Michael Chabon - Telegraph Avenue

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Telegraph Avenue: краткое содержание, описание и аннотация

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As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland.
When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples’ already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe’s life.
An intimate epic, a NorCal
set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own,
is the great American novel we’ve been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon’s most dazzling book yet.

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“What? Nah, he just—I—nah, no, ma’am.”

They were coming more abject and automatic now, those “ma’ams,” and she pressed it, channeling an old, dead Texan woman she had never met, getting her thumbs into the seam she had found.

“That’s what I heard. Stay with the Jaffes, eat all the tempeh you can hold.”

He looked at the plate in front of him with the face of one betrayed. “You put tempeh in the pancakes ?”

“Only a little,” Aviva said. “Kidding. Nobody’s going to force you to eat tempeh against your will. So, uh, okay, so where did you go?”

He pushed the suspect plate away and started to stand up.

“I didn’t excuse you, mister.”

Titus nodded; that was indeed the case. He sat back down in the chair and turned to an article in American Cinematographer , a man in a white suit gazing at a wedding-cake riverboat that was stuck on a jungle mountain, she forgot the name of that one. An old back issue Julie had picked up somewhere, the Flea Market, the East Bay Depot for Creative Reuse. She got up, rebelted her robe, poured herself a cup of coffee, and sat down across the table from him. Fitzcarraldo. She had seen it at the Telegraph Repertory junior year, right around the time she met Nat, who tore tickets there two nights a week. Eighty-four, ’85, right toward the bitter end for that stuffy old black box . Not long before the night he came to her rescue. Who knew what might have befallen her if he hadn’t come along, with his belated Isro and his unlikely, heart-melting Tidewater accent? Remembering Nat as he was then, the world’s most pretentious high school dropout, coming on to her with some complicated theory about Peter Lorre and a jumbo cup of free popcorn. Simultaneously working at Rather Ripped Records and Pellucidar Books, all long gone. The man like some exiled Habsburg, bred and schooled to unite the crowns of kingdoms lost. At one time she had been able to console herself with his air of heroic obsolescence for the burden, material and emotional, that being married to him imposed upon her. Now the best she could hope for most of the time was to shake her head at him with more amusement than scorn.

“So, okay, you don’t want to be here. Where do you want to be? With your dad?”

The boy appeared to find the article about Fitzcarraldo quite fascinating, or perhaps he had fallen asleep again. Aviva couldn’t see his eyes.

“You and Julie have your last class tonight.”

“Yes, ma’am.”

“Julie says you want to be a movie director.”

No answer.

“He said you’ve written a screenplay.”

He dipped the tip of his left forefinger—he was a lefty—into the pool of maple syrup that remained on his plate. She resisted the urge to slap his hand, as she would have slapped Julie’s. It took him a while to figure out what he wanted or could permit himself to say.

“That he knows about.”

“You’ve written more than one?”

“Five.”

“Tell me the title of one of them.”

“May I be excused now?”

“Just another minute of torture.”

Incident at Al-Qufa Bridge.

“Al-Qufa Bridge? Is it—is it a war story?”

“It’s a, like, adaptation of ‘Incident at Owl Creek Bridge.’ Only in the Gulf War, not the Civil,” he said, catching her endlessly policed racist self red-handed. “By Ambrose Bierce, so it’s in the public domain, so I don’t got to pay no rights.”

“You know, your father, Archy, he served in the Gulf War. In the army.”

No answer.

“Did you know that?”

“Can I go?”

“Go where?” She had a sudden intuition. “Do you know where he lives?”

“Where who lives?”

Archy . You ride by his house, don’t you? At night. On your bike.”

“I have to use the bathroom.”

He looked at her, really looked at her, for the first time all morning. His eyes were filled with pleading, begging her to put him out of his misery.

“Fine,” she said, and as he darted around her to get out of the Torquemada chamber, she touched his shoulder with a right hand that had kept a thousand children from going too far, too fast. “But hear me out. I don’t want you getting my son into trouble, staying out all night. And don’t you ever lie to me again.”

“No, ma’am.”

“Don’t call me that anymore, please. Aviva will do.”

“Got it,” the boy said. “Now, please, get your fucking hand off me, Aviva.”

She let him go. He started out of the kitchen, then turned back.

“Your boy’s a little dick-sucking faggot,” he said. “Case you were wondering. And that ain’t no lie.”

“Way to start,” Aviva said. “Way to build that foundation.”

“Call me Moby.”

Gwen clutching her belly as she ran up the front walk of the Nefastis Building, a three-story concrete dingbat whose breezeway spawned dust devils of swirling take-out menus and bougainvillea bracts. Miles from the elevator, possibly the slowest elevator in the Western Hemisphere, miss it and she would have to wait at least ten minutes. Calling, “Oh, Mr. Oberstein, could you please hold that for me?”

The name on the shingle that Gwen walked past every working day of her life read OBERSTEIN, and she had never met anyone who looked more like an Oberstein, particularly in a three-piece suit. Plus, it always seemed to her that the man’s preferred nickname preceded a silent Dick. But the man stuck out a Weejun to keep the elevator doors from closing in her face, and he spent a lot of money every month helping to thin the vinyl herds at Brokeland, so she called him what he wanted her to call him and thanked him for holding the door.

“Thank you, Moby,” she said.

She observed that, along with his blue suit and brown loafers, he was wearing white tube socks with a blue stripe. “You’re up early,” she further observed. Six-thirty in the morning—on Mondays, Berkeley Birth Partners kept early-bird hours, to serve the workingwomen. Moby would be the only life-form in the building besides Gwen and the turtles in Dr. Mendelsohn’s terrarium.

“Gots to be in federal court at nine A.M.,” Moby said, going into that strange ghetto minstrel routine of his, or maybe trapped inside it permanently, a soft white moth caught in a drop of hip-hop amber. “And I am not ready. I’m trine to get legal standing for whales, bring suit against the navy on their behalf?”

“Oh, right,” Gwen said, only half remembering the story, whales in perdition, baffled by submarine ponging. Still, the man was one-up on her. He was following his heart in his working life, doing what he loved, loving what he did. “Good for you.”

They inched skyward. The elevator banged, mooed, and screeched, sounding like Sun Ra and that whole awful Arkestra trapped inside of an MRI machine.

“Low-frequency sonar? Like the navy is testing? That is some bad shit. Fucks with their internal guidance systems, they beach themselves, get brain damage. Every time they test it, you have dead whales washing up in the dozens.”

“I have to be honest, Moby,” Gwen said, aiming a magician’s-assistant ta-da! at the surprising feat that was her belly. “I’m not too fond of the word ‘whale’ these days.”

“You due any day, right,” Oberstein said. “ ’Bout to pop.”

“Four weeks.”

“Whoa.”

“That’s what I’m telling you. Truthfully, I’m impressed we both fit in this elevator. Come next week I might need to get an elevator of my own.”

“Least in five weeks you ain’t gonna be pregnant no more. But I’m a still be fat.”

“Oh, let me tell you something.” She had not slept well, troubled by the struggling knot in her belly, by the throb of her aching back. By black and red bursts of Lydia Frankenthaler bleeding out, Cochise Jones pinned and gasping under the juggernaut weight of his B-3. By thoughts of Archy and his furtive approach to grief. Holding his sadness close, as if it were a secret, the man always moving from one thing he couldn’t talk about to the next, sneaking across the field of his emotions from foxhole to foxhole, head down. She knew it had to be the loss of Mr. Jones, though she couldn’t shake a sense that there was something else bothering him. She wondered if maybe he already had something else going on the side; if he was in love with Elsabet Getachew; if he had lied when he said Mr. Jones left money to pay for the funeral, and was secretly bankrupting them to put the old man in the ground in what he termed, worrisomely, fitting style. But mostly, the problem was the throbbing of her back. “I will always be pregnant.”

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