customers having their breakfast of tartines and cold beer. Against the wall of the steps leading down to the rue Voltaire, a large woman had established herself at a table, shaded by a parasol that advertised Véritable Jus de Fruit. She beamed at us, riffling a book of tickets and rattling a cash box. She was the official bookmaker, although there was a man taking off-track bets in the back of the café, and she invited us to try our luck. "Look before you bet," she said. "The runners are down there."

We knew they weren't far away; we could smell them and their droppings, aromatic as they cooked in the sun. We looked over the wall, and the contestants looked back at us with their mad, pale eyes, masticating slowly on some prerace treat, their chins fringed with wispy beards. They would have looked like dignified mandarins had it not been for the blue and white jockey caps that each of them was wearing, and their racing waistcoats, numbered to correspond with the list of runners. We were able to identify Bichou and Tisane and all the rest of them by name, but it was not enough to bet on. We needed inside information, or at least some help in assessing the speed and staying power of the runners. We asked the old man who was leaning on the wall next to us, confident in the knowledge that he, like every Frenchman, would be an expert.

"It's a matter of their crottins," he said. "The goats who make the most droppings before the race are likely to do well. An empty goat is faster than a full goat. C'est logique." We studied form for a few minutes, and No. 6, Totoche, obliged with a generous effort. "Voilà," said our tipster, "now you must examine the drivers. Look for a strong one."

Most of the drivers were refreshing themselves in the café. Like the goats, they were numbered and wore jockey caps, and we were able to pick out the driver of No. 6, a brawny, likely looking man who seemed to be pacing himself sensibly with the beer. He and the recently emptied Totoche had the makings of a winning team. We went to place our bet.

" Non ." Madame the bookmaker explained that we had to get first, second, and third in order to collect, which ruined our calculations. How could we know what the dropping rate had been while we were away looking at the drivers? A certainty had dwindled into a long shot, but we went for No. 6 to win, the only female driver in the race to come second, and a goat called Nénette, whose trim fetlocks indicated a certain fleetness of hoof, to come in third. Business done, we joined the sporting gentry in the little place outside the café.

The grand orchestra promised by the poster-a van from Apt with a sound system in the back-was broadcasting Sonny and Cher singing "I've Got You, Babe." A thin, high-chic Parisienne we recognized from the night before started to tap one dainty white-shod foot, and an unshaven man with a glass of pastis and a heavy paunch asked her to dance, swiveling his substantial hips as an inducement. The Parisienne gave him a look that could have turned butter rancid, and became suddenly interested in the contents of her Vuitton bag. Aretha Franklin took over from Sonny and Cher, and children played hopscotch among the goat droppings. The place was packed. We wedged ourselves between a German with a video camera and the man with the paunch to watch as the finishing line was prepared.

A rope was strung across the place, about eight feet above the ground. Large balloons, numbered from one to ten, were filled with water and tied at regular intervals along the length of the rope. Our neighbor with the paunch explained the rules: Each of the drivers was to be issued a sharp stick, which had two functions. The first was to provide a measure of encouragement for any goats reluctant to run; the second was to burst their balloons at the end of the race to qualify as finishers. Evidemment, he said, the drivers would get soaked, which would be droll.

The drivers had now emerged from the café, and were swaggering through the crowd to collect their goats. Our favorite driver, No. 6, had his pocket knife out, and was putting a fine point on each end of his stick, which I took to be a good sign. One of the other drivers immediately lodged a complaint with the organizers, but the dispute was cut short by the arrival of a car which had somehow managed to creep down through one of the narrow streets. A young woman got out. She was holding a map. She looked extremely puzzled. She asked the way to the auto-route.